Lord Ganesha

ucchiṣṭa gaṇapati stotram

(Ucchista Ganapati Stotram in English (IAST))

Also known as ucchista ganapati stotra · ucchista ganapati · atha ucchista ganapati stotram

From the Rudrayamala Tantra, a conversation of Hara and Gauri, with Kankola named as its seer. Ucchishta Ganapati is one of the thirty-two forms and belongs to the left-hand tradition, and the hymn does not conceal it — the second verse sets a pair of women with chamaras beside him and the fifteenth is frankly in the erotic register. What surprises is that the body of the text is domestic and tender. He sprinkles a devotee burning in the forest fire of becoming with the water running from his own temples. He sees the moon on Shiva's crest, thinks of his own broken tusk, and draws the moon down. He wants to play with Bhagirathi in his father's matted hair and his mother stops him. He beats Kumara at a game, lifts him in his trunk and dances. He brushes the bees off his ichor with his ears.

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Lyrics
atha ucchiṣṭa gaṇapati stotram
|| viniyogaḥ ||
oṃ asya śrīucchiṣṭagaṇapatistotramantrasya kaṅkola ṛṣiḥ, virāṭ chandaḥ, śrīucchiṣṭagaṇapatirdevatā, mama sarvābhīṣṭasiddhyarthe jape viniyogaḥ ||
|| ṛṣyādi nyāsaḥ ||
oṃ kaṅkolaṛṣaye namaḥ śirasi |
virāṭchandase namaḥ mukhe |
śrīucchiṣṭagaṇapatidevatāyai namaḥ hṛdi |
viniyogāya namaḥ sarvāṅge ||
|| mūla stotram ||
devyuvāca|
namāmi devaṃ sakalārthadaṃ taṃ
suvarṇavarṇaṃ bhujagopavītam |
gajānanaṃ bhāskaramekadantaṃ
lambodaraṃ vāribhavāsanaṃ ca || 1 ||
keyūriṇaṃ hārakirīṭajuṣṭaṃ
caturbhujaṃ pāśavarābhayāni |
sṛṇiṃ ca hastaṃ gaṇapaṃ trinetraṃ
sacāmarastrīyugalena yuktam || 2 ||
ṣaḍakṣarātmānamanalpabhūṣaṃ
munīśvarairbhārgavapūrvakaiśca |
saṃsevitaṃ devamanāthakalpaṃ
rūpaṃ manojñaṃ śaraṇaṃ prapadye || 3 ||
vedāntavedyaṃ jagatāmadhīśaṃ
devādivandyaṃ sukṛtaikagamyam |
stamberamāsyaṃ nanu candracūḍaṃ
vināyakaṃ taṃ śaraṇaṃ prapadye || 4 ||
bhavākhyadāvānaladahyamānaṃ
bhaktaṃ svakīyaṃ pariṣiñcate yaḥ |
gaṇḍasrutāmbhobhirananyatulyaṃ
vande gaṇeśaṃ ca tamo'rinetram || 5 ||
śivasya maulāvavalokya candraṃ
suśuṇḍayā mugdhatayā svakīyam |
bhagnaṃ viṣāṇaṃ paribhāvya citte
ākṛṣṭacandro gaṇapo'vatānnaḥ || 6 ||
piturjaṭājūṭataṭe sadaiva
bhāgīrathī tatra kutūhalena |
vihartukāmaḥ sa mahīdhraputryā
nivāritaḥ pātu sadā gajāsyaḥ || 7 ||
lambodaro devakumārasaṅghaiḥ
krīḍankumāraṃ jitavānnijena |
kareṇa cottolya nanarta ramyaṃ
dantāvalāsyo bhayataḥ sa pāyāt || 8 ||
āgatya yoccairharinābhipadmaṃ
dadarśa tatrāśu kareṇa tacca |
uddhartumicchanvidhivādavākyaṃ
mumoca bhūtvā caturo gaṇeśaḥ || 9 ||
nirantaraṃ saṃskṛtadānapaṭṭe
lagnāṃ tu guñjadbhramarāvalīṃ vai |
taṃ śrotratālairapasārayantaṃ
smaredgajāsyaṃ nijahṛtsaroje || 10 ||
viśveśvaramaulisthitajahnukanyā
jalaṃ gṛhītvā nijapuṣkareṇa |
haraṃ salīlaṃ pitaraṃ svakīyaṃ
prapūjayanhastimukhaḥ sa pāyāt || 11 ||
stamberamāsyaṃ ghusṛṇāṅgarāgaṃ
sindūrapūrāruṇakāntakumbham |
kucandanāśliṣṭakaraṃ gaṇeśaṃ
dhyāyetsvacitte sakaleṣṭadaṃ tam || 12 ||
sa bhīṣmamāturnijapuṣkareṇa
jalaṃ samādāya kucau svamātuḥ |
prakṣālayāmāsa ṣaḍāsyapītau
svārthaṃ mude'sau kalabhānano'stu || 13 ||
siñcāma nāgaṃ śiśubhāvamāptaṃ
kenāpi satkāraṇato dharitryām |
vaktāramādyaṃ niyamādikānāṃ
lokaikavandyaṃ praṇamāmi vighnam || 14 ||
āliṅgitaṃ cārurucā mṛgākṣyā
sambhogalolaṃ madavihvalāṅgam |
vighnaughavidhvaṃsanasaktamekaṃ
namāmi kāntaṃ dviradānanaṃ tam || 15 ||
heramba udyadravikoṭikāntaḥ
pañcānanenāpi vicumbitāsyaḥ |
munīnsurānbhaktajanāṃśca sarvā-
-nsa pātu rathyāsu sadā gajāsyaḥ || 16 ||
dvaipāyanoktāni sa niścayena
svadantakoṭyā nikhilaṃ likhitvā |
dantaṃ purāṇaṃ śubhamindumauli-
-stapobhirugraṃ manasā smarāmi || 17 ||
krīḍātaṭānte jaladhāvibhāsye
velājale lambapatiḥ prabhītaḥ |
vicintya kasyeti surāstadā taṃ
viśveśvaraṃ vāgbhirabhiṣṭuvanti || 18 ||
vācāṃ nimittaṃ sa nimittamādyaṃ
padaṃ trilokyāmadadatstutīnām |
sarvaiśca vandyaṃ na ca tasya vandyaḥ
sthāṇoḥ paraṃ rūpamasau sa pāyāt || 19 ||
phalaśrutiḥ |
imāṃ stutiṃ yaḥ paṭhatīha bhaktyā
samāhitaprītiratīva śuddhaḥ |
saṃsevyate cendirayā nitāntaṃ
dāridryasaṅghaṃ sa vidārayennaḥ || 20 ||
iti śrīrudrayāmalatantre haragaurīsaṃvāde ucchiṣṭagaṇeśastotraṃ samāptam |

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