ശ്രീ മഹാഗണപതി മൂലമന്ത്രഃ

chandas Prose, the viniyoga

കീലക the pin — The syllable that holds the mantra together, as a pin holds a wheel on its axle.

note gaṇaka r̥ṣiḥ: open the right palm and touch the top of the forehead nicr̥dgāyatrī chandaḥ: right palm on the mouth mahāgaṇapatirdēvatā: right palm on the heart chakra glauṁ bījaṁ: right shoulder hrīṁ śaktiḥ: left shoulder glūṁ kīlakam: on the navel mahāgaṇapatiprītyarthē japē viniyōgaḥ: open both the palms and run them over all parts of the body; from head to feet

chandas Prose, the placing on the hands

note ōṁ gāṁ: use both the index fingers and run them on both the thumbs śrīṁ gīṁ: use both the thumbs and run them on both the index fingers hrīṁ gūṁ: both the thumbs on the middle fingers klīṁ gaiṁ: both the thumbs on the ring fingers glauṁ gauṁ: both the thumbs on the little fingers gaṁ gaḥ: open both the palms; run the opened palms of the right hand on the front and back sides of the left palm and repeat the same for the other palm

chandas Prose, the placing on the body

ദിഗ്ബന്ധ binding the directions — A fence drawn round the worship, so that nothing from any quarter disturbs it. It is undone at the end.

note ōṁ gāṁ: open index; middle and ring fingers of the right hand and place them on the heart chakra śrīṁ gīṁ: open middle and ring fingers of the right hand and touch the top of the forehead hrīṁ gūṁ: open the right thumb and touch the back of the head at the crown point where a tuft is traditionally kept klīṁ gaiṁ: cross both the hands and run the fully opened palms from shoulders to finger tips glauṁ gauṁ: open the index; middle and ring fingers of the right hand; touch both the eyes using index and ring fingers and touch the point between the two eyebrows (ājñā cakra) with the middle finger gaṁ gaḥ: open up the left palm and strike it three times with index and middle fingers of the right hand digbandhaḥ: by using right hand thumb and middle fingers make a rattle sound clockwise around the head

• ബീജാപൂര (bījāpūra)a citron
• ഗദാ (gadā)a mace
• ഇക്ഷുകാര്മുകരുജാ (ikṣukārmukarujā)a sugarcane bow
• ചക്ര (cakra)a discus
• അബ്ജ (abja)a lotus
• പാശ (pāśa)a noose
• ഉത്പല (utpala)a blue lily
• വ്രീഹ്യഗ്ര (vrīhyagra)an ear of rice
• സ്വവിഷാണ (svaviṣāṇa)his own tusk
• രത്നകലശ (ratnakalaśa)a jewel and a pitcher
• പ്രോദ്യത്കരാമ്ഭോരുഹഃ (prodyatkarāmbhoruhaḥ)in whose raised lotus hands they are
• ധ്യേയഃ (dhyeyaḥ)to be meditated on
• വല്ലഭയാ (vallabhayā)by his beloved
• സപദ്മകരയാ (sapadmakarayā)with a lotus in her hand
• ശ്ലിഷ്ടഃ (śliṣṭaḥ)held close
• ഉജ്ജ്വലദ്ഭൂഷയാ (ujjvaladbhūṣayā)whose ornaments blaze
• വിശ്വോത്പത്തിവിപത്തിസംസ്ഥിതികരഃ (viśvotpattivipattisaṃsthitikaraḥ)who makes the world rise, stand and pass away
• വിഘ്നേശഃ (vighneśaḥ)the lord of obstacles
• ഇഷ്ടാര്ഥദഃ (iṣṭārthadaḥ)who gives what is wished for

anvaya ബീജാപൂര ഗദാ ഇക്ഷുകാര്മുകരുജാ ചക്ര അബ്ജ പാശ ഉത്പല വ്രീഹ്യഗ്ര സ്വവിഷാണ രത്നകലശ പ്രോദ്യത്കരാമ്ഭോരുഹഃ സപദ്മകരയാ ഉജ്ജ്വലദ്ഭൂഷയാ വല്ലഭയാ ശ്ലിഷ്ടഃ വിശ്വോത്പത്തിവിപത്തിസംസ്ഥിതികരഃ ഇഷ്ടാര്ഥദഃ വിഘ്നേശഃ ധ്യേയഃ

chandas Śārdūlavikrīḍita, 19 syllables in each of 4 pādas

ബീജാപൂര a citron — The thick-skinned citron, full of seed, which Mahaganapati holds as a sign of plenty.

ഇക്ഷുകാര്മുക a sugarcane bow — A bow of sugarcane, the same weapon Kama carries; here it is one of the ten things in his hands.

note Meditation and visual alignment section. Contemplate the physical attributes and weapons of Maha Ganapati mentally with eyes closed or relaxed to stabilize concentration.

chandas Prose, the five offerings

പഞ്ചപൂജാ the five offerings — Scent, flower, incense, lamp and food, given in that order and matched to earth, space, wind, fire and water.

note The five elements of nature are mentally worshiped and harmonized within the body. These can be executed using specific hand mudras or internal visualization.

chandas Prose, the mantra itself

വരവരദ giver of the best of boons — Addressed straight to him, in the vocative: the one who gives, and gives the best.

note The core 28-syllable focus of the practice layout. This should be repeated cleanly and at a conversational pace without garbling the sound.

chandas Prose, the release

note ōṁ gāṁ to gaṁ gaḥ: Repeat the physical touch patterns executed during the initial layout stage. digvimōkaḥ: by using right hand thumb and middle fingers make a rattle sound anticlockwise around the head to open your space boundaries.

• ഗുഹ്യാതിഗുഹ്യഗോപ്താ (guhyātiguhyagoptā)keeper of what is secret beyond all secrets
• ത്വമ് (tvam)you
• ഗൃഹാണ (gṛhāṇa)take
• അസ്മത്കൃതമ് (asmatkṛtam)made by us
• ജപമ് (japam)this recitation
• സിദ്ധിഃ (siddhiḥ)success
• ഭവതു (bhavatu)let there be
• മേ (me)mine
• ദേവ (deva)god
• ത്വത്പ്രസാദാത് (tvatprasādāt)by your grace
• മയി (mayi)in me
• സ്ഥിരാ (sthirā)firm
• ഓം (oṃ)Om
• ശാന്തിഃ (śāntiḥ)peace
• ശാന്തിഃ (śāntiḥ)peace
• ശാന്തിഃ (śāntiḥ)peace

anvaya ത്വമ് ഗുഹ്യാതിഗുഹ്യഗോപ്താ അസ്മത്കൃതമ് ജപമ് ഗൃഹാണ ദേവ ത്വത്പ്രസാദാത് മേ സിദ്ധിഃ മയി സ്ഥിരാ ഭവതു ഓം ശാന്തിഃ ശാന്തിഃ ശാന്തിഃ

chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas

note Take water in an uttarani (ritual spoon) and by reciting this completion mantra; offer the water to the earth to formally conclude the mental practice.