- śrīucchiṣṭagaṇapatisahasranāmastotramthe hymn of the thousand names of Shri Ucchishta Ganapati
anvaya śrīucchiṣṭagaṇapatisahasranāmastotram
chandas Prose, the title
ucchiṣṭa Ucchishta — Literally what is left over, as food left on a plate. Ucchishta Ganapati is the tantric form worshipped outside the rules of purity that govern ordinary worship; his rites may be done with the mouth unwashed, which is where the name comes from.
note The hymn comes from the Rudrayamala Tantra and is spoken by Bhairava to the goddess. It is a tantric text, and some of its names and its closing instructions belong to rites that are kept for initiates.
śrībhairava uvāca|
śṛṇu devi rahasyaṃ me yatpurā sūcitaṃ mayā |
tava bhaktyā gaṇeśasya vakṣye nāmasahasrakam || 1||
- śrīgaṇeśāyato Shri Ganesha
- namaḥsalutation
- śrībhairavaḥShri Bhairava
- uvācasaid
- śṛṇulisten
- devigoddess
- rahasyamsecret
- memy
- yatwhich
- purāonce before
- sūcitamtouched on
- mayāby me
- tavayour
- bhaktyābecause of the love
- gaṇeśasyaof Ganesha
- vakṣyeI will tell
- nāmasahasrakamthe thousand names
anvaya śrīgaṇeśāya namaḥ śrībhairavaḥ uvāca devi mayā purā yat sūcitam me rahasyam śṛṇu tava bhaktyā gaṇeśasya nāmasahasrakam vakṣye
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
oṃ bhagavangaṇanāthasya ucchiṣṭasya mahātmanaḥ |
śrotuṃ nāma sahasraṃ me hṛdayaṃ protsukāyate || 2||
- śrīdevīthe goddess
- uvācasaid
- oṃOm
- bhagavanlord
- gaṇanāthasyaof the lord of the ganas
- ucchiṣṭasyaof Ucchishta
- mahātmanaḥthe great-souled
- śrotumto hear
- nāma sahasramthe thousand names
- memy
- hṛdayamheart
- protsukāyateis eager
anvaya śrīdevī uvāca oṃ bhagavan mahātmanaḥ ucchiṣṭasya gaṇanāthasya nāma sahasram śrotum me hṛdayam protsukāyate
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
prāṅmukhe tripurānāthe jātā vighnakulāḥ śive |
mohane mucyate cetastaiḥ sarvairbaladarpitaiḥ || 3||
- śrībhairavaḥBhairava
- uvācasaid
- prāṅmukhewhen I faced east
- tripurānātheagainst the lord of the three cities
- jātāḥsprang up
- vighnakulāḥwhole families of obstacles
- śivegoddess
- mohaneinto confusion
- mucyateis cast
- cetaḥmy mind
- taiḥby them
- sarvaiḥall
- baladarpitaiḥproud of their strength
anvaya śrībhairavaḥ uvāca śive tripurānāthe prāṅmukhe vighnakulāḥ jātāḥ taiḥ sarvaiḥ baladarpitaiḥ cetaḥ mohane mucyate
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
tripura the three cities — The three flying fortresses of the demons, which Shiva burnt with a single arrow. The story told here is that he could not do it until he had first praised Ganapati.
vighnā dūrātpalāyante kālarudrādiva prajāḥ || 4||
- tadāthen
- prabhumthe lord
- gaṇādhyakṣamthe overseer of the ganas
- stutvāonce I had praised
- nāmasahasrakaiḥwith the thousand names
- vighnāḥthe obstacles
- dūrātfar away
- palāyanteran
- kālarudrātfrom Kalarudra
- ivaas
- prajāḥcreatures
anvaya tadā nāmasahasrakaiḥ prabhum gaṇādhyakṣam stutvā vighnāḥ kālarudrāt prajāḥ iva dūrāt palāyante
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
kālarudra Kalarudra — Rudra as Time, who destroys the worlds at the end of an age.
tamadyāpi gaṇeśānaṃ staumi nāmasahasrakaiḥ || 5||
- tasyahis
- anugrahataḥby the grace
- devigoddess
- jātaḥbecame
- ahamI
- tripurāntakaḥthe destroyer of the three cities
- tamthat
- adyāpito this day
- gaṇeśānamlord of the ganas
- staumiI praise
- nāmasahasrakaiḥwith the thousand names
anvaya devi tasya anugrahataḥ aham tripurāntakaḥ jātaḥ adyāpi tam gaṇeśānam nāmasahasrakaiḥ staumi
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
mahāgaṇapatervakṣye divyaṃ nāmasahasrakam || 6||
- tatso
- adyanow
- tavayour
- bhaktyāfor the devotion
- ahamI
- sādhakānāmof those who practise
- hitāyafor the good
- caand
- mahāgaṇapateḥof Mahaganapati
- vakṣyeI will tell
- divyamdivine
- nāmasahasrakamthousand names
anvaya tat adya aham tava bhaktyā ca sādhakānām hitāya mahāgaṇapateḥ divyam nāmasahasrakam vakṣye
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
sādhaka those who practise — One who has taken up a practice under a teacher, as opposed to a casual reciter.
gāyatrī chandaḥ | śrīmahāgaṇapatirdevatā |
gaṃ bījam | hrīṃ śaktiḥ | kurukuru kīlakam |
mama dharmārthakāmamokṣārthe jape viniyogaḥ ||
chandas Prose, the viniyoga
guṇāḍhyo nirguṇo goptā gajavaktro vibhāvasuḥ || 7||
- oṃOm
- hrīṃthe seed syllable hrim
- śrīṃthe seed syllable shrim
- klīṃthe seed syllable klim
- gaṇādhyakṣaḥoverseer of the ganas
- glauṃthe seed syllable glaum
- ga~the seed syllable gam
- gaṇapatiḥlord of the ganas
- guṇīthe one with qualities
- guṇāḍhyaḥrich in qualities
- nirguṇaḥbeyond all qualities
- goptāthe guardian
- gajavaktraḥelephant-faced
- vibhāvasuḥrich in light
anvaya oṃ hrīṃ śrīṃ klīṃ gaṇādhyakṣaḥ glauṃ ga~ gaṇapatiḥ guṇī guṇāḍhyaḥ nirguṇaḥ goptā gajavaktraḥ vibhāvasuḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
bīja seed syllables — Hrim, shrim, klim, glaum and gam carry no dictionary meaning. They are the sounds of particular powers, set among the names like jewels in a string.
sadāśānto jagattrātā viśvāvarto vibhākaraḥ || 8||
- viśveśvaraḥlord of all
- vibhādīptaḥablaze with light
- dīpanaḥthe one who kindles
- dhīvaraḥbest in understanding
- dhanīrich
- sadāśāntaḥalways at peace
- jagattrātāsaviour of the world
- viśvāvartaḥthe whirl in which everything turns
- vibhākaraḥmaker of light
anvaya viśveśvaraḥ vibhādīptaḥ dīpanaḥ dhīvaraḥ dhanī sadāśāntaḥ jagattrātā viśvāvartaḥ vibhākaraḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
aṇimāvibhavaḥ śreṣṭho jyeṣṭho gāthāpriyo guruḥ || 9||
- viśrambhīthe one to be trusted
- vijayaḥvictory
- vaidyaḥthe healer
- vārānnidhiḥthe ocean
- anuttamaḥunsurpassed
- aṇimāvibhavaḥwhose glory is the power to become small as an atom
- śreṣṭhaḥbest
- jyeṣṭhaḥeldest
- gāthāpriyaḥlover of sung verses
- guruḥthe teacher
anvaya viśrambhī vijayaḥ vaidyaḥ vārānnidhiḥ anuttamaḥ aṇimāvibhavaḥ śreṣṭhaḥ jyeṣṭhaḥ gāthāpriyaḥ guruḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
patiḥ pītavibhūṣāṅko raktākṣo lohitāmbaraḥ || 10||
- sṛṣṭikartāmaker of creation
- jagaddhartāupholder of the world
- viśvabhartāsustainer of all
- jagannidhiḥthe world's treasure-house
- patiḥthe master
- pītavibhūṣāṅkaḥmarked with yellow ornaments
- raktākṣaḥred-eyed
- lohitāmbaraḥclothed in red
anvaya sṛṣṭikartā jagaddhartā viśvabhartā jagannidhiḥ patiḥ pītavibhūṣāṅkaḥ raktākṣaḥ lohitāmbaraḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
surūpaḥ sāttvikaḥ satyaḥ śuddhaḥ śaṅkaranandanaḥ || 11||
- virūpākṣaḥof strange eyes
- vimānasthaḥstanding in a sky-chariot
- vinītaḥmodest
- sadasyaḥone who sits in the assembly
- sukhīhappy
- vinayaḥmodesty
- sātvataḥthe steadfast
- surūpaḥfair of form
- sāttvikaḥclear by nature
- satyaḥtrue
- śuddhaḥpure
- śaṅkaranandanaḥthe son of Shankara
anvaya virūpākṣaḥ vimānasthaḥ vinītaḥ sadasyaḥ sukhī vinayaḥ sātvataḥ surūpaḥ sāttvikaḥ satyaḥ śuddhaḥ śaṅkaranandanaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note The words in brackets, vinaya and sātvata, are a variant reading for the names before them, printed in the text beside the line.
daityamarddī sadākṣībo madirāruṇalocanaḥ || 12||
- nandīśvaraḥlord of Nandi
- jayānandīwho delights in victory
- vandyaḥto be bowed to
- stutyaḥto be praised
- vicakṣaṇaḥclear-sighted
- daityamarddīcrusher of demons
- sadākṣībaḥever in the rapture of wine
- madirāruṇalocanaḥhis eyes reddened by wine
anvaya nandīśvaraḥ jayānandī vandyaḥ stutyaḥ vicakṣaṇaḥ daityamarddī sadākṣībaḥ madirāruṇalocanaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
kṣība, madirā rapture, wine — In tantric worship wine is one of the offerings, and Ucchishta Ganapati is pictured flushed with it. The names describe the image the rite sets up in the mind.
paraṃ brahma paraṃ jyotiḥ sākṣī tryakṣo vikatthanaḥ || 13||
- sārātmāwhose self is the very core
- viśvasāraḥthe core of all
- caand
- viśvasāraḥthe core of everything
- vilepanaḥthe anointing
- paraṃ brahmathe highest brahman
- paraṃ jyotiḥthe highest light
- sākṣīthe witness
- tryakṣaḥthree-eyed
- vikatthanaḥwho speaks his own glory aloud
anvaya sārātmā viśvasāraḥ ca viśvasāraḥ vilepanaḥ paraṃ brahma paraṃ jyotiḥ sākṣī tryakṣaḥ vikatthanaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
bhṛṅgiriṭī bhṛṅgamālī bhṛṅgakūjitanāditaḥ || 14||
- viśveśvaraḥlord of all
- vīrahartāwho brings down heroes
- saubhāgyaḥgood fortune
- bhāgyavarddhanaḥwho makes fortune grow
- bhṛṅgiriṭīBhringiriti
- bhṛṅgamālīgarlanded with bees
- bhṛṅgakūjitanāditaḥringing with the hum of bees
anvaya viśveśvaraḥ vīrahartā saubhāgyaḥ bhāgyavarddhanaḥ bhṛṅgiriṭī bhṛṅgamālī bhṛṅgakūjitanāditaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
bhṛṅgiriṭi Bhringiriti — Shiva's gaunt devotee, who would circle Shiva alone and not Parvati. The name brings in the bees, bhṛṅga, that follow in the next two.
vainateyo vinamrāṅgo viśvanāyakanāyakaḥ || 15||
- vinartakaḥthe dancer
- vinītaḥmodest
- apias well
- vinatānandanārcitaḥworshipped by Vinata's son
- vainateyaḥGaruda himself
- vinamrāṅgaḥwith limbs bowed low
- viśvanāyakanāyakaḥleader of the leaders of the world
anvaya vinartakaḥ vinītaḥ api vinatānandanārcitaḥ vainateyaḥ vinamrāṅgaḥ viśvanāyakanāyakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
vainateya Garuda — The eagle, son of Vinata. He is named both as a worshipper of Ganapati and as Ganapati himself, a turn this hymn makes often.
puṣpadantaḥ puṣpahārī puṣpamālāvibhūṣaṇaḥ || 16||
- virāṭakaḥthe vast one
- virāṭaḥthe cosmic form
- caand
- vidagdhaḥskilled
- vidhurātmabhūḥhimself the source of those who are forsaken
- puṣpadantaḥPushpadanta
- puṣpahārīwho takes flowers
- puṣpamālāvibhūṣaṇaḥadorned with garlands of flowers
anvaya virāṭakaḥ virāṭaḥ ca vidagdhaḥ vidhurātmabhūḥ puṣpadantaḥ puṣpahārī puṣpamālāvibhūṣaṇaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note Vidhurātmabhūḥ is hard to settle; it may also be read as born of the moon's own self, taking vidhu for the moon. Pushpadanta is the name of one of Shiva's attendants.
antyo'ntakaścittagaṇāścittacintāpahārakaḥ || 17||
- puṣpeṣumathanaḥcrusher of the god with the flower-arrows
- puṣṭaḥwell nourished
- vivartaḥthe turning of things
- kartarīkaraḥwith shears in his hand
- antyaḥthe last
- antakaḥthe ender
- cittagaṇāḥthe host of thoughts
- cittacintāpahārakaḥwho takes away the mind's worries
anvaya puṣpeṣumathanaḥ puṣṭaḥ vivartaḥ kartarīkaraḥ antyaḥ antakaḥ cittagaṇāḥ cittacintāpahārakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
puṣpeṣu the god with the flower-arrows — Kama, whose bow shoots flowers. Shiva burnt him to ash, and the name gives that deed to the son.
lohito lipito lupto lohitākṣo vilobhakaḥ || 18||
- acintyaḥpast thought
- acintyarūpaḥwhose form is past thought
- caand
- candanākulamuṇḍakaḥwhose head is thick with sandal paste
- lohitaḥred
- lipitaḥsmeared
- luptaḥhidden
- lohitākṣaḥred-eyed
- vilobhakaḥwho stirs longing
anvaya acintyaḥ acintyarūpaḥ ca candanākulamuṇḍakaḥ lohitaḥ lipitaḥ luptaḥ lohitākṣaḥ vilobhakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
sundaraḥ sundarīputraḥ samastāsuraghātakaḥ || 19||
- labdhāśayaḥwho has reached what he aimed at
- lobharataḥwho delights in longing
- lobhadaḥwho gives what is longed for
- alaṅghyagardhakaḥwhose desire nothing can check
- sundaraḥbeautiful
- sundarīputraḥson of the beautiful goddess
- samastāsuraghātakaḥslayer of all the demons
anvaya labdhāśayaḥ lobharataḥ lobhadaḥ alaṅghyagardhakaḥ sundaraḥ sundarīputraḥ samastāsuraghātakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
sundarī the beautiful goddess — Tripurasundari, the goddess of the Shri Vidya tradition, here named as his mother.
vicāro vāntado vāgmī vitarkī vijayīśvaraḥ || 20||
- nūpurāḍhyaḥrich with anklets
- vibhavendraḥlord of splendour
- naranārāyaṇaḥNara and Narayana
- raviḥthe sun
- vicāraḥdiscernment
- vāntadaḥwho gives back what was cast away
- vāgmīeloquent
- vitarkīwho reasons
- vijayīśvaraḥlord of the victorious
anvaya nūpurāḍhyaḥ vibhavendraḥ naranārāyaṇaḥ raviḥ vicāraḥ vāntadaḥ vāgmī vitarkī vijayīśvaraḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
naranārāyaṇa Nara and Narayana — The twin sages of Badari, taken as one being in two bodies.
vikartano viyaccārī vinaṭo naṭanartakaḥ || 21||
- suptaḥasleep
- buddhaḥawake
- sadārūpaḥwhose form never changes
- sukhadaḥgiver of happiness
- sukhasevitaḥwaited on by happiness
- vikartanaḥthe sun
- viyaccārīwho moves through the sky
- vinaṭaḥthe actor
- naṭanartakaḥthe dancer among actors
anvaya suptaḥ buddhaḥ sadārūpaḥ sukhadaḥ sukhasevitaḥ vikartanaḥ viyaccārī vinaṭaḥ naṭanartakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
gaṅgājalapānapriyo gaṅgātīravihārakṛt || 22||
- naṭaḥthe actor
- nāṭyapriyaḥlover of the stage
- nādaḥsound itself
- anantaḥendless
- anantaguṇātmakaḥwhose nature is endless qualities
- gaṅgājalapānapriyaḥwho loves to drink the water of the Ganga
- gaṅgātīravihārakṛtwho wanders along the Ganga's banks
anvaya naṭaḥ nāṭyapriyaḥ nādaḥ anantaḥ anantaguṇātmakaḥ gaṅgājalapānapriyaḥ gaṅgātīravihārakṛt
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
gandhamādanasaṃvāso gandhamādanakelikṛt || 23||
- gaṅgāpriyaḥdear to the Ganga
- gaṅgajaḥborn of the Ganga
- caand
- vāhanādipuraḥsaraḥwho goes before the mounts of the gods
- gandhamādanasaṃvāsaḥwho dwells on Gandhamadana
- gandhamādanakelikṛtwho plays on Gandhamadana
anvaya gaṅgāpriyaḥ gaṅgajaḥ ca vāhanādipuraḥsaraḥ gandhamādanasaṃvāsaḥ gandhamādanakelikṛt
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
gaṇagandharvarājeśo gaṇagandharvasevitaḥ || 24||
- gandhānuliptapūrvāṅgaḥwhose forepart is smeared with scent
- sarvadevasmaraḥwho holds all the gods in mind
- sadāalways
- gaṇagandharvarājeśaḥlord of the kings of the ganas and gandharvas
- gaṇagandharvasevitaḥserved by the ganas and the gandharvas
anvaya gandhānuliptapūrvāṅgaḥ sarvadevasmaraḥ sadā gaṇagandharvarājeśaḥ gaṇagandharvasevitaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
gandharvagaṇasaṃsevyo gandharvavaradāyakaḥ || 25||
- gandharvapūjitaḥworshipped by the gandharvas
- nityamalways
- sarvarogavināśakaḥdestroyer of every disease
- gandharvagaṇasaṃsevyaḥserved by the host of gandharvas
- gandharvavaradāyakaḥwho gives the gandharvas boons
anvaya gandharvapūjitaḥ nityam sarvarogavināśakaḥ gandharvagaṇasaṃsevyaḥ gandharvavaradāyakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
gandharvagarvasaṃvego gandharvavaradāyakaḥ || 26||
- gandharvaḥthe gandharva
- gandhamātaṅgaḥthe scented elephant
- gandharvakuladaivataḥgod of the gandharva line
- gandharvagarvasaṃvegaḥthe shock that humbles gandharva pride
- gandharvavaradāyakaḥwho gives the gandharvas boons
anvaya gandharvaḥ gandhamātaṅgaḥ gandharvakuladaivataḥ gandharvagarvasaṃvegaḥ gandharvavaradāyakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note Several of these gandharva names also stand in the Gakaradi thousand names, in nearly the same words.
gandharvādiguṇānando nando'nantaguṇātmakaḥ || 27||
- gandharvaprabalārtighnaḥwho ends the gandharvas' heavy pain
- gandharvagaṇasaṃyutaḥjoined with the host of gandharvas
- gandharvādiguṇānandaḥwho takes delight in the gifts of gandharvas and others
- nandaḥjoy itself
- anantaguṇātmakaḥwhose nature is endless qualities
anvaya gandharvaprabalārtighnaḥ gandharvagaṇasaṃyutaḥ gandharvādiguṇānandaḥ nandaḥ anantaguṇātmakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
karālaḥ kāmadaḥ kāntaḥ kamanīyaḥ kalānidhiḥ || 28||
- viśvamūrtiḥwhose form is the universe
- viśvadhātāupholder of all
- vinatāsyaḥwith face bent low
- vinartakaḥthe dancer
- karālaḥfearsome
- kāmadaḥgiver of desires
- kāntaḥbeloved
- kamanīyaḥlovely
- kalānidhiḥstorehouse of the arts
anvaya viśvamūrtiḥ viśvadhātā vinatāsyaḥ vinartakaḥ karālaḥ kāmadaḥ kāntaḥ kamanīyaḥ kalānidhiḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
vikarālo raṇaśreṣṭhaḥ saṃhāro hārabhūṣaṇaḥ || 29||
- kāruṇyarūpaḥwhose form is compassion
- kuṭilaḥwinding in his ways
- kulācārīwho keeps the kula rites
- kuleśvaraḥlord of the kula
- vikarālaḥterrible
- raṇaśreṣṭhaḥbest in battle
- saṃhāraḥdestruction
- hārabhūṣaṇaḥadorned with necklaces
anvaya kāruṇyarūpaḥ kuṭilaḥ kulācārī kuleśvaraḥ vikarālaḥ raṇaśreṣṭhaḥ saṃhāraḥ hārabhūṣaṇaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
kula the kula — In tantra, the family of the goddess and the circle of practice that belongs to her; kulācāra is the conduct of that circle.
mahākālo mahādaṃṣṭro mahoragabhayānakaḥ || 30||
- ururamyamukhaḥwith a broad and pleasing face
- raktaḥred
- devatādayitaurasaḥthe true son of the god's beloved
- mahākālaḥMahakala
- mahādaṃṣṭraḥgreat-fanged
- mahoragabhayānakaḥfearsome with great serpents
anvaya ururamyamukhaḥ raktaḥ devatādayitaurasaḥ mahākālaḥ mahādaṃṣṭraḥ mahoragabhayānakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
sitāsyaḥ sitamālyaśca sitadantaḥ sitāṃśumān || 31||
- unmattarūpaḥof wild form
- kālāgniḥthe fire of time
- agnisūryendulocanaḥwhose eyes are fire, sun and moon
- sitāsyaḥwhite-faced
- sitamālyaḥwith white garlands
- caand
- sitadantaḥwhite-tusked
- sitāṃśumānwith the white rays of the moon
anvaya unmattarūpaḥ kālāgniḥ agnisūryendulocanaḥ sitāsyaḥ sitamālyaḥ ca sitadantaḥ sitāṃśumān
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
garbhātmajo bhagāvāso bhagado bhagavarddhanaḥ || 32||
- asitātmādark of self
- bhairaveśaḥlord of Bhairava
- bhāgyavānfortunate
- bhagavānblessed
- bhavaḥbeing itself
- garbhātmajaḥthe womb-born son
- bhagāvāsaḥwho dwells in the source of fortune
- bhagadaḥgiver of fortune
- bhagavarddhanaḥwho makes fortune grow
anvaya asitātmā bhairaveśaḥ bhāgyavān bhagavān bhavaḥ garbhātmajaḥ bhagāvāsaḥ bhagadaḥ bhagavarddhanaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
bhaga fortune — The word means good fortune and also the womb. In a tantric hymn both senses are meant to sound, and the run of names turns on it.
vedādyo vedakartā ca vedavedyaḥ sanātanaḥ || 33||
- śubhaṅkaraḥmaker of good
- śuciḥpure
- śāntaḥat peace
- śreṣṭhaḥbest
- śravyaḥworth hearing
- śacīpatiḥlord of Shachi
- vedādyaḥfirst of the Vedas
- vedakartāmaker of the Vedas
- caand
- vedavedyaḥknown through the Vedas
- sanātanaḥeternal
anvaya śubhaṅkaraḥ śuciḥ śāntaḥ śreṣṭhaḥ śravyaḥ śacīpatiḥ vedādyaḥ vedakartā ca vedavedyaḥ sanātanaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
vedadhvanirato vīro vedavidyāgamo'rthavit || 34||
- vidyāpradaḥgiver of learning
- vedarasaḥthe savour of the Vedas
- vaidikaḥVedic
- vedapāragaḥwho has crossed to the far side of the Vedas
- vedadhvanirataḥdelighting in the sound of the Vedas
- vīraḥthe hero
- vedavidyāgamaḥthe handing down of Vedic learning
- arthavitwho knows the meaning
anvaya vidyāpradaḥ vedarasaḥ vaidikaḥ vedapāragaḥ vedadhvanirataḥ vīraḥ vedavidyāgamaḥ arthavit
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
śivaṅkaraḥ śivasutaḥ śivānandavivarddhanaḥ || 35||
- tattvajñaḥknower of what is true
- sarvagaḥpresent everywhere
- sādhuḥgood
- sadayaḥkind
- sadasanmayaḥmade of what is and what is not
- śivaṅkaraḥmaker of good
- śivasutaḥson of Shiva
- śivānandavivarddhanaḥwho makes Shiva's joy grow
anvaya tattvajñaḥ sarvagaḥ sādhuḥ sadayaḥ sadasanmayaḥ śivaṅkaraḥ śivasutaḥ śivānandavivarddhanaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
devo dinakaro dhīro dhṛtimāndyutimāndhavaḥ || 36||
- śaityaḥcool
- śvetaḥwhite
- śatamukhīhundred-faced
- mugdhaḥinnocent
- modakabhūṣaṇaḥadorned with modakas
- devaḥthe god
- dinakaraḥmaker of the day
- dhīraḥsteady
- dhṛtimānfirm
- dyutimānbright
- dhavaḥthe husband
anvaya śaityaḥ śvetaḥ śatamukhī mugdhaḥ modakabhūṣaṇaḥ devaḥ dinakaraḥ dhīraḥ dhṛtimān dyutimān dhavaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
śaraṇyaḥ śaunakaḥ śūraḥ śaradambhojadhārakaḥ || 37||
- śuddhātmāpure of self
- śuddhamatimānpure of mind
- śuddhadīptiḥof pure light
- śucivrataḥpure in his vows
- śaraṇyaḥthe refuge
- śaunakaḥShaunaka
- śūraḥthe brave
- śaradambhojadhārakaḥholding the lotus of autumn
anvaya śuddhātmā śuddhamatimān śuddhadīptiḥ śucivrataḥ śaraṇyaḥ śaunakaḥ śūraḥ śaradambhojadhārakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note In the text the second and third names are run together by sandhi, śuddhamatimāñchuddhadīptiḥ.
śaṅkaro nirbhayo nityo layakṛllāsyatatparaḥ || 38||
- dārakaḥthe boy
- śikhivāheṣṭaḥdear to the rider of the peacock
- sitaḥwhite
- śaṅkaravallabhaḥbeloved of Shankara
- śaṅkaraḥShankara
- nirbhayaḥfearless
- nityaḥeternal
- layakṛtmaker of dissolution
- lāsyatatparaḥgiven to graceful dance
anvaya dārakaḥ śikhivāheṣṭaḥ sitaḥ śaṅkaravallabhaḥ śaṅkaraḥ nirbhayaḥ nityaḥ layakṛt lāsyatatparaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
śikhivāha the rider of the peacock — Skanda, Ganapati's brother.
bhramaṇaḥ śaśibhṛtsūryaḥ śanirdharaṇinandanaḥ || 39||
- lūtaḥthe spider
- līlārasollāsīglad in the savour of play
- vilāsīplayful
- vibhramaḥthe whirl
- bhramaḥthe wandering
- bhramaṇaḥthe roaming
- śaśibhṛtbearer of the moon
- sūryaḥthe sun
- śaniḥSaturn
- dharaṇinandanaḥthe son of the earth
anvaya lūtaḥ līlārasollāsī vilāsī vibhramaḥ bhramaḥ bhramaṇaḥ śaśibhṛt sūryaḥ śaniḥ dharaṇinandanaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
dharaṇinandana the son of the earth — Mars. From here the hymn names him as each of the planets in turn: the sun, Saturn, Mars, then Mercury and Jupiter in the next verse.
jīvo jīvaprado jetā stutyo nityo ratipriyaḥ || 40||
- budhaḥMercury
- vibudhasevyaḥserved by the gods
- caand
- budharājaḥking of the wise
- balaṃdharaḥholder of strength
- jīvaḥJupiter
- jīvapradaḥgiver of life
- jetāthe conqueror
- stutyaḥto be praised
- nityaḥeternal
- ratipriyaḥlover of delight
anvaya budhaḥ vibudhasevyaḥ ca budharājaḥ balaṃdharaḥ jīvaḥ jīvapradaḥ jetā stutyaḥ nityaḥ ratipriyaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
janānāṃ pradātā ca janakāhlādakārakaḥ || 41||
- janakaḥthe father
- janamārgajñaḥwho knows the ways of people
- janarakṣaṇatatparaḥintent on guarding people
- janānāmto people
- pradātāthe giver
- caand
- janakāhlādakārakaḥwho gladdens fathers
anvaya janakaḥ janamārgajñaḥ janarakṣaṇatatparaḥ janānām pradātā ca janakāhlādakārakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note The third quarter is a syllable short in the printed text.
gaccho gaṇapatirgacchanāyako gacchagarvahā || 42||
- vibudhaḥthe wise one
- budhamānyaḥhonoured by the wise
- caand
- jainamārganivartakaḥwho turns people back from the Jain path
- gacchaḥthe school
- gaṇapatiḥlord of the ganas
- gacchanāyakaḥleader of the school
- gacchagarvahāwho breaks the school's pride
anvaya vibudhaḥ budhamānyaḥ ca jainamārganivartakaḥ gacchaḥ gaṇapatiḥ gacchanāyakaḥ gacchagarvahā
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
gaccha a school — A lineage of teachers and pupils; the word is used above all of the Jain orders, which may be why it follows the name about the Jain path.
gacchapriyo gacchagururgacchatrākṛdyamāturaḥ || 43||
- gaccharājaḥking of the school
- athaand
- gaccheśaḥlord of the school
- gaccharājanamaskṛtaḥto whom the king of the school bows
- gacchapriyaḥdear to the school
- gacchaguruḥteacher of the school
- gacchatrākṛdyamāturaḥwho works to guard the school
anvaya gaccharājaḥ atha gaccheśaḥ gaccharājanamaskṛtaḥ gacchapriyaḥ gacchaguruḥ gacchatrākṛdyamāturaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note The last name is broken in the printed text. The Gakaradi thousand names has gacchatrāṇakṛtodyamaḥ at this point, who takes up the work of guarding the school, and the sense is given from that.
gacchagītaguṇo garto maryādāpratipālakaḥ || 44||
- gacchaprabhuḥmaster of the school
- gacchacaraḥwho moves with it
- gacchapriyakṛtodyamaḥwho strives for its good
- gacchagītaguṇaḥwhose qualities the school sings
- gartaḥthe hollow
- maryādāpratipālakaḥkeeper of the bounds
anvaya gacchaprabhuḥ gacchacaraḥ gacchapriyakṛtodyamaḥ gacchagītaguṇaḥ gartaḥ maryādāpratipālakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
gaurīsuto guruvaro gaurāṅgo gaṇapūjitaḥ || 45||
- gīrvāṇāgamasārasyaof the pith of the gods' teaching
- garbhaḥthe very heart
- gīrvāṇadevatāthe god of the gods
- gaurīsutaḥson of Gauri
- guruvaraḥbest of teachers
- gaurāṅgaḥfair-limbed
- gaṇapūjitaḥworshipped by the ganas
anvaya gīrvāṇāgamasārasya garbhaḥ gīrvāṇadevatā gaurīsutaḥ guruvaraḥ gaurāṅgaḥ gaṇapūjitaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
rāhurdaityaśiraśchedī ketuḥ kanakakuṇḍalaḥ || 46||
- parampadamthe highest state
- parandhāmathe highest home
- paramātmāthe highest self
- kaviḥVenus
- kujaḥMars
- rāhuḥRahu
- daityaśiraśchedīwho cut off the demon's head
- ketuḥKetu
- kanakakuṇḍalaḥwith golden earrings
anvaya parampadam parandhāma paramātmā kaviḥ kujaḥ rāhuḥ daityaśiraśchedī ketuḥ kanakakuṇḍalaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
kavi Venus — Kavi, the poet, is a name of Shukra, teacher of the demons and the planet Venus. With Rahu and Ketu the list of the nine planets is complete.
daityaśiraśchedī who cut off the demon's head — The demon who stole the nectar had his head cut off; the head became Rahu and the body Ketu.
parjanyaḥ pīvaraḥ patrī pīnavakṣāḥ parākramī || 47||
- grahendraḥchief of the planets
- grahitaḥthe one held
- grāhyaḥthe one to be grasped
- agraṇīḥthe leader
- ghurghuranāditaḥloud with a growl
- parjanyaḥthe rain cloud
- pīvaraḥstout
- patrīthe winged
- pīnavakṣāḥbroad-chested
- parākramīvaliant
anvaya grahendraḥ grahitaḥ grāhyaḥ agraṇīḥ ghurghuranāditaḥ parjanyaḥ pīvaraḥ patrī pīnavakṣāḥ parākramī
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
puṇyaḥ pūtaḥ pavitraśca parātmā pūrṇāvigrahaḥ || 48||
- vanecaraḥwho roams the forest
- vanaspatiḥlord of the forest trees
- vanavāsīwho lives in the forest
- smaropamaḥlike Kama in beauty
- puṇyaḥholy
- pūtaḥclean
- pavitraḥcleansing
- caand
- parātmāthe supreme self
- pūrṇāvigrahaḥwhose form is whole
anvaya vanecaraḥ vanaspatiḥ vanavāsī smaropamaḥ puṇyaḥ pūtaḥ pavitraḥ ca parātmā pūrṇāvigrahaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
yugātmā yugakṛdyajvā yājñiko yajñavatsalaḥ || 49||
- pūrṇendusukalākāraḥshaped like the fair phases of the full moon
- mantrapūrṇamanorathaḥwhose wishes the mantra fulfils
- yugātmāthe self of the ages
- yugakṛtmaker of the ages
- yajvāthe sacrificer
- yājñikaḥthe priest
- yajñavatsalaḥfond of sacrifice
anvaya pūrṇendusukalākāraḥ mantrapūrṇamanorathaḥ yugātmā yugakṛt yajvā yājñikaḥ yajñavatsalaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
maṇibhadro maṇimayo mānyo mīnadhvajāśritaḥ || 50||
- yaśasyaḥworthy of fame
- yajamāneṣṭaḥdear to the patron of the sacrifice
- vajrabhṛtbearer of the thunderbolt
- vajrapañjaraḥa cage of thunderbolts
- maṇibhadraḥManibhadra
- maṇimayaḥmade of jewels
- mānyaḥhonoured
- mīnadhvajāśritaḥthe one in whom Kama takes shelter
anvaya yaśasyaḥ yajamāneṣṭaḥ vajrabhṛt vajrapañjaraḥ maṇibhadraḥ maṇimayaḥ mānyaḥ mīnadhvajāśritaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
mīnadhvaja Kama — The god of love, whose banner bears a fish.
draṣṭā sraṣṭā tapasvī ca vigrahī tāpasapriyaḥ || 51||
- mīnadhvajaḥKama himself
- manohārīwho steals the heart
- yogināmof yogis
- yogavardhanaḥwho makes the yoga grow
- draṣṭāthe seer
- sraṣṭāthe maker
- tapasvīthe ascetic
- caand
- vigrahīthe embodied one
- tāpasapriyaḥdear to ascetics
anvaya mīnadhvajaḥ manohārī yoginām yogavardhanaḥ draṣṭā sraṣṭā tapasvī ca vigrahī tāpasapriyaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
sampattisadanākāraḥ sampattisukhadāyakaḥ || 52||
- tapomayaḥmade of austerity
- tapomūrtiḥausterity in bodily form
- tapanaḥthe one who burns
- caand
- tapodhanaḥwhose wealth is austerity
- sampattisadanākāraḥshaped like a house of plenty
- sampattisukhadāyakaḥgiver of the ease that plenty brings
anvaya tapomayaḥ tapomūrtiḥ tapanaḥ ca tapodhanaḥ sampattisadanākāraḥ sampattisukhadāyakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
sampattiśubhado nityasampattiśca yaśodhanaḥ || 53||
- sampattisukhakartāmaker of the ease of plenty
- caand
- sampattisubhagānanaḥwhose face is lovely with plenty
- sampattiśubhadaḥgiver of the good that plenty brings
- nityasampattiḥplenty that never runs out
- caand
- yaśodhanaḥwhose wealth is his good name
anvaya sampattisukhakartā ca sampattisubhagānanaḥ sampattiśubhadaḥ nityasampattiḥ ca yaśodhanaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
daṇḍī caṇḍāṃśuravyaktaḥ kamaṇḍaludharo'naghaḥ || 54||
- rucakaḥbright
- mecakaḥdark as a cloud
- tuṣṭaḥcontent
- prabhuḥthe master
- tomaraghātakaḥwho strikes with the lance
- daṇḍīthe staff-bearer
- caṇḍāṃśuḥthe fierce-rayed sun
- avyaktaḥunmanifest
- kamaṇḍaludharaḥbearing the water pot
- anaghaḥwithout fault
anvaya rucakaḥ mecakaḥ tuṣṭaḥ prabhuḥ tomaraghātakaḥ daṇḍī caṇḍāṃśuḥ avyaktaḥ kamaṇḍaludharaḥ anaghaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
bhrāmako jātipūjyaśca jāḍyahā jaḍasūdanaḥ || 55||
- kāmīfull of desire
- karmarataḥgiven to action
- kālaḥtime
- kolaḥthe boar
- kranditadiktaṭaḥwho makes the far edges of the sky cry out
- bhrāmakaḥwho sets things whirling
- jātipūjyaḥworshipped by every caste
- caand
- jāḍyahādestroyer of dullness
- jaḍasūdanaḥslayer of the dull
anvaya kāmī karmarataḥ kālaḥ kolaḥ kranditadiktaṭaḥ bhrāmakaḥ jātipūjyaḥ ca jāḍyahā jaḍasūdanaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
haviṣmānhavyavāhākṣo hāṭako hāṭakāṅgadaḥ || 56||
- jālandharaḥJalandhara
- jagadvāsīwho dwells in the world
- hāsyakṛtwho makes men laugh
- gahanaḥdeep
- guhaḥhidden
- haviṣmānrich in offerings
- havyavāhākṣaḥwhose eye is the fire that carries the offerings
- hāṭakaḥgolden
- hāṭakāṅgadaḥwith golden armlets
anvaya jālandharaḥ jagadvāsī hāsyakṛt gahanaḥ guhaḥ haviṣmān havyavāhākṣaḥ hāṭakaḥ hāṭakāṅgadaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
jālandhara Jalandhara — A name shared with a demon Shiva slew and a sacred seat in the Punjab. Taken as a name of Ganapati, it may mean the one who holds the net.
hālāpriyo hṛdāśāntaḥ kāntāhṛdayapoṣaṇaḥ || 57||
- sumeruḥSumeru
- himavānHimavan
- hotāthe priest who calls the gods
- haraputraḥson of Hara
- halaṅkaṣaḥwho drives the plough
- hālāpriyaḥlover of hala wine
- hṛdāśāntaḥat peace in the heart
- kāntāhṛdayapoṣaṇaḥwho feeds the heart of the beloved
anvaya sumeruḥ himavān hotā haraputraḥ halaṅkaṣaḥ hālāpriyaḥ hṛdāśāntaḥ kāntāhṛdayapoṣaṇaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
kubero dhīmayo dhyātā dhyeyo dhīmāndayānidhiḥ || 58||
- śoṣaṇaḥwho dries up
- kleśahādestroyer of affliction
- krūraḥharsh to foes
- kaṭhoraḥhard
- kaṭhinākṛtiḥhard of shape
- kuberaḥKubera
- dhīmayaḥmade of understanding
- dhyātāthe one who meditates
- dhyeyaḥthe one meditated on
- dhīmānwise
- dayānidhiḥa store of mercy
anvaya śoṣaṇaḥ kleśahā krūraḥ kaṭhoraḥ kaṭhinākṛtiḥ kuberaḥ dhīmayaḥ dhyātā dhyeyaḥ dhīmān dayānidhiḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
nirgato naigamo'gamyo nirjayo jaṭilo'jaraḥ || 59||
- daviṣṭhaḥthe farthest
- damanaḥthe tamer
- hṛṣṭaḥglad
- dātāthe giver
- trātāthe saviour
- pitāsamaḥlike a father
- nirgataḥgone out
- naigamaḥof the Veda
- agamyaḥout of reach
- nirjayaḥunconquered
- jaṭilaḥwith matted locks
- ajaraḥageless
anvaya daviṣṭhaḥ damanaḥ hṛṣṭaḥ dātā trātā pitāsamaḥ nirgataḥ naigamaḥ agamyaḥ nirjayaḥ jaṭilaḥ ajaraḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
cāmīkaranibho nābhyo nalināyatalocanaḥ || 60||
- janajīvaḥthe life of the people
- jitārātiḥwho has beaten his foes
- jagadvyāpīspread through the world
- jaganmayaḥmade of the world
- cāmīkaranibhaḥgolden in colour
- nābhyaḥthe navel
- nalināyatalocanaḥwith long lotus eyes
anvaya janajīvaḥ jitārātiḥ jagadvyāpī jaganmayaḥ cāmīkaranibhaḥ nābhyaḥ nalināyatalocanaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
pañcabhūtātmakaḥ pañcasāyakaḥ pañcavaktrakaḥ || 61||
- rocanaḥthe shining
- mocakaḥthe releaser
- mantrīthe counsellor
- mantrakoṭisamāśritaḥin whom crores of mantras take shelter
- pañcabhūtātmakaḥmade of the five elements
- pañcasāyakaḥwith five arrows
- pañcavaktrakaḥfive-faced
anvaya rocanaḥ mocakaḥ mantrī mantrakoṭisamāśritaḥ pañcabhūtātmakaḥ pañcasāyakaḥ pañcavaktrakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
kaṭhorahṛdayo grīvālaṅkṛto lalitāśayaḥ || 62||
- pañcamaḥthe fifth
- paścimaḥthe western
- pūrvaḥthe eastern
- pūrṇaḥfull
- kīrṇālakaḥwith scattered locks
- kuṇiḥwith a bent arm
- kaṭhorahṛdayaḥhard of heart towards foes
- grīvālaṅkṛtaḥwith an adorned neck
- lalitāśayaḥgentle in intent
anvaya pañcamaḥ paścimaḥ pūrvaḥ pūrṇaḥ kīrṇālakaḥ kuṇiḥ kaṭhorahṛdayaḥ grīvālaṅkṛtaḥ lalitāśayaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
dhruvo drutagatirbandho dharmī nākipriyo'nalaḥ || 63||
- lolacittaḥof restless mind
- bṛhannāsaḥlong-nosed
- māsapakṣarturūpavānwhose form is the months, fortnights and seasons
- dhruvaḥfixed
- drutagatiḥswift in motion
- bandhaḥthe bond
- dharmīrighteous
- nākipriyaḥdear to the gods
- analaḥfire
anvaya lolacittaḥ bṛhannāsaḥ māsapakṣarturūpavān dhruvaḥ drutagatiḥ bandhaḥ dharmī nākipriyaḥ analaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
sāgaraḥ svargatiḥ svakṣaḥ sānandaḥ sādhupūjitaḥ || 64||
- aṅgulyagrasthabhuvanaḥon whose fingertip the worlds rest
- bhuvanaikamalāpahaḥwho alone takes away the world's stain
- sāgaraḥthe ocean
- svargatiḥthe road to heaven
- svakṣaḥfair-eyed
- sānandaḥjoyful
- sādhupūjitaḥworshipped by the good
anvaya aṅgulyagrasthabhuvanaḥ bhuvanaikamalāpahaḥ sāgaraḥ svargatiḥ svakṣaḥ sānandaḥ sādhupūjitaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
surapriyo vasumatirvāsavo vasupūjitaḥ || 65||
- satīpatiḥlord of Sati
- samarasaḥof a single savour
- sanakaḥSanaka
- saralaḥstraightforward
- saraḥthe lake
- surapriyaḥdear to the gods
- vasumatiḥthe earth
- vāsavaḥIndra
- vasupūjitaḥworshipped by the Vasus
anvaya satīpatiḥ samarasaḥ sanakaḥ saralaḥ saraḥ surapriyaḥ vasumatiḥ vāsavaḥ vasupūjitaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
samarasa of a single savour — In tantric usage, the state in which two become one taste; the union the practice aims at.
rājīvanayanaḥ smārtaḥ smṛtidaḥ kṛttikāmbaraḥ || 66||
- vittadaḥgiver of wealth
- vittanāthaḥlord of wealth
- caand
- dhanināmto the wealthy
- dhanadāyakaḥwho gives wealth
- rājīvanayanaḥlotus-eyed
- smārtaḥfollower of the smriti
- smṛtidaḥwho gives memory
- kṛttikāmbaraḥclothed in a hide
anvaya vittadaḥ vittanāthaḥ ca dhaninām dhanadāyakaḥ rājīvanayanaḥ smārtaḥ smṛtidaḥ kṛttikāmbaraḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note The last name, kṛttikāmbara, means one who wears a hide, as Shiva does. It also sounds the lunar mansion Krittika, and so leads into the run of mansions that begins in the next verse.
kṛttikāsanakaḥ kolo rohiṇīramaṇopamaḥ || 67||
- aśvinaḥAshvina
- aśvamukhaḥhorse-faced
- śubhraḥbright
- bharaṇaḥthe one who bears all
- bharaṇīpriyaḥdear to Bharani
- kṛttikāsanakaḥseated on the Krittikas
- kolaḥthe boar
- rohiṇīramaṇopamaḥlike the lover of Rohini
anvaya aśvinaḥ aśvamukhaḥ śubhraḥ bharaṇaḥ bharaṇīpriyaḥ kṛttikāsanakaḥ kolaḥ rohiṇīramaṇopamaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
nakṣatra the lunar mansions — The twenty-seven stations the moon passes through in a month. From here to the thirty-fourth verse after, the names are built on them in order: Ashvini, Bharani, Krittika, Rohini and the rest. The names do not say he is those stars; they borrow the stars' names to praise him.
rohiṇīramaṇa the lover of Rohini — The moon, whose favourite among the star-wives is Rohini.
mṛgarājo mṛgaśirā mādhavo madhuradhvaniḥ || 68||
- rauhiṇeyapremakarīwho wins the love of Rohini's son
- rohiṇīmohanaḥwho charms Rohini
- mṛgaḥthe deer
- mṛgarājaḥking of beasts
- mṛgaśirāMrigashira
- mādhavaḥMadhava
- madhuradhvaniḥsweet of voice
anvaya rauhiṇeyapremakarī rohiṇīmohanaḥ mṛgaḥ mṛgarājaḥ mṛgaśirā mādhavaḥ madhuradhvaniḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
bhrūkṣepadattavibhavo bhrūkarālaḥ punarmayaḥ || 69||
- ārdrānanaḥwhose face is wet
- mahābuddhiḥof great understanding
- mahoragavibhūṣaṇaḥadorned with great serpents
- bhrūkṣepadattavibhavaḥwho gives splendour with a lift of the brow
- bhrūkarālaḥfearsome of brow
- punarmayaḥmade new again
anvaya ārdrānanaḥ mahābuddhiḥ mahoragavibhūṣaṇaḥ bhrūkṣepadattavibhavaḥ bhrūkarālaḥ punarmayaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note Ārdrānana, the wet-faced, sounds the mansion Ardra; punarmaya, made again, opens the play on Punarvasu that fills the next verse.
timirāstimiketuśca titiṣāsuraghātanaḥ || 70||
- punardevaḥgod once more
- punarjetāconqueror once more
- punarjīvaḥalive once more
- punarvasuḥPunarvasu
- timirāḥthe darkness
- timiketuḥwith the great fish on his banner
- caand
- titiṣāsuraghātanaḥslayer of the demon Titisha
anvaya punardevaḥ punarjetā punarjīvaḥ punarvasuḥ timirāḥ timiketuḥ ca titiṣāsuraghātanaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note The second line is uncertain in the printed text. Timira, darkness, and timi, the great fish, are clear; the demon Titisha is not otherwise known, and the name may be a slip for something that sounded the next mansion, Tishya.
mānado mādhavo mādho vācālo maghavopamaḥ || 71||
- tiṣyaḥTishya
- tulādharaḥholder of the scales
- jṛmbhaḥthe yawning one
- viśleṣāśleṣadānarāṭthe king who gives both parting and embrace
- mānadaḥgiver of honour
- mādhavaḥMadhava
- mādhaḥMadha
- vācālaḥfull of talk
- maghavopamaḥlike Indra
anvaya tiṣyaḥ tulādharaḥ jṛmbhaḥ viśleṣāśleṣadānarāṭ mānadaḥ mādhavaḥ mādhaḥ vācālaḥ maghavopamaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note Tishya is the older name of Pushya. Viśleṣāśleṣa, parting and embrace, plays on Ashlesha; maghavopama, like Indra, sounds Magha.
pūrvaphālgunikaḥ sphīta phalguruttaraphālgunaḥ || 72||
- madhyaḥthe middle
- maghāpriyaḥdear to Magha
- meghaḥthe cloud
- mahāśuṇḍaḥgreat-trunked
- mahābhujaḥgreat-armed
- pūrvaphālgunikaḥof Purva Phalguni
- sphītaḥswelling
- phalguḥthe Phalgu
- uttaraphālgunaḥof Uttara Phalguni
anvaya madhyaḥ maghāpriyaḥ meghaḥ mahāśuṇḍaḥ mahābhujaḥ pūrvaphālgunikaḥ sphītaḥ phalguḥ uttaraphālgunaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ghoṇāhastaścaturhasto hastivaktro halāyudhaḥ || 73||
- phenilaḥflecked with foam
- brahmadaḥgiver of brahman
- brahmāBrahma
- saptatantusamāśrayaḥthe refuge of the sacrifice spun with seven threads
- ghoṇāhastaḥwhose hand is his trunk
- caturhastaḥfour-handed
- hastivaktraḥelephant-faced
- halāyudhaḥwith the plough for his weapon
anvaya phenilaḥ brahmadaḥ brahmā saptatantusamāśrayaḥ ghoṇāhastaḥ caturhastaḥ hastivaktraḥ halāyudhaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note Three names in a row carry hasta, hand, for the mansion Hasta.
viśākhaḥ śikhisevyaśca śikhidhvajasahodaraḥ || 74||
- citrāmbaraḥclothed in bright colours
- arcitapadaḥwhose feet are worshipped
- svastidaḥgiver of wellbeing
- svastivigrahaḥwellbeing in bodily form
- viśākhaḥVishakha
- śikhisevyaḥserved by the peacock
- caand
- śikhidhvajasahodaraḥbrother of the peacock-bannered one
anvaya citrāmbaraḥ arcitapadaḥ svastidaḥ svastivigrahaḥ viśākhaḥ śikhisevyaḥ ca śikhidhvajasahodaraḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note Chitra and Svati are sounded in the first line, citrāmbara and svastida; Vishakha is a name of Skanda as well as a mansion, which is why the brother follows.
anurādhāpriyo rādhaḥ śrīmāñchuklaḥ śucismitaḥ || 75||
- aṇureṇūtkaraḥa heap of atoms and dust
- sphāraḥvast
- rurureṇusutaḥthe son of Ruru and Renu
- naraḥthe man
- anurādhāpriyaḥdear to Anuradha
- rādhaḥRadha
- śrīmānglorious
- śuklaḥwhite
- śucismitaḥof pure smile
anvaya aṇureṇūtkaraḥ sphāraḥ rurureṇusutaḥ naraḥ anurādhāpriyaḥ rādhaḥ śrīmān śuklaḥ śucismitaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note Rururenusuta is not clear; it may be a slip for reṇukāsuta, Renuka's son, who is named plainly a few verses on. In the text śrīmān and śuklaḥ are joined by sandhi as śrīmāñchuklaḥ.
śuciścaiva pūrvāṣāḍhaścottarāṣāḍha īśvaraḥ || 76||
- jyeṣṭhaḥthe eldest
- śreṣṭhārcitapadaḥwhose feet the best of beings worship
- mūlamthe root
- caand
- trijagadguruḥteacher of the three worlds
- śuciḥpure
- caand
- evaalso
- pūrvāṣāḍhaḥPurva Ashadha
- caand
- uttarāṣāḍhaḥUttara Ashadha
- īśvaraḥthe lord
anvaya jyeṣṭhaḥ śreṣṭhārcitapadaḥ mūlam ca trijagadguruḥ śuciḥ ca eva pūrvāṣāḍhaḥ ca uttarāṣāḍhaḥ īśvaraḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
śrāvaṇaḥ śravaṇaḥ śrotā dhanī dhanyo dhaniṣṭhakaḥ || 77||
- śravyaḥworth hearing
- abhijitAbhijit
- anantātmāendless self
- śravaḥthe ear
- vepitadānavaḥwho makes the demons tremble
- śrāvaṇaḥof the month of Shravana
- śravaṇaḥShravana
- śrotāthe listener
- dhanīwealthy
- dhanyaḥblessed
- dhaniṣṭhakaḥDhanishtha
anvaya śravyaḥ abhijit anantātmā śravaḥ vepitadānavaḥ śrāvaṇaḥ śravaṇaḥ śrotā dhanī dhanyaḥ dhaniṣṭhakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
abhijit Abhijit — The extra mansion slipped in between Uttara Ashadha and Shravana when the stations are counted as twenty-eight.
pūrvābhādrapado bhadraścottarābhādrapāditaḥ || 78||
- śātātapaḥShatatapa
- śātakumbhaḥgold
- śarajjyotiḥthe light of autumn
- śatābhiṣakShatabhishak
- pūrvābhādrapadaḥPurva Bhadrapada
- bhadraḥthe auspicious
- caand
- uttarābhādrapāditaḥUttara Bhadrapada
anvaya śātātapaḥ śātakumbhaḥ śarajjyotiḥ śatābhiṣak pūrvābhādrapadaḥ bhadraḥ ca uttarābhādrapāditaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
āśvayukkārtikeyeṣṭo mārgaśīrṣo mṛgottamaḥ || 79||
- reṇukātanayaḥRenuka's son
- rāmaḥRama
- revatīramaṇaḥlover of Revati
- ramīwho takes delight
- āśvayukkārtikeyeṣṭaḥdear to Karttikeya in the month of Ashvayuj
- mārgaśīrṣaḥMargashirsha
- mṛgottamaḥbest of deer
anvaya reṇukātanayaḥ rāmaḥ revatīramaṇaḥ ramī āśvayukkārtikeyeṣṭaḥ mārgaśīrṣaḥ mṛgottamaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
revatīramaṇa lover of Revati — Balarama, whose wife is Revati; the name also closes the run of mansions with the last of them, Revati. With Ashvayuj and Margashirsha the names turn to the months.
rājyado'bhijidātmīyastāreśastārakadyutiḥ || 80||
- pauṣeśvaraḥlord of Pausha
- phālgunātmāwhose self is Phalguna
- vasantaḥspring
- caitrakaḥof Chaitra
- madhuḥMadhu
- rājyadaḥgiver of kingdoms
- abhijidātmīyaḥto whom Abhijit belongs
- tāreśaḥlord of the stars
- tārakadyutiḥbright as the stars
anvaya pauṣeśvaraḥ phālgunātmā vasantaḥ caitrakaḥ madhuḥ rājyadaḥ abhijidātmīyaḥ tāreśaḥ tārakadyutiḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
madhu Madhu — The old name of the first month of spring, the same as Chaitra.
parahā pañcabhūḥ pañcavāyupūjyaḥ parigrahaḥ || 81||
- pratītaḥwell known
- prorjitaḥmighty
- prītaḥpleased
- paramaḥhighest
- paramaḥthe highest
- hitaḥgood
- parahāslayer of foes
- pañcabhūḥthe five elements
- pañcavāyupūjyaḥworshipped by the five breaths
- parigrahaḥthe one held close
anvaya pratītaḥ prorjitaḥ prītaḥ paramaḥ paramaḥ hitaḥ parahā pañcabhūḥ pañcavāyupūjyaḥ parigrahaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
graho meṣo vṛṣo mando manmatho mithunākṛtiḥ || 82||
- purāṇāgamavidyogīthe yogi who knows the puranas and the agamas
- mahiṣaḥthe buffalo
- rāsabhaḥthe donkey
- agrajaḥthe first-born
- grahaḥthe seizer
- meṣaḥthe ram
- vṛṣaḥthe bull
- mandaḥthe slow one
- manmathaḥManmatha
- mithunākṛtiḥshaped as the pair
anvaya purāṇāgamavidyogī mahiṣaḥ rāsabhaḥ agrajaḥ grahaḥ meṣaḥ vṛṣaḥ mandaḥ manmathaḥ mithunākṛtiḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
rāśi the signs — Now the names run through the twelve signs of the zodiac: the ram, the bull, the pair, and on to the fish, each hidden in a name.
kukkuṭo vanajo haṃsaḥ paramahaṃsaḥ sṛgālakaḥ || 83||
- kalpabhṛtbearer of the age
- kaṭakaḥthe bracelet
- dīpaḥthe lamp
- markaṭaḥthe monkey
- karkaṭaḥthe crab
- ghṛṇiḥthe ray of light
- kukkuṭaḥthe cock
- vanajaḥborn in the forest
- haṃsaḥthe swan
- paramahaṃsaḥthe highest swan
- sṛgālakaḥthe jackal
anvaya kalpabhṛt kaṭakaḥ dīpaḥ markaṭaḥ karkaṭaḥ ghṛṇiḥ kukkuṭaḥ vanajaḥ haṃsaḥ paramahaṃsaḥ sṛgālakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
paramahaṃsa the highest swan — The title of the renunciant who has gone furthest; the swan is said to separate milk from water, as he separates the real from the unreal.
putrado narakatrātā kanyāprītaḥ kulodvahaḥ || 84||
- siṃhaḥthe lion
- siṃhāsanābhūṣyaḥthe ornament of the lion-throne
- madguḥthe diving bird
- mūṣakavāhanaḥwho rides the mouse
- putradaḥgiver of sons
- narakatrātāsaviour from hell
- kanyāprītaḥpleased by the maiden
- kulodvahaḥupholder of the family
anvaya siṃhaḥ siṃhāsanābhūṣyaḥ madguḥ mūṣakavāhanaḥ putradaḥ narakatrātā kanyāprītaḥ kulodvahaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
aliścāpadharo dhanvī kacchapo makaro maṇiḥ || 85||
- atulyarūpaḥof peerless form
- baladaḥgiver of strength
- tulyabhṛtwho holds the balance
- tulyasākṣikaḥwitness of the scales
- aliḥthe scorpion
- cāpadharaḥholder of the bow
- dhanvīthe archer
- kacchapaḥthe tortoise
- makaraḥthe makara
- maṇiḥthe jewel
anvaya atulyarūpaḥ baladaḥ tulyabhṛt tulyasākṣikaḥ aliḥ cāpadharaḥ dhanvī kacchapaḥ makaraḥ maṇiḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
makara the makara — The sea creature of the tenth sign, part crocodile and part fish.
rāśitārāgrahamayastithirūpo jagadvibhuḥ || 86||
- kumbhabhṛtbearer of the pitcher
- kalaśaḥthe jar
- kubjaḥthe hunchback
- mīnamāṃsasutarpitaḥwell pleased with offerings of fish
- rāśitārāgrahamayaḥmade of the signs, the stars and the planets
- tithirūpaḥwhose form is the lunar days
- jagadvibhuḥlord of the world
anvaya kumbhabhṛt kalaśaḥ kubjaḥ mīnamāṃsasutarpitaḥ rāśitārāgrahamayaḥ tithirūpaḥ jagadvibhuḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
tithi the lunar days — The fifteen days of each half of the lunar month. After the signs, the names now pass through them, from the first day to the full moon.
trirūpaśca tṛtīyāgnistrayīrūpastrayītanuḥ || 87||
- pratāpīfull of blazing power
- pratipatpreyaḥdear on the first day of the fortnight
- advitīyaḥsecond to none
- advaitaniścitaḥsettled in non-duality
- trirūpaḥthree-formed
- caand
- tṛtīyāgniḥthe third fire
- trayīrūpaḥwhose form is the three Vedas
- trayītanuḥwhose body is the three Vedas
anvaya pratāpī pratipatpreyaḥ advitīyaḥ advaitaniścitaḥ trirūpaḥ ca tṛtīyāgniḥ trayīrūpaḥ trayītanuḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ṣaḍrasāsvādavijñānaḥ ṣaṣṭhī ṣaṣṭikavatsalaḥ || 88||
- caturthīvallabhaḥbeloved of the fourth day
- devaḥthe god
- parāgaḥpollen
- pañcamīśvaraḥlord of the fifth day
- ṣaḍrasāsvādavijñānaḥwho knows the taste of the six flavours
- ṣaṣṭhīthe sixth
- ṣaṣṭikavatsalaḥfond of the rice that ripens in sixty days
anvaya caturthīvallabhaḥ devaḥ parāgaḥ pañcamīśvaraḥ ṣaḍrasāsvādavijñānaḥ ṣaṣṭhī ṣaṣṭikavatsalaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
caturthī the fourth day — Ganapati's own day of the fortnight; the festival of Ganesh Chaturthi falls on the fourth day of the bright half of Bhadrapada.
aṣṭamīnandanottaṃso navamībhaktibhāvitaḥ || 89||
- saptārṇavagatiḥwho moves across the seven seas
- sāraḥthe core
- saptamīśvaralord of the seventh day
- rohitaḥred
- aṣṭamīnandanottaṃsaḥthe crest-jewel of joy on the eighth day
- navamībhaktibhāvitaḥhonoured with devotion on the ninth
anvaya saptārṇavagatiḥ sāraḥ saptamīśvara rohitaḥ aṣṭamīnandanottaṃsaḥ navamībhaktibhāvitaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ekādaśātmagaṇapo dvādaśīyugacarcitaḥ || 90||
- daśadikpatipūjyaḥworshipped by the lords of the ten directions
- caand
- daśamīdruhiṇaḥBrahma of the tenth day
- drutaḥswift
- ekādaśātmagaṇapaḥlord of the ganas whose self is the eleven
- dvādaśīyugacarcitaḥhonoured on the two twelfth days
anvaya daśadikpatipūjyaḥ ca daśamīdruhiṇaḥ drutaḥ ekādaśātmagaṇapaḥ dvādaśīyugacarcitaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note The eleven are the eleven Rudras; the two twelfth days are those of the bright and the dark fortnights.
caturdaśendrasaṃstutyaḥ pūrṇimānandavigrahaḥ || 91||
- trayodaśamaṇistutyaḥpraised by the thirteen jewels
- caturdaśasvarapriyaḥfond of the fourteen vowels
- caturdaśendrasaṃstutyaḥpraised by the fourteen Indras
- pūrṇimānandavigrahaḥwhose form is the joy of the full moon
anvaya trayodaśamaṇistutyaḥ caturdaśasvarapriyaḥ caturdaśendrasaṃstutyaḥ pūrṇimānandavigrahaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
caturdaśendra the fourteen Indras — One Indra rules in each of the fourteen Manu-periods of a day of Brahma.
maurvī madhuravāṅmūlamūrtimānmeghavāhanaḥ || 92||
- darśadarśaḥwho looks on the new moon
- darśanaḥsight itself
- caand
- vānaprasthaḥthe forest-dweller
- maheśvaraḥthe great lord
- maurvīthe bowstring
- madhuravāksweet of speech
- mūlamūrtimānthe root in bodily form
- meghavāhanaḥwho rides the clouds
anvaya darśadarśaḥ darśanaḥ ca vānaprasthaḥ maheśvaraḥ maurvī madhuravāk mūlamūrtimān meghavāhanaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
darśa the new moon — The night the moon is not seen, which closes the run of lunar days.
raudro rudrapriyo rudro rudraputro'ghanāśanaḥ || 93||
- mahāgajaḥthe great elephant
- jitakrodhaḥmaster of his anger
- jitaśatruḥwho has beaten his foes
- jayāśrayaḥthe refuge of victory
- raudraḥfierce
- rudrapriyaḥdear to Rudra
- rudraḥRudra
- rudraputraḥson of Rudra
- aghanāśanaḥdestroyer of wrong
anvaya mahāgajaḥ jitakrodhaḥ jitaśatruḥ jayāśrayaḥ raudraḥ rudrapriyaḥ rudraḥ rudraputraḥ aghanāśanaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
gāndharvakuśalo'kuṇṭho vaikuṇṭho viṣṭaraśravāḥ || 94||
- bhavapriyaḥdear to Bhava
- bhavānīṣṭaḥloved by Bhavani
- bhārabhṛtbearer of the load
- bhūtabhāvanaḥwho brings beings into being
- gāndharvakuśalaḥskilled in music
- akuṇṭhaḥnever blunted
- vaikuṇṭhaḥVaikuntha
- viṣṭaraśravāḥwide-eared Vishnu
anvaya bhavapriyaḥ bhavānīṣṭaḥ bhārabhṛt bhūtabhāvanaḥ gāndharvakuśalaḥ akuṇṭhaḥ vaikuṇṭhaḥ viṣṭaraśravāḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
mañjuro mārjaro matto durgāputro durālasaḥ || 95||
- vṛtrahāslayer of Vritra
- vighnahāslayer of obstacles
- sīraḥthe plough
- samastaduḥkhatāpahāwho takes away every sorrow and every pain
- mañjuraḥlovely
- mārjaraḥwho wipes clean
- mattaḥrapt
- durgāputraḥson of Durga
- durālasaḥhard to weary
anvaya vṛtrahā vighnahā sīraḥ samastaduḥkhatāpahā mañjuraḥ mārjaraḥ mattaḥ durgāputraḥ durālasaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note Mañjura and mārjara are uncertain forms; the senses given follow the nearest words, mañju, lovely, and mārj, to wipe.
bhāsvanmukuṭamāṇikyaḥ kūjatkiṅkiṃṇijālakaḥ || 96||
- anantacitsudhādhāraḥa stream of endless awareness and nectar
- vīraḥthe hero
- vīryaikasādhakaḥwho wins by strength alone
- bhāsvanmukuṭamāṇikyaḥwith a shining ruby in his crown
- kūjatkiṅkiṃṇijālakaḥhung with a net of chiming bells
anvaya anantacitsudhādhāraḥ vīraḥ vīryaikasādhakaḥ bhāsvanmukuṭamāṇikyaḥ kūjatkiṅkiṃṇijālakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
padmākṣaḥ padmahastaśca padmanābhasamarcitaḥ || 97||
- śuṇḍādhārībearing a trunk
- tuṇḍacalaḥwith a restless mouth
- kuṇḍalīwearing earrings
- muṇḍamālakaḥwith a garland of heads
- padmākṣaḥlotus-eyed
- padmahastaḥlotus-handed
- caand
- padmanābhasamarcitaḥworshipped by Padmanabha
anvaya śuṇḍādhārī tuṇḍacalaḥ kuṇḍalī muṇḍamālakaḥ padmākṣaḥ padmahastaḥ ca padmanābhasamarcitaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
mārado vāraṇo lolaśravaṇaḥ śūrpakarṇakaḥ || 98||
- uddhṛtādharadantāḍhyaḥgraced with a tusk lifted over the lower lip
- mālābhūṣaṇabhūṣitaḥdecked with garlands
- māradaḥgiver of love
- vāraṇaḥthe elephant
- lolaśravaṇaḥwith swaying ears
- śūrpakarṇakaḥwith ears like winnowing fans
anvaya uddhṛtādharadantāḍhyaḥ mālābhūṣaṇabhūṣitaḥ māradaḥ vāraṇaḥ lolaśravaṇaḥ śūrpakarṇakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ratnamaṇḍalamadhyasthaḥ kṛśānurūpaśīlakaḥ || 99||
- bṛhadullāsanāsāḍhyaḥwith a great and joyful trunk
- vyāptatrailokyamaṇḍalaḥfilling the round of the three worlds
- ratnamaṇḍalamadhyasthaḥstanding in the middle of a circle of jewels
- kṛśānurūpaśīlakaḥlike fire in form and in nature
anvaya bṛhadullāsanāsāḍhyaḥ vyāptatrailokyamaṇḍalaḥ ratnamaṇḍalamadhyasthaḥ kṛśānurūpaśīlakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note From here the names grow long. Each of the next several is a single compound that fills half a verse and paints one picture.
bṛhadāsyaravākrāntabhītabrahmāṇḍabhāṇḍakaḥ || 100||
- bṛhatkarṇāñcalodbhūtavāyuvījitadiktaṭaḥwhose great ears fan the edges of the sky
- bṛhadāsyaravākrāntabhītabrahmāṇḍabhāṇḍakaḥat whose great roar the world-egg shakes like a pot
anvaya bṛhatkarṇāñcalodbhūtavāyuvījitadiktaṭaḥ bṛhadāsyaravākrāntabhītabrahmāṇḍabhāṇḍakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
bṛhaddantakṛtātyugraraṇānandarasālasaḥ || 101||
- bṛhatpādasamākrāntasaptapātāladīpitaḥwho lights the seven underworlds where his great feet tread
- bṛhaddantakṛtātyugraraṇānandarasālasaḥlanguid with delight after fierce battles fought with his tusk
anvaya bṛhatpādasamākrāntasaptapātāladīpitaḥ bṛhaddantakṛtātyugraraṇānandarasālasaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
sphūratsindūravadanaḥ sphurattejo'gnilocanaḥ || 102||
- bṛhaddhastadhṛtāśeṣāyudhanirjitadānavaḥwho beat the demons with all the weapons in his great hands
- sphūratsindūravadanaḥwith a face aglow with vermilion
- sphurattejo'gnilocanaḥwith eyes of fire flashing light
anvaya bṛhaddhastadhṛtāśeṣāyudhanirjitadānavaḥ sphūratsindūravadanaḥ sphurattejo'gnilocanaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
calattoyapravāhāḍhyo nadījalakaṇākaraḥ || 103||
- uddīpitamaṇisphūrjannūpuradhvanināditaḥringing with the sound of anklets whose jewels flash and blaze
- calattoyapravāhāḍhyaḥrich with running streams of water
- nadījalakaṇākaraḥa mine of the drops of rivers
anvaya uddīpitamaṇisphūrjannūpuradhvanināditaḥ calattoyapravāhāḍhyaḥ nadījalakaṇākaraḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
brahmācyutamahārudrapurassarasurārcitaḥ || 104||
- bhramatkuñjarasaṅghātavanditāṅghrisaroruhaḥwhose lotus feet herds of roaming elephants worship
- brahmācyutamahārudrapurassarasurārcitaḥworshipped by the gods led by Brahma, Achyuta and Maharudra
anvaya bhramatkuñjarasaṅghātavanditāṅghrisaroruhaḥ brahmācyutamahārudrapurassarasurārcitaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
garjatpañcānanārāvavyāptākāśadharātalaḥ || 105||
- aśeṣaśeṣaprabhṛtivyālajālopasevitaḥserved by the whole tangle of serpents, Shesha first among them
- garjatpañcānanārāvavyāptākāśadharātalaḥfilling sky and earth with a roar like a lion's
anvaya aśeṣaśeṣaprabhṛtivyālajālopasevitaḥ garjatpañcānanārāvavyāptākāśadharātalaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
pañcāśadvarṇabījākhyamantramantritavigrahaḥ || 106||
- hāhāhūhūgatātyugrasvaravibhrāntamānasaḥwhose mind is carried off by the fierce voices of Haha and Huhu
- pañcāśadvarṇabījākhyamantramantritavigrahaḥwhose body is charged with the mantra of the fifty letter-seeds
anvaya hāhāhūhūgatātyugrasvaravibhrāntamānasaḥ pañcāśadvarṇabījākhyamantramantritavigrahaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
hāhā, hūhū Haha and Huhu — Two gandharva singers of heaven, famous for their voices.
śaṅkhadhvanisamākrāntapātālādinabhastalaḥ || 107||
- vedāntaśāstrapīyūṣadhārā''plāvitabhūtalaḥwho floods the earth with streams of the nectar of Vedanta
- śaṅkhadhvanisamākrāntapātālādinabhastalaḥwho fills the underworlds and the sky with the sound of the conch
anvaya vedāntaśāstrapīyūṣadhārā''plāvitabhūtalaḥ śaṅkhadhvanisamākrāntapātālādinabhastalaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
kṛtatretāyugollāsabhāsamānajagattrayaḥ || 108||
- cintāmaṇiḥthe wishing jewel
- mahāmallaḥthe great wrestler
- ballahastaḥwith a spear in hand
- baliḥstrong
- kaviḥthe poet
- kṛtatretāyugollāsabhāsamānajagattrayaḥthrough whom the three worlds shine with the gladness of the Krita and Treta ages
anvaya cintāmaṇiḥ mahāmallaḥ ballahastaḥ baliḥ kaviḥ kṛtatretāyugollāsabhāsamānajagattrayaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
sudhā''siktavapurvyāso brahmāṇḍādikabāhukaḥ || 109||
- dvāparaḥthe Dvapara age
- paralokaikaḥthe one refuge of the world beyond
- karmadhvāntasudhākaraḥthe moon that lights the darkness of karma
- sudhā''siktavapuḥwhose body is sprinkled with nectar
- vyāsaḥVyasa
- brahmāṇḍādikabāhukaḥwhose arms reach round the world-egg and all it holds
anvaya dvāparaḥ paralokaikaḥ karmadhvāntasudhākaraḥ sudhā''siktavapuḥ vyāsaḥ brahmāṇḍādikabāhukaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note After the Krita and Treta ages in the previous verse, this one names the Dvapara, the third of the four.
akārākāraprodgītatānanādanināditaḥ || 110||
- akārādikṣakārāntavarṇapaṅktisamujjvalaḥbright with the row of letters from a to ksha
- akārākāraprodgītatānanādanināditaḥringing with notes sung out on a and on ā
anvaya akārādikṣakārāntavarṇapaṅktisamujjvalaḥ akārākāraprodgītatānanādanināditaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
akṣamālā the garland of letters — The fifty letters from a to kṣa, counted in tantra as the body of sound itself. Each of the next twenty verses takes the letters in order.
note These names make a garland of the alphabet: each half verse works in the next letter, from a to kṣa. The letter is often what shapes the image, so the sense can be strained.
ukārokāraprodgārighoranāgopavītakaḥ || 111||
- ikārekāramatrāḍhyamālābhramaṇalālasaḥeager to turn a rosary rich with the measures of i and ī
- ukārokāraprodgārighoranāgopavītakaḥwhose sacred thread is a fearsome serpent breathing out u and ū
anvaya ikārekāramatrāḍhyamālābhramaṇalālasaḥ ukārokāraprodgārighoranāgopavītakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
lṛkārayutalṝkāraśaṅkhapūrṇadigantaraḥ || 112||
- ṛvarṇāṅkitaṝkāripadmadvayasamujjvalaḥbright with a pair of lotuses marked with ṛ and ṝ
- lṛkārayutalṝkāraśaṅkhapūrṇadigantaraḥwho fills the space between the quarters with a conch sounding ḷ and ḹ
anvaya ṛvarṇāṅkitaṝkāripadmadvayasamujjvalaḥ lṛkārayutalṝkāraśaṅkhapūrṇadigantaraḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
okāraukāraviśvādikṛtasṛṣṭikramālasaḥ || 113||
- ekāraikakāragirijāstanapānavicakṣaṇaḥwell practised at drinking at Girija's breast, with e and ai
- okāraukāraviśvādikṛtasṛṣṭikramālasaḥunhurried in the order of the creation he made, with o and au
anvaya ekāraikakāragirijāstanapānavicakṣaṇaḥ okāraukāraviśvādikṛtasṛṣṭikramālasaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
karṇatālakṛtātyuccairvāyuvījitanirjaraḥ || 114||
- aṃaḥvarṇāvalīvyāptapādādiśīrṣamaṇḍalaḥwhose body from feet to crown is filled with the letters aṃ and aḥ
- karṇatālakṛtātyuccairvāyuvījitanirjaraḥwho fans the gods with the high wind made by the flapping of his ears
anvaya aṃaḥvarṇāvalīvyāptapādādiśīrṣamaṇḍalaḥ karṇatālakṛtātyuccairvāyuvījitanirjaraḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note With the vowels done, the second line begins the consonants, ka for karṇa, the ear.
garvitāśeṣagandharvagītatatparaśrotrakaḥ || 115||
- khageśadhvajaratnāṅkakirīṭāruṇapādakaḥwhose feet are reddened by the jewelled crown of the god with Garuda on his banner
- garvitāśeṣagandharvagītatatparaśrotrakaḥwhose ears are bent on the songs of all the proud gandharvas
anvaya khageśadhvajaratnāṅkakirīṭāruṇapādakaḥ garvitāśeṣagandharvagītatatparaśrotrakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ṅavarṇāmṛtadhārāḍhyaśobhamānaikadantakaḥ || 116||
- ghanavāhanavāgīśapurassarasurārcitaḥworshipped by the gods, with Indra and the lord of speech before them
- ṅavarṇāmṛtadhārāḍhyaśobhamānaikadantakaḥwhose single tusk shines with a stream of nectar that is the letter ṅa
anvaya ghanavāhanavāgīśapurassarasurārcitaḥ ṅavarṇāmṛtadhārāḍhyaśobhamānaikadantakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
chatracāmararatnāḍhyamukuṭālaṅkṛtānanaḥ || 117||
- candrakuṅkumajambālaliptasindūravigrahaḥwhose vermilion body is smeared with a paste of camphor and saffron
- chatracāmararatnāḍhyamukuṭālaṅkṛtānanaḥwhose face is set off by a jewelled crown, with parasol and fly-whisk
anvaya candrakuṅkumajambālaliptasindūravigrahaḥ chatracāmararatnāḍhyamukuṭālaṅkṛtānanaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
jhaṅkārimadhupavrātagānanādavināditaḥ || 118||
- jaṭābaddhamahānarghamaṇipaṅktivirājitaḥshining with a row of priceless gems bound into his matted hair
- jhaṅkārimadhupavrātagānanādavināditaḥloud with the song of swarms of humming bees
anvaya jaṭābaddhamahānarghamaṇipaṅktivirājitaḥ jhaṅkārimadhupavrātagānanādavināditaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ṭakārākhyāphalāsvādavepitāśeṣamūrdhajaḥ || 119||
- ñavarṇakṛtasaṃhāradaityāsṛkparṇamudgaraḥwhose hammer is leafed with the blood of the demons slain by the letter ña
- ṭakārākhyāphalāsvādavepitāśeṣamūrdhajaḥwhose hair stands on end at the taste of the fruit called ṭa
anvaya ñavarṇakṛtasaṃhāradaityāsṛkparṇamudgaraḥ ṭakārākhyāphalāsvādavepitāśeṣamūrdhajaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note These two names are forced into shape by the letters they must carry, ña and ṭa, which begin almost no Sanskrit words; the images they make are not found elsewhere.
ṇavarṇāmṛtapīyūṣadhārādhārasudhākaraḥ || 120||
- ṭhakārādyaḍakārāṅkaḍhakārānandatoṣitaḥpleased with the joy of ḍha, marked with ṭha and ḍa
- ṇavarṇāmṛtapīyūṣadhārādhārasudhākaraḥthe moon that holds the stream of nectar that is the letter ṇa
anvaya ṭhakārādyaḍakārāṅkaḍhakārānandatoṣitaḥ ṇavarṇāmṛtapīyūṣadhārādhārasudhākaraḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
thakāradhanapaṅktyātisantoṣitādvijavrajaḥ || 121||
- tāmrasindūrapūjāḍhyalalāṭaphalakacchaviḥthe slab of whose brow shines with the worship of copper-red vermilion
- thakāradhanapaṅktyātisantoṣitādvijavrajaḥwho delights the crowds of the twice-born with rows of riches marked with tha
anvaya tāmrasindūrapūjāḍhyalalāṭaphalakacchaviḥ thakāradhanapaṅktyātisantoṣitādvijavrajaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
dhanadādimahāyakṣasaṃsevitapadāmbujaḥ || 122||
- dayāmṛtahṛdambhojadhṛtatrailokyamaṇḍalaḥwho holds the three worlds in his heart-lotus full of the nectar of mercy
- dhanadādimahāyakṣasaṃsevitapadāmbujaḥwhose lotus feet are waited on by Kubera and the great yakshas
anvaya dayāmṛtahṛdambhojadhṛtatrailokyamaṇḍalaḥ dhanadādimahāyakṣasaṃsevitapadāmbujaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
paravargāpavargādibhogecchedanadakṣakaḥ || 123||
- namitāśeṣadevaughakirīṭamaṇirañjitaḥcoloured by the gems in the crowns of all the gods who bow to him
- paravargāpavargādibhogecchedanadakṣakaḥskilled in cutting the craving for pleasures of the other world and of release
anvaya namitāśeṣadevaughakirīṭamaṇirañjitaḥ paravargāpavargādibhogecchedanadakṣakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
baddhabhrūyugabhīmograsantarjitasurāsuraḥ || 124||
- phaṇicakrasamākrāntagalamaṇḍalamaṇḍitaḥwhose throat is ringed and adorned with coils of snakes
- baddhabhrūyugabhīmograsantarjitasurāsuraḥwho cows gods and demons with the dreadful frown of his knitted brows
anvaya phaṇicakrasamākrāntagalamaṇḍalamaṇḍitaḥ baddhabhrūyugabhīmograsantarjitasurāsuraḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
madirākalaśasphītakarālaikakarāmbujaḥ || 125||
- bhavānīhṛdayānandavarddhanaikaniśākaraḥthe one moon that makes the joy in Bhavani's heart rise
- madirākalaśasphītakarālaikakarāmbujaḥone of whose lotus hands holds a brimming pitcher of wine
anvaya bhavānīhṛdayānandavarddhanaikaniśākaraḥ madirākalaśasphītakarālaikakarāmbujaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
madirākalaśa a pitcher of wine — In his dhyana Ucchishta Ganapati holds a vessel of wine in one hand; it is part of the fixed image of this form.
ratnākarasutākāntikrāntikīrtivivardhanaḥ || 126||
- yajñāntarāyasaṅghātasajjīkṛtavarāyudhaḥwhose weapon is held ready against all that hinders a sacrifice
- ratnākarasutākāntikrāntikīrtivivardhanaḥwho makes the beauty, reach and fame of Lakshmi, the ocean's daughter, grow
anvaya yajñāntarāyasaṅghātasajjīkṛtavarāyudhaḥ ratnākarasutākāntikrāntikīrtivivardhanaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
varuṇādidigīśānasvarcitārcanacarcitaḥ || 127||
- lambodaramahābhīmavapurdīptakṛtāsuraḥLambodara, whose huge blazing body has made an end of the demons
- varuṇādidigīśānasvarcitārcanacarcitaḥhonoured with worship duly offered by Varuna and the lords of the quarters
anvaya lambodaramahābhīmavapurdīptakṛtāsuraḥ varuṇādidigīśānasvarcitārcanacarcitaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ṣoḍaśasvaritālāpagītagānavicakṣaṇaḥ || 128||
- śaṅkaraikapriyapremanayanāndavarddhanaḥwho makes the joy grow in the loving eyes of Shankara's one beloved
- ṣoḍaśasvaritālāpagītagānavicakṣaṇaḥskilled in songs sung to the sixteen vowels
anvaya śaṅkaraikapriyapremanayanāndavarddhanaḥ ṣoḍaśasvaritālāpagītagānavicakṣaṇaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note Nayanānda in the first name is printed for nayanānanda, joy of the eyes.
harādibrahmavaikuṇṭhabrahmagītādipāṭhakaḥ || 129||
- samastadurgatisarinnāthottāraṇakoḍupaḥthe raft that carries men across the ocean of every misfortune
- harādibrahmavaikuṇṭhabrahmagītādipāṭhakaḥwho recites the songs of brahman sung by Hara, Brahma, Vaikuntha and the rest
anvaya samastadurgatisarinnāthottāraṇakoḍupaḥ harādibrahmavaikuṇṭhabrahmagītādipāṭhakaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
tārāṅkamantravarṇaikavigrahojjvalavigrahaḥ || 130||
- kṣamāpūritahṛtpadmasaṃrakṣitacarācaraḥwho guards all that moves and stands still from a heart filled with forbearance
- tārāṅkamantravarṇaikavigrahojjvalavigrahaḥwhose body shines as the one body of the letters of the mantra marked with Om
anvaya kṣamāpūritahṛtpadmasaṃrakṣitacarācaraḥ tārāṅkamantravarṇaikavigrahojjvalavigrahaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note With kṣa, the last letter, the garland of the alphabet is complete.
oṃ śrīvināyako oṃ hrīṃ vighnādhyakṣo gaṇādhipaḥ || 131||
- akārādikṣakārāntavidyābhūṣitavigrahaḥwhose body is adorned with the learning that runs from a to ksha
- oṃOm
- śrīvināyakaḥShri Vinayaka
- oṃOm
- hrīṃthe seed syllable hrim
- vighnādhyakṣaḥoverseer of obstacles
- gaṇādhipaḥlord of the ganas
anvaya akārādikṣakārāntavidyābhūṣitavigrahaḥ oṃ śrīvināyakaḥ oṃ hrīṃ vighnādhyakṣaḥ gaṇādhipaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
vedāntagīto vidyārthisiddhamantraḥ ṣaḍakṣaraḥ || 132||
- herambaḥHeramba
- modakāhāraḥwhose food is modakas
- vakratuṇḍaḥcurved of trunk
- vidhiḥthe one who ordains
- smṛtaḥremembered as
- vedāntagītaḥsung in the Vedanta
- vidyārthisiddhamantraḥthe mantra that brings students success
- ṣaḍakṣaraḥthe mantra of six syllables
anvaya herambaḥ modakāhāraḥ vakratuṇḍaḥ vidhiḥ smṛtaḥ vedāntagītaḥ vidyārthisiddhamantraḥ ṣaḍakṣaraḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ṣaḍakṣara the mantra of six syllables — Vakratuṇḍāya hum, the six-syllable mantra of Ganapati.
saptakoṭimahāmantramantritāśeṣavigrahaḥ || 133||
- gaṇeśaḥGanesha
- varadaḥgiver of boons
- devaḥthe god
- dvādaśākṣaramantritaḥworshipped with the twelve-syllable mantra
- saptakoṭimahāmantramantritāśeṣavigrahaḥwhose whole body is charged with the seven crore great mantras
anvaya gaṇeśaḥ varadaḥ devaḥ dvādaśākṣaramantritaḥ saptakoṭimahāmantramantritāśeṣavigrahaḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
oṃ hrīṃ śrīṃ klīṃ glauṃ ga~ devo mahāgaṇapatiḥ prabhuḥ || 134||
- gāṅgeyaḥson of Ganga
- gaṇasevyaḥserved by the ganas
- caand
- oṃOm
- śrīdvaimāturaḥShri, the one with two mothers
- śivaḥthe auspicious
- oṃOm
- hrīṃthe seed syllable hrim
- śrīṃthe seed syllable shrim
- klīṃthe seed syllable klim
- glauṃthe seed syllable glaum
- ga~the seed syllable gam
- devaḥthe god
- mahāgaṇapatiḥMahaganapati
- prabhuḥthe master
anvaya gāṅgeyaḥ gaṇasevyaḥ ca oṃ śrīdvaimāturaḥ śivaḥ oṃ hrīṃ śrīṃ klīṃ glauṃ ga~ devaḥ mahāgaṇapatiḥ prabhuḥ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
dvaimātura the one with two mothers — Parvati, who made him, and Ganga, into whose water he was put; both are counted his mothers.
note The thousand names close here with the seed syllables they opened with.
guhyaṃ gopyatamaṃ siddhaṃ sarvatantreṣu gopitam || 135||
- idamthis
- nāmasahasramthe thousand names
- tuindeed
- mahāgaṇapateḥof Mahaganapati
- smṛtamis taught as
- guhyamsecret
- gopyatamamto be guarded above all
- siddhamproven in practice
- sarvatantreṣuin every tantra
- gopitamkept hidden
anvaya idam tu mahāgaṇapateḥ nāmasahasram smṛtam guhyam gopyatamam siddham sarvatantreṣu gopitam
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
grahatārāmayaṃ rāśivarṇapaṅktisamanvitam || 136||
- sarvamantramayammade of every mantra
- divyamdivine
- sarvavighnavināśanamthe destroyer of all obstacles
- grahatārāmayammade of the planets and the stars
- rāśivarṇapaṅktisamanvitamholding the signs and the rows of letters
anvaya sarvamantramayam divyam sarvavighnavināśanam grahatārāmayam rāśivarṇapaṅktisamanvitam
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note The verse looks back over the hymn's plan: the planets, the lunar mansions, the signs, and the garland of letters are all in it.
gaṇeśasya ca sarvasvaṃ rahasyaṃ tridivaukasām || 137||
- sarvāvidyāmayammade of all learning
- brahmasādhanama means to brahman
- sādhakapriyamdear to those who practise
- gaṇeśasyaof Ganesha
- caand
- sarvasvamthe whole of his own
- rahasyamthe secret
- tridivaukasāmof the dwellers in heaven
anvaya sarvāvidyāmayam brahmasādhanam sādhakapriyam gaṇeśasya ca sarvasvam tridivaukasām rahasyam
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note The printed sarvāvidyāmayam could be read as made of all ignorance; the sense intended is plainly sarvavidyāmayam, made of all learning.
aṣṭasiddhimayaṃ śreṣṭhaṃ sādhakānāṃ jayapradam || 138||
- yatheṣṭaphaladamwhich gives whatever fruit is wanted
- lokein this world
- manorathaprapūraṇamwhich fills the heart's wishes
- aṣṭasiddhimayammade of the eight powers
- śreṣṭhamthe best
- sādhakānāmto those who practise
- jayapradamwhich gives victory
anvaya loke yatheṣṭaphaladam manorathaprapūraṇam aṣṭasiddhimayam śreṣṭham sādhakānām jayapradam
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
aṇimādyaṣṭasiddhīnāṃ sādhanaṃ smṛtimātrataḥ || 139||
- vināwithout
- arcanamworship
- vināwithout
- homamthe fire offering
- vināwithout
- nyāsamthe placings
- vināwithout
- japamrepetition
- aṇimādyaṣṭasiddhīnāmof the eight powers that begin with becoming small
- sādhanamthe means
- smṛtimātrataḥsimply by being remembered
anvaya arcanam vinā homam vinā nyāsam vinā japam vinā smṛtimātrataḥ aṇimādyaṣṭasiddhīnām sādhanam
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
aṣṭasiddhi the eight powers — Becoming minute, vast, light and heavy; reaching anything; getting any wish; mastery; and control over others.
likhedbhūrje mahādevi ! puṇyaṃ nāmasahasrakam || 140||
- caturthyāmon the fourth day
- ardharātreat midnight
- tuindeed
- paṭhetshould recite
- mantrīthe one who holds the mantra
- catuṣpatheat a crossroads
- likhetshould write
- bhūrjeon birch bark
- mahādevigreat goddess
- puṇyamholy
- nāmasahasrakamthe thousand names
anvaya mahādevi mantrī caturthyām tu ardharātre catuṣpathe paṭhet puṇyam nāmasahasrakam bhūrje likhet
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note From here the hymn gives the rites of its use. These are tantric instructions for someone who has received the mantra from a teacher; the names above are what is recited by everyone else.
yoṣidvāmakare caiva puruṣo dakṣiṇe bhuje || 141||
- dhārayetshould put on
- tamit
- caturdaśyāmon the fourteenth day
- madhyāhneat noon
- mūrdhnion the head
- vāor
- bhujeon the arm
- yoṣita woman
- vāmakareon her left hand
- caand
- evalikewise
- puruṣaḥa man
- dakṣiṇeon the right
- bhujearm
anvaya tam caturdaśyām madhyāhne mūrdhni vā bhuje dhārayet yoṣit vāmakare ca eva puruṣaḥ dakṣiṇe bhuje
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
vaśayedapi trailokyaṃ mārayedakhilān ripūn || 142||
- stambhayetcould hold still
- apieven
- brahmāṇamBrahma
- mohayetcould bewilder
- apieven
- śaṅkaramShankara
- vaśayetcould bring under his sway
- apieven
- trailokyamthe three worlds
- mārayetcould strike down
- akhilānevery one of
- ripūnhis enemies
anvaya brahmāṇam api stambhayet śaṅkaram api mohayet trailokyam api vaśayet akhilān ripūn mārayet
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ṣaṭkarma the six acts — Holding still, bewildering, bringing under sway, killing, driving off and pacifying: the six ends the older tantric handbooks list. The claim is that this hymn reaches all of them.
vandhyā putraṃ labhecchīghraṃ nirdhano dhanamāpnuyāt || 143||
- uccāṭayetcould drive off
- caand
- gīrvāṇama god
- śamayetcould quiet
- caand
- dhanañjayamfire
- vandhyāa barren woman
- putrama son
- labhetgains
- śīghramquickly
- nirdhanaḥa poor man
- dhanamwealth
- āpnuyātcomes by
anvaya gīrvāṇam ca uccāṭayet dhanañjayam ca śamayet vandhyā śīghram putram labhet nirdhanaḥ dhanam āpnuyāt
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note In the text labhet and śīghram are joined by sandhi as labhecchīghram.
nagnaḥ śaktiyuto devi bhuktvā bhogānyathepsitān || 144||
- trivāramthree times
- yaḥthe one who
- paṭhetrecites
- rātrauat night
- gaṇeśasyaof Ganesha
- puraḥin front
- śivegoddess
- nagnaḥunclothed
- śaktiyutaḥjoined with his shakti
- devigoddess
- bhuktvāafter taking
- bhogānthe enjoyments
- yathepsitānhe desires
anvaya śive devi yaḥ nagnaḥ śaktiyutaḥ yathepsitān bhogān bhuktvā rātrau gaṇeśasya puraḥ trivāram paṭhet
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note This is a rite of the left-hand path, done by an initiate with a partner who is herself counted as the goddess. It is recorded here because it is in the text; it is not a practice for general recitation.
ya idaṃ paṭhate nāmnāṃ sahasraṃ bhaktipūrvakam || 145||
- pratyakṣavaradambefore his eyes, granting boons
- paśyetwill see
- gaṇeśamGanesha
- sādhakottamaḥthe best of practitioners
- yaḥwhoever
- idamthis
- paṭhaterecites
- nāmnāmof names
- sahasramthousand
- bhaktipūrvakamwith devotion
anvaya sādhakottamaḥ pratyakṣavaradam gaṇeśam paśyet yaḥ bhaktipūrvakam idam nāmnām sahasram paṭhate
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
raṇe rājamaye dyūte paṭhennāmasahasrakam || 146||
- tasyahis
- vittādivibhavodārāyuḥwealth and splendour, a wife and long life
- sampadaḥevery kind of plenty
- sadāalways
- raṇein battle
- rājamayebefore a king
- dyūteat dice
- paṭhetlet him recite
- nāmasahasrakamthe thousand names
anvaya tasya sadā vittādivibhavodārāyuḥ sampadaḥ raṇe rājamaye dyūte nāmasahasrakam paṭhet
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
- sarvatraeverywhere
- jayamvictory
- āpnotihe wins
- gaṇeśasyaof Ganesha
- prasādataḥby the grace
anvaya gaṇeśasya prasādataḥ sarvatra jayam āpnoti
chandas Anuṣṭubh (śloka), a half verse
mahāgaṇapateḥ puṇyaṃ gopanīyaṃ svayonivat || 147||
- itiso
- idamthis
- puṇyasarvasvamthe whole sum of merit
- mantranāmasahasrakamthe thousand names in the form of mantras
- mahāgaṇapateḥof Mahaganapati
- puṇyamholy
- gopanīyamto be kept private
- svayonivatas the most private part of oneself
anvaya iti idam mahāgaṇapateḥ puṇyam mantranāmasahasrakam puṇyasarvasvam svayonivat gopanīyam
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note The comparison at the end is the tantras' own blunt way of saying that a text is to be kept strictly secret.
śrīmaducchiṣṭagaṇeśasahasranāmastotraṃ sampūrṇam ||
- itihere ends
- śrīrudrayāmalatantrein the Shri Rudrayamala Tantra
- śrīmaducchiṣṭagaṇeśasahasranāmastotramthe hymn of the thousand names of Shri Ucchishta Ganesha
- sampūrṇamcomplete
anvaya iti śrīrudrayāmalatantre śrīmaducchiṣṭagaṇeśasahasranāmastotram sampūrṇam
chandas Prose, the colophon
