Lord Narasimha

śrī narasiṃha bhagavāna kī āratī

(Shri Narsingh Bhagwan Ki Aarti in English (IAST))

Also known as sri narsingh bhagwan ki aarti · shree narsingh bhagwan ki aarti · narsingh bhagwan ki aarti

The Hindi āratī of Narasiṃha, in the metre of Om Jai Jagadīśa Hare and opening 'Om jai Narasiṃha Hare, prabhu jai Narasiṃha Hare', with the refrain returning after every couplet. It tells the story rather than describing the god: you split the pillar and appeared, and took away your servant's suffering; Hiraṇyakaśipu the sinner tormented Hari's devotee, gave grief to Prahlāda and had him bound to the post; even the gods were afraid, and the sinner threatened the boy. The narrative shape is what makes it an āratī for households — it can be followed by anyone who knows the Prahlāda story, which is most people, and the sung refrain carries the rest. It is the most widely used Narasiṃha text on this site's evidence and the plainest in language.

oṃ jaya narasiṃha hare, prabhu jaya narasiṃha hare|
stambha phāṛakara tuma prakaṭe, janakā dukha dūra kare||
oṃ jaya narasiṃha hare||
hiraṇyakaśyapa pāpī, hari bhakta satāye|
prahalāda jī ko dukha dīne, khambhe se bandhāe||
oṃ jaya narasiṃha hare||
devagaṇa bhī ḍare, pāpī prahalāda ko dhamakāye|
kṣaṇabhaṃgura kayā meṃ prabhu, narasiṃha rūpa meṃ āye||
oṃ jaya narasiṃha hare||
aṃgāroṃ se bhakta jale, pāpī prahalāda ko dukha dīne|
narasiṃha rūpa dharakara, hiraṇyakaśyapa ko māre||
oṃ jaya narasiṃha hare||
cakra gadā triśūla, kara meṃ astra dhāre|
narasiṃha jī kī āratī, jo nara prema se gāye||
oṃ jaya narasiṃha hare||
sukha sampatti ghara āve, kaṣṭa miṭe tana kā|
prahalāda bhakta kī rakṣā, kīno mana se||
oṃ jaya narasiṃha hare||
prabhu narasiṃha kī āratī, jo nara prema se gāve|
manavāṃchita phala pāve, sukha saṃpatti pāve||
oṃ jaya narasiṃha hare||
|| iti saṃpūrṇaṃm ||

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