Goddess Bagalamukhi

bagalāmukhī cālīsā

(Baglamukhi Chalisa in English (IAST))

Also known as sira navai bagalamukhi likhu calisa aja

A Hindi chalisa in the ordinary shape, opened and closed by dohas with the chaupai lines between, and its second couplet explains the name before doing anything else: your face, mother, is like the bagala's, and from that the famous name arose. What follows is almost entirely yellow. Yellow cloth on the body, a yellow seat, the great queen of the yellow colour, yellow ornaments and yellow sandal-paste, with the mace and the club in her hands, three eyes, a champak garland and a jewelled throne. The last third turns to counting: what a lakh of repetitions brings, what seven nights bring, what nine days bring, and the three times of day at which she should be held in mind. Its closing dohas are signed and dated, by Kulapati Mishra of Haripur village in the Haridwar district, son of Santsharan, in the bright fortnight of Shravana, 1995.

|| dohā ||
sira navāi bagalāmukhī, likhū~ cālīsā āja|
kṛpā karahu mopara sadā, pūrana ho mama kāja||
|| caupāī ||
jaya jaya jaya śrī bagalā mātā|
ādiśakti saba jaga kī trātā||
bagalā sama taba ānana mātā|
ehi te bhayau nāma vikhyātā||
śaśi lalāṭa kuṇḍala chavi nyārī|
astuti karahiṃ deva nara- nārī||
pītavasana tana para tava rājai|
hāthahiṃ mudgara gadā virājai||
tīna nayana gala campaka mālā|
amita teja prakaṭata hai bhālā||
ratna-jaṭita siṃhāsana sohai|
śobhā nirakhi sakala jana mohai||
āsana pītavarṇa mahārānī|
bhaktana kī tuma ho varadānī||
pītābhūṣaṇa pītahiṃ candana|
sura nara nāga karata saba vandana||
ehi vidhi dhyāna hṛdaya meṃ rākhai|
veda purāṇa santa asa bhākhai||
aba pūjā vidhi karauṃ prakāśā|
jāke kiye hota dukha- nāśā||
prathamahiṃ pīta dhvajā phaharāvai|
pītavasana devī pahirāvai||
kuṃkuma akṣata modaka besana|
abira gulāla supārī candana||
mālya haridrā aru phala pānā|
sabahiṃ caṛhai dharai ura dhyānā||
dhūpa dīpa karpūra kī bātī|
prema- sahita taba karai āratī||
astuti karai hātha dou jore|
puravahu mātu manoratha more||
mātu bhagati taba saba sukha khānī|
karahu kṛpā mopara janajānī||
trividha tāpa saba duḥkha naśāvahu|
timira miṭākara jñāna baṛhāvahu||
bāra- bāra maiṃ binavau~ tohīṃ|
avirala bhagati jñāna do mohīṃ||
pūjanānta meṃ havana karāvai|
so nara manavāṃchita phala pāvai||
sarṣapa homa karai jo koī|
tāke vaśa sacarācara hoī||
tila taṇḍula saṃga kṣīra mirāvai|
bhakti prema se havana karāvai||
duḥkha daridra vyāpai nahiṃ soī|
niścaya sukha- saṃpati saba hoī||
phūla aśoka havana jo karaī|
tāke gṛha sukha- sampatti bharaī||
phala semara kā homa karījai|
niścaya vāko ripu saba chījai||
guggula ghṛta homai jo koī|
tehi ke vaśa meṃ rājā hoī||
guggula tila sa~ga homa karāvai|
tāko sakala bandha kaṭa jāvai||
bījākṣara kā pāṭha jo karahīṃ|
bījamantra tumharo uccarahīṃ||
eka māsa niśi jo kara jāpā|
tehi kara miṭata sakala santāpā||
ghara kī śuddha bhūmi jaha~ hoī|
sādhaka jāpa karai taha~ soī||
soi icchita phala niścaya pāvai|
jāme nahiṃ kachu saṃśaya lāve||
athavā tīra nadī ke jāī|
sādhaka jāpa karai mana lāī||
dasa sahasra japa karai jo koī|
sakala kāja tehi kara sidhi hoī||
jāpa karai jo lakṣahiṃ bārā|
tākara hoya suyaśa vistārā||
jo tava nāma japai mana lāī|
alpakāla maha~ ripuhiṃ nasāī||
saptarātri jo jāpahiṃ nāmā|
vāko pūrana ho saba kāmā||
nava dina jāpa kare jo koī|
vyādhi rahita tākara tana hoī||
dhyāna karai jo bandhyā nārī|
pavai putrādika phala cārī||
prātaḥ sāyaṃ aru madhyānā|
dhare dhyāna hovai kalyānā||
kaha~ lagi mahimā kahauṃ tihārī|
nāma sadā śubha maṃgalakārī||
pāṭha karai jo nitya cālīsā|
tehi para kṛpā karahiṃ gaurīśā||
|| dohā ||
santaśaraṇa ko tanaya hū~, kulapati miśra sunāma|
haridvāra maṇḍala basū~, dhāma haripura grāma||
unnīsa sau picānabe san kī, śrāvaṇa śuklā māsa|
cālīsā racanā kiyauṃ, tava caraṇana ko dāsa||

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