Lord Ganesha

śrīgaṇeśa āratī (jaya vakratuṃḍā)

(Marathi Ganesh Aarti (Jai Vakratunda) in English (IAST))

Mukteshwar

Also known as ganesh aarti · ganesh ki aarti · ganesh aarti pdf

The other Marathi aarti in this cluster, and where that one begins with the ichor on his cheeks, this one is built out of music. Victory to the curved trunk, it opens, vermilion-marked, with broad straight arms — and then the seven notes are named in order, sa ri ga ma pa dha ni, as distinctions to be sounded; the mridanga is given its syllables, dhimikit dhimikit; and the dance is given its own, tatak tatak thaiyya. Between them a sitar sings sweetly and the small bells go runjhun, while Brahma and the rest stand looking at his lotus feet. The last verse returns to the figure: giving fearlessness and boons, lotus-petal eyes, the axe and the goad and the laddu in the hands, the mouse below. Mukteshwar closes it circling those feet like a bee.

jaya deva jaya deva jaya vakratuṃḍā|
siṃduramaṃḍita viśāl̤a saral̤a bhujadaṃḍā||
prasannabhāl̤ā vimalā kariṃ gheuni kamal̤ā|
uṃdiravāhana doṃdila nācasi bahulīlā||
ruṇajhuṇa karitī ghāgariyā ghol̤ā|
satāra susvara gāyana śobhita avalīlā||1||
sārīgamapadhanīsaptasvarabhedā|
dhimikiṭa dhimikiṭa mṛdaṃga vājati gatichaṃdā||
tātak tātak thaiyyā karisi ānaṃdā|
brahmādika avalokitī tava padāraviṃdā||2||
abhayavaradā sukhadā rājivadalanayanā|
paraśāṃkuśalaḍḍūdhara śobhita śubhavadanā||
ūrdhvadoṃdila uṃdira kārtikeśvara racanā|
mukteśvara caraṇāṃbujiṃ alipari karī bhramaṇā||3||
|| iti saṃpūrṇaṃm ||

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