- ଶ୍ରୀଉଚ୍ଛିଷ୍ଟଗଣପତିସହସ୍ରନାମସ୍ତୋତ୍ରମ୍ (śrīucchiṣṭagaṇapatisahasranāmastotram)the hymn of the thousand names of Shri Ucchishta Ganapati
anvaya ଶ୍ରୀଉଚ୍ଛିଷ୍ଟଗଣପତିସହସ୍ରନାମସ୍ତୋତ୍ରମ୍
chandas Prose, the title
ଉଚ୍ଛିଷ୍ଟ Ucchishta — Literally what is left over, as food left on a plate. Ucchishta Ganapati is the tantric form worshipped outside the rules of purity that govern ordinary worship; his rites may be done with the mouth unwashed, which is where the name comes from.
note The hymn comes from the Rudrayamala Tantra and is spoken by Bhairava to the goddess. It is a tantric text, and some of its names and its closing instructions belong to rites that are kept for initiates.
ଶ୍ରୀଭୈରଵ ଉଵାଚ।
ଶୃଣୁ ଦେଵି ରହସ୍ଯଂ ମେ ଯତ୍ପୁରା ସୂଚିତଂ ମଯା ।
ତଵ ଭକ୍ତ୍ଯା ଗଣେଶସ୍ଯ ଵକ୍ଷ୍ଯେ ନାମସହସ୍ରକମ୍ ॥ ୧॥
- ଶ୍ରୀଗଣେଶାଯ (śrīgaṇeśāya)to Shri Ganesha
- ନମଃ (namaḥ)salutation
- ଶ୍ରୀଭୈରଵଃ (śrībhairavaḥ)Shri Bhairava
- ଉଵାଚ (uvāca)said
- ଶୃଣୁ (śṛṇu)listen
- ଦେଵି (devi)goddess
- ରହସ୍ଯମ୍ (rahasyam)secret
- ମେ (me)my
- ଯତ୍ (yat)which
- ପୁରା (purā)once before
- ସୂଚିତମ୍ (sūcitam)touched on
- ମଯା (mayā)by me
- ତଵ (tava)your
- ଭକ୍ତ୍ଯା (bhaktyā)because of the love
- ଗଣେଶସ୍ଯ (gaṇeśasya)of Ganesha
- ଵକ୍ଷ୍ଯେ (vakṣye)I will tell
- ନାମସହସ୍ରକମ୍ (nāmasahasrakam)the thousand names
anvaya ଶ୍ରୀଗଣେଶାଯ ନମଃ ଶ୍ରୀଭୈରଵଃ ଉଵାଚ ଦେଵି ମଯା ପୁରା ଯତ୍ ସୂଚିତମ୍ ମେ ରହସ୍ଯମ୍ ଶୃଣୁ ତଵ ଭକ୍ତ୍ଯା ଗଣେଶସ୍ଯ ନାମସହସ୍ରକମ୍ ଵକ୍ଷ୍ଯେ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଓଁ ଭଗଵନ୍ଗଣନାଥସ୍ଯ ଉଚ୍ଛିଷ୍ଟସ୍ଯ ମହାତ୍ମନଃ ।
ଶ୍ରୋତୁଂ ନାମ ସହସ୍ରଂ ମେ ହୃଦଯଂ ପ୍ରୋତ୍ସୁକାଯତେ ॥ ୨॥
- ଶ୍ରୀଦେଵୀ (śrīdevī)the goddess
- ଉଵାଚ (uvāca)said
- ଓଁ (oṃ)Om
- ଭଗଵନ୍ (bhagavan)lord
- ଗଣନାଥସ୍ଯ (gaṇanāthasya)of the lord of the ganas
- ଉଚ୍ଛିଷ୍ଟସ୍ଯ (ucchiṣṭasya)of Ucchishta
- ମହାତ୍ମନଃ (mahātmanaḥ)the great-souled
- ଶ୍ରୋତୁମ୍ (śrotum)to hear
- ନାମ ସହସ୍ରମ୍ (nāma sahasram)the thousand names
- ମେ (me)my
- ହୃଦଯମ୍ (hṛdayam)heart
- ପ୍ରୋତ୍ସୁକାଯତେ (protsukāyate)is eager
anvaya ଶ୍ରୀଦେଵୀ ଉଵାଚ ଓଁ ଭଗଵନ୍ ମହାତ୍ମନଃ ଉଚ୍ଛିଷ୍ଟସ୍ଯ ଗଣନାଥସ୍ଯ ନାମ ସହସ୍ରମ୍ ଶ୍ରୋତୁମ୍ ମେ ହୃଦଯମ୍ ପ୍ରୋତ୍ସୁକାଯତେ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ପ୍ରାଙ୍ମୁଖେ ତ୍ରିପୁରାନାଥେ ଜାତା ଵିଘ୍ନକୁଲାଃ ଶିଵେ ।
ମୋହନେ ମୁଚ୍ଯତେ ଚେତସ୍ତୈଃ ସର୍ଵୈର୍ବଲଦର୍ପିତୈଃ ॥ ୩॥
- ଶ୍ରୀଭୈରଵଃ (śrībhairavaḥ)Bhairava
- ଉଵାଚ (uvāca)said
- ପ୍ରାଙ୍ମୁଖେ (prāṅmukhe)when I faced east
- ତ୍ରିପୁରାନାଥେ (tripurānāthe)against the lord of the three cities
- ଜାତାଃ (jātāḥ)sprang up
- ଵିଘ୍ନକୁଲାଃ (vighnakulāḥ)whole families of obstacles
- ଶିଵେ (śive)goddess
- ମୋହନେ (mohane)into confusion
- ମୁଚ୍ଯତେ (mucyate)is cast
- ଚେତଃ (cetaḥ)my mind
- ତୈଃ (taiḥ)by them
- ସର୍ଵୈଃ (sarvaiḥ)all
- ବଲଦର୍ପିତୈଃ (baladarpitaiḥ)proud of their strength
anvaya ଶ୍ରୀଭୈରଵଃ ଉଵାଚ ଶିଵେ ତ୍ରିପୁରାନାଥେ ପ୍ରାଙ୍ମୁଖେ ଵିଘ୍ନକୁଲାଃ ଜାତାଃ ତୈଃ ସର୍ଵୈଃ ବଲଦର୍ପିତୈଃ ଚେତଃ ମୋହନେ ମୁଚ୍ଯତେ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ତ୍ରିପୁର the three cities — The three flying fortresses of the demons, which Shiva burnt with a single arrow. The story told here is that he could not do it until he had first praised Ganapati.
ଵିଘ୍ନା ଦୂରାତ୍ପଲାଯନ୍ତେ କାଲରୁଦ୍ରାଦିଵ ପ୍ରଜାଃ ॥ ୪॥
- ତଦା (tadā)then
- ପ୍ରଭୁମ୍ (prabhum)the lord
- ଗଣାଧ୍ଯକ୍ଷମ୍ (gaṇādhyakṣam)the overseer of the ganas
- ସ୍ତୁତ୍ଵା (stutvā)once I had praised
- ନାମସହସ୍ରକୈଃ (nāmasahasrakaiḥ)with the thousand names
- ଵିଘ୍ନାଃ (vighnāḥ)the obstacles
- ଦୂରାତ୍ (dūrāt)far away
- ପଲାଯନ୍ତେ (palāyante)ran
- କାଲରୁଦ୍ରାତ୍ (kālarudrāt)from Kalarudra
- ଇଵ (iva)as
- ପ୍ରଜାଃ (prajāḥ)creatures
anvaya ତଦା ନାମସହସ୍ରକୈଃ ପ୍ରଭୁମ୍ ଗଣାଧ୍ଯକ୍ଷମ୍ ସ୍ତୁତ୍ଵା ଵିଘ୍ନାଃ କାଲରୁଦ୍ରାତ୍ ପ୍ରଜାଃ ଇଵ ଦୂରାତ୍ ପଲାଯନ୍ତେ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
କାଲରୁଦ୍ର Kalarudra — Rudra as Time, who destroys the worlds at the end of an age.
ତମଦ୍ଯାପି ଗଣେଶାନଂ ସ୍ତୌମି ନାମସହସ୍ରକୈଃ ॥ ୫॥
- ତସ୍ଯ (tasya)his
- ଅନୁଗ୍ରହତଃ (anugrahataḥ)by the grace
- ଦେଵି (devi)goddess
- ଜାତଃ (jātaḥ)became
- ଅହମ୍ (aham)I
- ତ୍ରିପୁରାନ୍ତକଃ (tripurāntakaḥ)the destroyer of the three cities
- ତମ୍ (tam)that
- ଅଦ୍ଯାପି (adyāpi)to this day
- ଗଣେଶାନମ୍ (gaṇeśānam)lord of the ganas
- ସ୍ତୌମି (staumi)I praise
- ନାମସହସ୍ରକୈଃ (nāmasahasrakaiḥ)with the thousand names
anvaya ଦେଵି ତସ୍ଯ ଅନୁଗ୍ରହତଃ ଅହମ୍ ତ୍ରିପୁରାନ୍ତକଃ ଜାତଃ ଅଦ୍ଯାପି ତମ୍ ଗଣେଶାନମ୍ ନାମସହସ୍ରକୈଃ ସ୍ତୌମି
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ମହାଗଣପତେର୍ଵକ୍ଷ୍ଯେ ଦିଵ୍ଯଂ ନାମସହସ୍ରକମ୍ ॥ ୬॥
- ତତ୍ (tat)so
- ଅଦ୍ଯ (adya)now
- ତଵ (tava)your
- ଭକ୍ତ୍ଯା (bhaktyā)for the devotion
- ଅହମ୍ (aham)I
- ସାଧକାନାମ୍ (sādhakānām)of those who practise
- ହିତାଯ (hitāya)for the good
- ଚ (ca)and
- ମହାଗଣପତେଃ (mahāgaṇapateḥ)of Mahaganapati
- ଵକ୍ଷ୍ଯେ (vakṣye)I will tell
- ଦିଵ୍ଯମ୍ (divyam)divine
- ନାମସହସ୍ରକମ୍ (nāmasahasrakam)thousand names
anvaya ତତ୍ ଅଦ୍ଯ ଅହମ୍ ତଵ ଭକ୍ତ୍ଯା ଚ ସାଧକାନାମ୍ ହିତାଯ ମହାଗଣପତେଃ ଦିଵ୍ଯମ୍ ନାମସହସ୍ରକମ୍ ଵକ୍ଷ୍ଯେ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ସାଧକ those who practise — One who has taken up a practice under a teacher, as opposed to a casual reciter.
ଗାଯତ୍ରୀ ଛନ୍ଦଃ । ଶ୍ରୀମହାଗଣପତିର୍ଦେଵତା ।
ଗଂ ବୀଜମ୍ । ହ୍ରୀଂ ଶକ୍ତିଃ । କୁରୁକୁରୁ କୀଲକମ୍ ।
ମମ ଧର୍ମାର୍ଥକାମମୋକ୍ଷାର୍ଥେ ଜପେ ଵିନିଯୋଗଃ ॥
chandas Prose, the viniyoga
ଗୁଣାଢ୍ଯୋ ନିର୍ଗୁଣୋ ଗୋପ୍ତା ଗଜଵକ୍ତ୍ରୋ ଵିଭାଵସୁଃ ॥ ୭॥
- ଓଁ (oṃ)Om
- ହ୍ରୀଂ (hrīṃ)the seed syllable hrim
- ଶ୍ରୀଂ (śrīṃ)the seed syllable shrim
- କ୍ଲୀଂ (klīṃ)the seed syllable klim
- ଗଣାଧ୍ଯକ୍ଷଃ (gaṇādhyakṣaḥ)overseer of the ganas
- ଗ୍ଲୌଂ (glauṃ)the seed syllable glaum
- ଗଁ (ga~)the seed syllable gam
- ଗଣପତିଃ (gaṇapatiḥ)lord of the ganas
- ଗୁଣୀ (guṇī)the one with qualities
- ଗୁଣାଢ୍ଯଃ (guṇāḍhyaḥ)rich in qualities
- ନିର୍ଗୁଣଃ (nirguṇaḥ)beyond all qualities
- ଗୋପ୍ତା (goptā)the guardian
- ଗଜଵକ୍ତ୍ରଃ (gajavaktraḥ)elephant-faced
- ଵିଭାଵସୁଃ (vibhāvasuḥ)rich in light
anvaya ଓଁ ହ୍ରୀଂ ଶ୍ରୀଂ କ୍ଲୀଂ ଗଣାଧ୍ଯକ୍ଷଃ ଗ୍ଲୌଂ ଗଁ ଗଣପତିଃ ଗୁଣୀ ଗୁଣାଢ୍ଯଃ ନିର୍ଗୁଣଃ ଗୋପ୍ତା ଗଜଵକ୍ତ୍ରଃ ଵିଭାଵସୁଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ବୀଜ seed syllables — Hrim, shrim, klim, glaum and gam carry no dictionary meaning. They are the sounds of particular powers, set among the names like jewels in a string.
ସଦାଶାନ୍ତୋ ଜଗତ୍ତ୍ରାତା ଵିଶ୍ଵାଵର୍ତୋ ଵିଭାକରଃ ॥ ୮॥
- ଵିଶ୍ଵେଶ୍ଵରଃ (viśveśvaraḥ)lord of all
- ଵିଭାଦୀପ୍ତଃ (vibhādīptaḥ)ablaze with light
- ଦୀପନଃ (dīpanaḥ)the one who kindles
- ଧୀଵରଃ (dhīvaraḥ)best in understanding
- ଧନୀ (dhanī)rich
- ସଦାଶାନ୍ତଃ (sadāśāntaḥ)always at peace
- ଜଗତ୍ତ୍ରାତା (jagattrātā)saviour of the world
- ଵିଶ୍ଵାଵର୍ତଃ (viśvāvartaḥ)the whirl in which everything turns
- ଵିଭାକରଃ (vibhākaraḥ)maker of light
anvaya ଵିଶ୍ଵେଶ୍ଵରଃ ଵିଭାଦୀପ୍ତଃ ଦୀପନଃ ଧୀଵରଃ ଧନୀ ସଦାଶାନ୍ତଃ ଜଗତ୍ତ୍ରାତା ଵିଶ୍ଵାଵର୍ତଃ ଵିଭାକରଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଅଣିମାଵିଭଵଃ ଶ୍ରେଷ୍ଠୋ ଜ୍ଯେଷ୍ଠୋ ଗାଥାପ୍ରିଯୋ ଗୁରୁଃ ॥ ୯॥
- ଵିଶ୍ରମ୍ଭୀ (viśrambhī)the one to be trusted
- ଵିଜଯଃ (vijayaḥ)victory
- ଵୈଦ୍ଯଃ (vaidyaḥ)the healer
- ଵାରାନ୍ନିଧିଃ (vārānnidhiḥ)the ocean
- ଅନୁତ୍ତମଃ (anuttamaḥ)unsurpassed
- ଅଣିମାଵିଭଵଃ (aṇimāvibhavaḥ)whose glory is the power to become small as an atom
- ଶ୍ରେଷ୍ଠଃ (śreṣṭhaḥ)best
- ଜ୍ଯେଷ୍ଠଃ (jyeṣṭhaḥ)eldest
- ଗାଥାପ୍ରିଯଃ (gāthāpriyaḥ)lover of sung verses
- ଗୁରୁଃ (guruḥ)the teacher
anvaya ଵିଶ୍ରମ୍ଭୀ ଵିଜଯଃ ଵୈଦ୍ଯଃ ଵାରାନ୍ନିଧିଃ ଅନୁତ୍ତମଃ ଅଣିମାଵିଭଵଃ ଶ୍ରେଷ୍ଠଃ ଜ୍ଯେଷ୍ଠଃ ଗାଥାପ୍ରିଯଃ ଗୁରୁଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ପତିଃ ପୀତଵିଭୂଷାଙ୍କୋ ରକ୍ତାକ୍ଷୋ ଲୋହିତାମ୍ବରଃ ॥ ୧୦॥
- ସୃଷ୍ଟିକର୍ତା (sṛṣṭikartā)maker of creation
- ଜଗଦ୍ଧର୍ତା (jagaddhartā)upholder of the world
- ଵିଶ୍ଵଭର୍ତା (viśvabhartā)sustainer of all
- ଜଗନ୍ନିଧିଃ (jagannidhiḥ)the world's treasure-house
- ପତିଃ (patiḥ)the master
- ପୀତଵିଭୂଷାଙ୍କଃ (pītavibhūṣāṅkaḥ)marked with yellow ornaments
- ରକ୍ତାକ୍ଷଃ (raktākṣaḥ)red-eyed
- ଲୋହିତାମ୍ବରଃ (lohitāmbaraḥ)clothed in red
anvaya ସୃଷ୍ଟିକର୍ତା ଜଗଦ୍ଧର୍ତା ଵିଶ୍ଵଭର୍ତା ଜଗନ୍ନିଧିଃ ପତିଃ ପୀତଵିଭୂଷାଙ୍କଃ ରକ୍ତାକ୍ଷଃ ଲୋହିତାମ୍ବରଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ସୁରୂପଃ ସାତ୍ତ୍ଵିକଃ ସତ୍ଯଃ ଶୁଦ୍ଧଃ ଶଙ୍କରନନ୍ଦନଃ ॥ ୧୧॥
- ଵିରୂପାକ୍ଷଃ (virūpākṣaḥ)of strange eyes
- ଵିମାନସ୍ଥଃ (vimānasthaḥ)standing in a sky-chariot
- ଵିନୀତଃ (vinītaḥ)modest
- ସଦସ୍ଯଃ (sadasyaḥ)one who sits in the assembly
- ସୁଖୀ (sukhī)happy
- ଵିନଯଃ (vinayaḥ)modesty
- ସାତ୍ଵତଃ (sātvataḥ)the steadfast
- ସୁରୂପଃ (surūpaḥ)fair of form
- ସାତ୍ତ୍ଵିକଃ (sāttvikaḥ)clear by nature
- ସତ୍ଯଃ (satyaḥ)true
- ଶୁଦ୍ଧଃ (śuddhaḥ)pure
- ଶଙ୍କରନନ୍ଦନଃ (śaṅkaranandanaḥ)the son of Shankara
anvaya ଵିରୂପାକ୍ଷଃ ଵିମାନସ୍ଥଃ ଵିନୀତଃ ସଦସ୍ଯଃ ସୁଖୀ ଵିନଯଃ ସାତ୍ଵତଃ ସୁରୂପଃ ସାତ୍ତ୍ଵିକଃ ସତ୍ଯଃ ଶୁଦ୍ଧଃ ଶଙ୍କରନନ୍ଦନଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note The words in brackets, vinaya and sātvata, are a variant reading for the names before them, printed in the text beside the line.
ଦୈତ୍ଯମର୍ଦ୍ଦୀ ସଦାକ୍ଷୀବୋ ମଦିରାରୁଣଲୋଚନଃ ॥ ୧୨॥
- ନନ୍ଦୀଶ୍ଵରଃ (nandīśvaraḥ)lord of Nandi
- ଜଯାନନ୍ଦୀ (jayānandī)who delights in victory
- ଵନ୍ଦ୍ଯଃ (vandyaḥ)to be bowed to
- ସ୍ତୁତ୍ଯଃ (stutyaḥ)to be praised
- ଵିଚକ୍ଷଣଃ (vicakṣaṇaḥ)clear-sighted
- ଦୈତ୍ଯମର୍ଦ୍ଦୀ (daityamarddī)crusher of demons
- ସଦାକ୍ଷୀବଃ (sadākṣībaḥ)ever in the rapture of wine
- ମଦିରାରୁଣଲୋଚନଃ (madirāruṇalocanaḥ)his eyes reddened by wine
anvaya ନନ୍ଦୀଶ୍ଵରଃ ଜଯାନନ୍ଦୀ ଵନ୍ଦ୍ଯଃ ସ୍ତୁତ୍ଯଃ ଵିଚକ୍ଷଣଃ ଦୈତ୍ଯମର୍ଦ୍ଦୀ ସଦାକ୍ଷୀବଃ ମଦିରାରୁଣଲୋଚନଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
କ୍ଷୀବ, ମଦିରା rapture, wine — In tantric worship wine is one of the offerings, and Ucchishta Ganapati is pictured flushed with it. The names describe the image the rite sets up in the mind.
ପରଂ ବ୍ରହ୍ମ ପରଂ ଜ୍ଯୋତିଃ ସାକ୍ଷୀ ତ୍ର୍ଯକ୍ଷୋ ଵିକତ୍ଥନଃ ॥ ୧୩॥
- ସାରାତ୍ମା (sārātmā)whose self is the very core
- ଵିଶ୍ଵସାରଃ (viśvasāraḥ)the core of all
- ଚ (ca)and
- ଵିଶ୍ଵସାରଃ (viśvasāraḥ)the core of everything
- ଵିଲେପନଃ (vilepanaḥ)the anointing
- ପରଂ ବ୍ରହ୍ମ (paraṃ brahma)the highest brahman
- ପରଂ ଜ୍ଯୋତିଃ (paraṃ jyotiḥ)the highest light
- ସାକ୍ଷୀ (sākṣī)the witness
- ତ୍ର୍ଯକ୍ଷଃ (tryakṣaḥ)three-eyed
- ଵିକତ୍ଥନଃ (vikatthanaḥ)who speaks his own glory aloud
anvaya ସାରାତ୍ମା ଵିଶ୍ଵସାରଃ ଚ ଵିଶ୍ଵସାରଃ ଵିଲେପନଃ ପରଂ ବ୍ରହ୍ମ ପରଂ ଜ୍ଯୋତିଃ ସାକ୍ଷୀ ତ୍ର୍ଯକ୍ଷଃ ଵିକତ୍ଥନଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଭୃଙ୍ଗିରିଟୀ ଭୃଙ୍ଗମାଲୀ ଭୃଙ୍ଗକୂଜିତନାଦିତଃ ॥ ୧୪॥
- ଵିଶ୍ଵେଶ୍ଵରଃ (viśveśvaraḥ)lord of all
- ଵୀରହର୍ତା (vīrahartā)who brings down heroes
- ସୌଭାଗ୍ଯଃ (saubhāgyaḥ)good fortune
- ଭାଗ୍ଯଵର୍ଦ୍ଧନଃ (bhāgyavarddhanaḥ)who makes fortune grow
- ଭୃଙ୍ଗିରିଟୀ (bhṛṅgiriṭī)Bhringiriti
- ଭୃଙ୍ଗମାଲୀ (bhṛṅgamālī)garlanded with bees
- ଭୃଙ୍ଗକୂଜିତନାଦିତଃ (bhṛṅgakūjitanāditaḥ)ringing with the hum of bees
anvaya ଵିଶ୍ଵେଶ୍ଵରଃ ଵୀରହର୍ତା ସୌଭାଗ୍ଯଃ ଭାଗ୍ଯଵର୍ଦ୍ଧନଃ ଭୃଙ୍ଗିରିଟୀ ଭୃଙ୍ଗମାଲୀ ଭୃଙ୍ଗକୂଜିତନାଦିତଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଭୃଙ୍ଗିରିଟି Bhringiriti — Shiva's gaunt devotee, who would circle Shiva alone and not Parvati. The name brings in the bees, bhṛṅga, that follow in the next two.
ଵୈନତେଯୋ ଵିନମ୍ରାଙ୍ଗୋ ଵିଶ୍ଵନାଯକନାଯକଃ ॥ ୧୫॥
- ଵିନର୍ତକଃ (vinartakaḥ)the dancer
- ଵିନୀତଃ (vinītaḥ)modest
- ଅପି (api)as well
- ଵିନତାନନ୍ଦନାର୍ଚିତଃ (vinatānandanārcitaḥ)worshipped by Vinata's son
- ଵୈନତେଯଃ (vainateyaḥ)Garuda himself
- ଵିନମ୍ରାଙ୍ଗଃ (vinamrāṅgaḥ)with limbs bowed low
- ଵିଶ୍ଵନାଯକନାଯକଃ (viśvanāyakanāyakaḥ)leader of the leaders of the world
anvaya ଵିନର୍ତକଃ ଵିନୀତଃ ଅପି ଵିନତାନନ୍ଦନାର୍ଚିତଃ ଵୈନତେଯଃ ଵିନମ୍ରାଙ୍ଗଃ ଵିଶ୍ଵନାଯକନାଯକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଵୈନତେଯ Garuda — The eagle, son of Vinata. He is named both as a worshipper of Ganapati and as Ganapati himself, a turn this hymn makes often.
ପୁଷ୍ପଦନ୍ତଃ ପୁଷ୍ପହାରୀ ପୁଷ୍ପମାଲାଵିଭୂଷଣଃ ॥ ୧୬॥
- ଵିରାଟକଃ (virāṭakaḥ)the vast one
- ଵିରାଟଃ (virāṭaḥ)the cosmic form
- ଚ (ca)and
- ଵିଦଗ୍ଧଃ (vidagdhaḥ)skilled
- ଵିଧୁରାତ୍ମଭୂଃ (vidhurātmabhūḥ)himself the source of those who are forsaken
- ପୁଷ୍ପଦନ୍ତଃ (puṣpadantaḥ)Pushpadanta
- ପୁଷ୍ପହାରୀ (puṣpahārī)who takes flowers
- ପୁଷ୍ପମାଲାଵିଭୂଷଣଃ (puṣpamālāvibhūṣaṇaḥ)adorned with garlands of flowers
anvaya ଵିରାଟକଃ ଵିରାଟଃ ଚ ଵିଦଗ୍ଧଃ ଵିଧୁରାତ୍ମଭୂଃ ପୁଷ୍ପଦନ୍ତଃ ପୁଷ୍ପହାରୀ ପୁଷ୍ପମାଲାଵିଭୂଷଣଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note Vidhurātmabhūḥ is hard to settle; it may also be read as born of the moon's own self, taking vidhu for the moon. Pushpadanta is the name of one of Shiva's attendants.
ଅନ୍ତ୍ଯୋଽନ୍ତକଶ୍ଚିତ୍ତଗଣାଶ୍ଚିତ୍ତଚିନ୍ତାପହାରକଃ ॥ ୧୭॥
- ପୁଷ୍ପେଷୁମଥନଃ (puṣpeṣumathanaḥ)crusher of the god with the flower-arrows
- ପୁଷ୍ଟଃ (puṣṭaḥ)well nourished
- ଵିଵର୍ତଃ (vivartaḥ)the turning of things
- କର୍ତରୀକରଃ (kartarīkaraḥ)with shears in his hand
- ଅନ୍ତ୍ଯଃ (antyaḥ)the last
- ଅନ୍ତକଃ (antakaḥ)the ender
- ଚିତ୍ତଗଣାଃ (cittagaṇāḥ)the host of thoughts
- ଚିତ୍ତଚିନ୍ତାପହାରକଃ (cittacintāpahārakaḥ)who takes away the mind's worries
anvaya ପୁଷ୍ପେଷୁମଥନଃ ପୁଷ୍ଟଃ ଵିଵର୍ତଃ କର୍ତରୀକରଃ ଅନ୍ତ୍ଯଃ ଅନ୍ତକଃ ଚିତ୍ତଗଣାଃ ଚିତ୍ତଚିନ୍ତାପହାରକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ପୁଷ୍ପେଷୁ the god with the flower-arrows — Kama, whose bow shoots flowers. Shiva burnt him to ash, and the name gives that deed to the son.
ଲୋହିତୋ ଲିପିତୋ ଲୁପ୍ତୋ ଲୋହିତାକ୍ଷୋ ଵିଲୋଭକଃ ॥ ୧୮॥
- ଅଚିନ୍ତ୍ଯଃ (acintyaḥ)past thought
- ଅଚିନ୍ତ୍ଯରୂପଃ (acintyarūpaḥ)whose form is past thought
- ଚ (ca)and
- ଚନ୍ଦନାକୁଲମୁଣ୍ଡକଃ (candanākulamuṇḍakaḥ)whose head is thick with sandal paste
- ଲୋହିତଃ (lohitaḥ)red
- ଲିପିତଃ (lipitaḥ)smeared
- ଲୁପ୍ତଃ (luptaḥ)hidden
- ଲୋହିତାକ୍ଷଃ (lohitākṣaḥ)red-eyed
- ଵିଲୋଭକଃ (vilobhakaḥ)who stirs longing
anvaya ଅଚିନ୍ତ୍ଯଃ ଅଚିନ୍ତ୍ଯରୂପଃ ଚ ଚନ୍ଦନାକୁଲମୁଣ୍ଡକଃ ଲୋହିତଃ ଲିପିତଃ ଲୁପ୍ତଃ ଲୋହିତାକ୍ଷଃ ଵିଲୋଭକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ସୁନ୍ଦରଃ ସୁନ୍ଦରୀପୁତ୍ରଃ ସମସ୍ତାସୁରଘାତକଃ ॥ ୧୯॥
- ଲବ୍ଧାଶଯଃ (labdhāśayaḥ)who has reached what he aimed at
- ଲୋଭରତଃ (lobharataḥ)who delights in longing
- ଲୋଭଦଃ (lobhadaḥ)who gives what is longed for
- ଅଲଙ୍ଘ୍ଯଗର୍ଧକଃ (alaṅghyagardhakaḥ)whose desire nothing can check
- ସୁନ୍ଦରଃ (sundaraḥ)beautiful
- ସୁନ୍ଦରୀପୁତ୍ରଃ (sundarīputraḥ)son of the beautiful goddess
- ସମସ୍ତାସୁରଘାତକଃ (samastāsuraghātakaḥ)slayer of all the demons
anvaya ଲବ୍ଧାଶଯଃ ଲୋଭରତଃ ଲୋଭଦଃ ଅଲଙ୍ଘ୍ଯଗର୍ଧକଃ ସୁନ୍ଦରଃ ସୁନ୍ଦରୀପୁତ୍ରଃ ସମସ୍ତାସୁରଘାତକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ସୁନ୍ଦରୀ the beautiful goddess — Tripurasundari, the goddess of the Shri Vidya tradition, here named as his mother.
ଵିଚାରୋ ଵାନ୍ତଦୋ ଵାଗ୍ମୀ ଵିତର୍କୀ ଵିଜଯୀଶ୍ଵରଃ ॥ ୨୦॥
- ନୂପୁରାଢ୍ଯଃ (nūpurāḍhyaḥ)rich with anklets
- ଵିଭଵେନ୍ଦ୍ରଃ (vibhavendraḥ)lord of splendour
- ନରନାରାଯଣଃ (naranārāyaṇaḥ)Nara and Narayana
- ରଵିଃ (raviḥ)the sun
- ଵିଚାରଃ (vicāraḥ)discernment
- ଵାନ୍ତଦଃ (vāntadaḥ)who gives back what was cast away
- ଵାଗ୍ମୀ (vāgmī)eloquent
- ଵିତର୍କୀ (vitarkī)who reasons
- ଵିଜଯୀଶ୍ଵରଃ (vijayīśvaraḥ)lord of the victorious
anvaya ନୂପୁରାଢ୍ଯଃ ଵିଭଵେନ୍ଦ୍ରଃ ନରନାରାଯଣଃ ରଵିଃ ଵିଚାରଃ ଵାନ୍ତଦଃ ଵାଗ୍ମୀ ଵିତର୍କୀ ଵିଜଯୀଶ୍ଵରଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ନରନାରାଯଣ Nara and Narayana — The twin sages of Badari, taken as one being in two bodies.
ଵିକର୍ତନୋ ଵିଯଚ୍ଚାରୀ ଵିନଟୋ ନଟନର୍ତକଃ ॥ ୨୧॥
- ସୁପ୍ତଃ (suptaḥ)asleep
- ବୁଦ୍ଧଃ (buddhaḥ)awake
- ସଦାରୂପଃ (sadārūpaḥ)whose form never changes
- ସୁଖଦଃ (sukhadaḥ)giver of happiness
- ସୁଖସେଵିତଃ (sukhasevitaḥ)waited on by happiness
- ଵିକର୍ତନଃ (vikartanaḥ)the sun
- ଵିଯଚ୍ଚାରୀ (viyaccārī)who moves through the sky
- ଵିନଟଃ (vinaṭaḥ)the actor
- ନଟନର୍ତକଃ (naṭanartakaḥ)the dancer among actors
anvaya ସୁପ୍ତଃ ବୁଦ୍ଧଃ ସଦାରୂପଃ ସୁଖଦଃ ସୁଖସେଵିତଃ ଵିକର୍ତନଃ ଵିଯଚ୍ଚାରୀ ଵିନଟଃ ନଟନର୍ତକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଗଙ୍ଗାଜଲପାନପ୍ରିଯୋ ଗଙ୍ଗାତୀରଵିହାରକୃତ୍ ॥ ୨୨॥
- ନଟଃ (naṭaḥ)the actor
- ନାଟ୍ଯପ୍ରିଯଃ (nāṭyapriyaḥ)lover of the stage
- ନାଦଃ (nādaḥ)sound itself
- ଅନନ୍ତଃ (anantaḥ)endless
- ଅନନ୍ତଗୁଣାତ୍ମକଃ (anantaguṇātmakaḥ)whose nature is endless qualities
- ଗଙ୍ଗାଜଲପାନପ୍ରିଯଃ (gaṅgājalapānapriyaḥ)who loves to drink the water of the Ganga
- ଗଙ୍ଗାତୀରଵିହାରକୃତ୍ (gaṅgātīravihārakṛt)who wanders along the Ganga's banks
anvaya ନଟଃ ନାଟ୍ଯପ୍ରିଯଃ ନାଦଃ ଅନନ୍ତଃ ଅନନ୍ତଗୁଣାତ୍ମକଃ ଗଙ୍ଗାଜଲପାନପ୍ରିଯଃ ଗଙ୍ଗାତୀରଵିହାରକୃତ୍
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଗନ୍ଧମାଦନସଂଵାସୋ ଗନ୍ଧମାଦନକେଲିକୃତ୍ ॥ ୨୩॥
- ଗଙ୍ଗାପ୍ରିଯଃ (gaṅgāpriyaḥ)dear to the Ganga
- ଗଙ୍ଗଜଃ (gaṅgajaḥ)born of the Ganga
- ଚ (ca)and
- ଵାହନାଦିପୁରଃସରଃ (vāhanādipuraḥsaraḥ)who goes before the mounts of the gods
- ଗନ୍ଧମାଦନସଂଵାସଃ (gandhamādanasaṃvāsaḥ)who dwells on Gandhamadana
- ଗନ୍ଧମାଦନକେଲିକୃତ୍ (gandhamādanakelikṛt)who plays on Gandhamadana
anvaya ଗଙ୍ଗାପ୍ରିଯଃ ଗଙ୍ଗଜଃ ଚ ଵାହନାଦିପୁରଃସରଃ ଗନ୍ଧମାଦନସଂଵାସଃ ଗନ୍ଧମାଦନକେଲିକୃତ୍
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଗଣଗନ୍ଧର୍ଵରାଜେଶୋ ଗଣଗନ୍ଧର୍ଵସେଵିତଃ ॥ ୨୪॥
- ଗନ୍ଧାନୁଲିପ୍ତପୂର୍ଵାଙ୍ଗଃ (gandhānuliptapūrvāṅgaḥ)whose forepart is smeared with scent
- ସର୍ଵଦେଵସ୍ମରଃ (sarvadevasmaraḥ)who holds all the gods in mind
- ସଦା (sadā)always
- ଗଣଗନ୍ଧର୍ଵରାଜେଶଃ (gaṇagandharvarājeśaḥ)lord of the kings of the ganas and gandharvas
- ଗଣଗନ୍ଧର୍ଵସେଵିତଃ (gaṇagandharvasevitaḥ)served by the ganas and the gandharvas
anvaya ଗନ୍ଧାନୁଲିପ୍ତପୂର୍ଵାଙ୍ଗଃ ସର୍ଵଦେଵସ୍ମରଃ ସଦା ଗଣଗନ୍ଧର୍ଵରାଜେଶଃ ଗଣଗନ୍ଧର୍ଵସେଵିତଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଗନ୍ଧର୍ଵଗଣସଂସେଵ୍ଯୋ ଗନ୍ଧର୍ଵଵରଦାଯକଃ ॥ ୨୫॥
- ଗନ୍ଧର୍ଵପୂଜିତଃ (gandharvapūjitaḥ)worshipped by the gandharvas
- ନିତ୍ଯମ୍ (nityam)always
- ସର୍ଵରୋଗଵିନାଶକଃ (sarvarogavināśakaḥ)destroyer of every disease
- ଗନ୍ଧର୍ଵଗଣସଂସେଵ୍ଯଃ (gandharvagaṇasaṃsevyaḥ)served by the host of gandharvas
- ଗନ୍ଧର୍ଵଵରଦାଯକଃ (gandharvavaradāyakaḥ)who gives the gandharvas boons
anvaya ଗନ୍ଧର୍ଵପୂଜିତଃ ନିତ୍ଯମ୍ ସର୍ଵରୋଗଵିନାଶକଃ ଗନ୍ଧର୍ଵଗଣସଂସେଵ୍ଯଃ ଗନ୍ଧର୍ଵଵରଦାଯକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଗନ୍ଧର୍ଵଗର୍ଵସଂଵେଗୋ ଗନ୍ଧର୍ଵଵରଦାଯକଃ ॥ ୨୬॥
- ଗନ୍ଧର୍ଵଃ (gandharvaḥ)the gandharva
- ଗନ୍ଧମାତଙ୍ଗଃ (gandhamātaṅgaḥ)the scented elephant
- ଗନ୍ଧର୍ଵକୁଲଦୈଵତଃ (gandharvakuladaivataḥ)god of the gandharva line
- ଗନ୍ଧର୍ଵଗର୍ଵସଂଵେଗଃ (gandharvagarvasaṃvegaḥ)the shock that humbles gandharva pride
- ଗନ୍ଧର୍ଵଵରଦାଯକଃ (gandharvavaradāyakaḥ)who gives the gandharvas boons
anvaya ଗନ୍ଧର୍ଵଃ ଗନ୍ଧମାତଙ୍ଗଃ ଗନ୍ଧର୍ଵକୁଲଦୈଵତଃ ଗନ୍ଧର୍ଵଗର୍ଵସଂଵେଗଃ ଗନ୍ଧର୍ଵଵରଦାଯକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note Several of these gandharva names also stand in the Gakaradi thousand names, in nearly the same words.
ଗନ୍ଧର୍ଵାଦିଗୁଣାନନ୍ଦୋ ନନ୍ଦୋଽନନ୍ତଗୁଣାତ୍ମକଃ ॥ ୨୭॥
- ଗନ୍ଧର୍ଵପ୍ରବଲାର୍ତିଘ୍ନଃ (gandharvaprabalārtighnaḥ)who ends the gandharvas' heavy pain
- ଗନ୍ଧର୍ଵଗଣସଂଯୁତଃ (gandharvagaṇasaṃyutaḥ)joined with the host of gandharvas
- ଗନ୍ଧର୍ଵାଦିଗୁଣାନନ୍ଦଃ (gandharvādiguṇānandaḥ)who takes delight in the gifts of gandharvas and others
- ନନ୍ଦଃ (nandaḥ)joy itself
- ଅନନ୍ତଗୁଣାତ୍ମକଃ (anantaguṇātmakaḥ)whose nature is endless qualities
anvaya ଗନ୍ଧର୍ଵପ୍ରବଲାର୍ତିଘ୍ନଃ ଗନ୍ଧର୍ଵଗଣସଂଯୁତଃ ଗନ୍ଧର୍ଵାଦିଗୁଣାନନ୍ଦଃ ନନ୍ଦଃ ଅନନ୍ତଗୁଣାତ୍ମକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
କରାଲଃ କାମଦଃ କାନ୍ତଃ କମନୀଯଃ କଲାନିଧିଃ ॥ ୨୮॥
- ଵିଶ୍ଵମୂର୍ତିଃ (viśvamūrtiḥ)whose form is the universe
- ଵିଶ୍ଵଧାତା (viśvadhātā)upholder of all
- ଵିନତାସ୍ଯଃ (vinatāsyaḥ)with face bent low
- ଵିନର୍ତକଃ (vinartakaḥ)the dancer
- କରାଲଃ (karālaḥ)fearsome
- କାମଦଃ (kāmadaḥ)giver of desires
- କାନ୍ତଃ (kāntaḥ)beloved
- କମନୀଯଃ (kamanīyaḥ)lovely
- କଲାନିଧିଃ (kalānidhiḥ)storehouse of the arts
anvaya ଵିଶ୍ଵମୂର୍ତିଃ ଵିଶ୍ଵଧାତା ଵିନତାସ୍ଯଃ ଵିନର୍ତକଃ କରାଲଃ କାମଦଃ କାନ୍ତଃ କମନୀଯଃ କଲାନିଧିଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଵିକରାଲୋ ରଣଶ୍ରେଷ୍ଠଃ ସଂହାରୋ ହାରଭୂଷଣଃ ॥ ୨୯॥
- କାରୁଣ୍ଯରୂପଃ (kāruṇyarūpaḥ)whose form is compassion
- କୁଟିଲଃ (kuṭilaḥ)winding in his ways
- କୁଲାଚାରୀ (kulācārī)who keeps the kula rites
- କୁଲେଶ୍ଵରଃ (kuleśvaraḥ)lord of the kula
- ଵିକରାଲଃ (vikarālaḥ)terrible
- ରଣଶ୍ରେଷ୍ଠଃ (raṇaśreṣṭhaḥ)best in battle
- ସଂହାରଃ (saṃhāraḥ)destruction
- ହାରଭୂଷଣଃ (hārabhūṣaṇaḥ)adorned with necklaces
anvaya କାରୁଣ୍ଯରୂପଃ କୁଟିଲଃ କୁଲାଚାରୀ କୁଲେଶ୍ଵରଃ ଵିକରାଲଃ ରଣଶ୍ରେଷ୍ଠଃ ସଂହାରଃ ହାରଭୂଷଣଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
କୁଲ the kula — In tantra, the family of the goddess and the circle of practice that belongs to her; kulācāra is the conduct of that circle.
ମହାକାଲୋ ମହାଦଂଷ୍ଟ୍ରୋ ମହୋରଗଭଯାନକଃ ॥ ୩୦॥
- ଉରୁରମ୍ଯମୁଖଃ (ururamyamukhaḥ)with a broad and pleasing face
- ରକ୍ତଃ (raktaḥ)red
- ଦେଵତାଦଯିତୌରସଃ (devatādayitaurasaḥ)the true son of the god's beloved
- ମହାକାଲଃ (mahākālaḥ)Mahakala
- ମହାଦଂଷ୍ଟ୍ରଃ (mahādaṃṣṭraḥ)great-fanged
- ମହୋରଗଭଯାନକଃ (mahoragabhayānakaḥ)fearsome with great serpents
anvaya ଉରୁରମ୍ଯମୁଖଃ ରକ୍ତଃ ଦେଵତାଦଯିତୌରସଃ ମହାକାଲଃ ମହାଦଂଷ୍ଟ୍ରଃ ମହୋରଗଭଯାନକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ସିତାସ୍ଯଃ ସିତମାଲ୍ଯଶ୍ଚ ସିତଦନ୍ତଃ ସିତାଂଶୁମାନ୍ ॥ ୩୧॥
- ଉନ୍ମତ୍ତରୂପଃ (unmattarūpaḥ)of wild form
- କାଲାଗ୍ନିଃ (kālāgniḥ)the fire of time
- ଅଗ୍ନିସୂର୍ଯେନ୍ଦୁଲୋଚନଃ (agnisūryendulocanaḥ)whose eyes are fire, sun and moon
- ସିତାସ୍ଯଃ (sitāsyaḥ)white-faced
- ସିତମାଲ୍ଯଃ (sitamālyaḥ)with white garlands
- ଚ (ca)and
- ସିତଦନ୍ତଃ (sitadantaḥ)white-tusked
- ସିତାଂଶୁମାନ୍ (sitāṃśumān)with the white rays of the moon
anvaya ଉନ୍ମତ୍ତରୂପଃ କାଲାଗ୍ନିଃ ଅଗ୍ନିସୂର୍ଯେନ୍ଦୁଲୋଚନଃ ସିତାସ୍ଯଃ ସିତମାଲ୍ଯଃ ଚ ସିତଦନ୍ତଃ ସିତାଂଶୁମାନ୍
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଗର୍ଭାତ୍ମଜୋ ଭଗାଵାସୋ ଭଗଦୋ ଭଗଵର୍ଦ୍ଧନଃ ॥ ୩୨॥
- ଅସିତାତ୍ମା (asitātmā)dark of self
- ଭୈରଵେଶଃ (bhairaveśaḥ)lord of Bhairava
- ଭାଗ୍ଯଵାନ୍ (bhāgyavān)fortunate
- ଭଗଵାନ୍ (bhagavān)blessed
- ଭଵଃ (bhavaḥ)being itself
- ଗର୍ଭାତ୍ମଜଃ (garbhātmajaḥ)the womb-born son
- ଭଗାଵାସଃ (bhagāvāsaḥ)who dwells in the source of fortune
- ଭଗଦଃ (bhagadaḥ)giver of fortune
- ଭଗଵର୍ଦ୍ଧନଃ (bhagavarddhanaḥ)who makes fortune grow
anvaya ଅସିତାତ୍ମା ଭୈରଵେଶଃ ଭାଗ୍ଯଵାନ୍ ଭଗଵାନ୍ ଭଵଃ ଗର୍ଭାତ୍ମଜଃ ଭଗାଵାସଃ ଭଗଦଃ ଭଗଵର୍ଦ୍ଧନଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଭଗ fortune — The word means good fortune and also the womb. In a tantric hymn both senses are meant to sound, and the run of names turns on it.
ଵେଦାଦ୍ଯୋ ଵେଦକର୍ତା ଚ ଵେଦଵେଦ୍ଯଃ ସନାତନଃ ॥ ୩୩॥
- ଶୁଭଙ୍କରଃ (śubhaṅkaraḥ)maker of good
- ଶୁଚିଃ (śuciḥ)pure
- ଶାନ୍ତଃ (śāntaḥ)at peace
- ଶ୍ରେଷ୍ଠଃ (śreṣṭhaḥ)best
- ଶ୍ରଵ୍ଯଃ (śravyaḥ)worth hearing
- ଶଚୀପତିଃ (śacīpatiḥ)lord of Shachi
- ଵେଦାଦ୍ଯଃ (vedādyaḥ)first of the Vedas
- ଵେଦକର୍ତା (vedakartā)maker of the Vedas
- ଚ (ca)and
- ଵେଦଵେଦ୍ଯଃ (vedavedyaḥ)known through the Vedas
- ସନାତନଃ (sanātanaḥ)eternal
anvaya ଶୁଭଙ୍କରଃ ଶୁଚିଃ ଶାନ୍ତଃ ଶ୍ରେଷ୍ଠଃ ଶ୍ରଵ୍ଯଃ ଶଚୀପତିଃ ଵେଦାଦ୍ଯଃ ଵେଦକର୍ତା ଚ ଵେଦଵେଦ୍ଯଃ ସନାତନଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଵେଦଧ୍ଵନିରତୋ ଵୀରୋ ଵେଦଵିଦ୍ଯାଗମୋଽର୍ଥଵିତ୍ ॥ ୩୪॥
- ଵିଦ୍ଯାପ୍ରଦଃ (vidyāpradaḥ)giver of learning
- ଵେଦରସଃ (vedarasaḥ)the savour of the Vedas
- ଵୈଦିକଃ (vaidikaḥ)Vedic
- ଵେଦପାରଗଃ (vedapāragaḥ)who has crossed to the far side of the Vedas
- ଵେଦଧ୍ଵନିରତଃ (vedadhvanirataḥ)delighting in the sound of the Vedas
- ଵୀରଃ (vīraḥ)the hero
- ଵେଦଵିଦ୍ଯାଗମଃ (vedavidyāgamaḥ)the handing down of Vedic learning
- ଅର୍ଥଵିତ୍ (arthavit)who knows the meaning
anvaya ଵିଦ୍ଯାପ୍ରଦଃ ଵେଦରସଃ ଵୈଦିକଃ ଵେଦପାରଗଃ ଵେଦଧ୍ଵନିରତଃ ଵୀରଃ ଵେଦଵିଦ୍ଯାଗମଃ ଅର୍ଥଵିତ୍
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଶିଵଙ୍କରଃ ଶିଵସୁତଃ ଶିଵାନନ୍ଦଵିଵର୍ଦ୍ଧନଃ ॥ ୩୫॥
- ତତ୍ତ୍ଵଜ୍ଞଃ (tattvajñaḥ)knower of what is true
- ସର୍ଵଗଃ (sarvagaḥ)present everywhere
- ସାଧୁଃ (sādhuḥ)good
- ସଦଯଃ (sadayaḥ)kind
- ସଦସନ୍ମଯଃ (sadasanmayaḥ)made of what is and what is not
- ଶିଵଙ୍କରଃ (śivaṅkaraḥ)maker of good
- ଶିଵସୁତଃ (śivasutaḥ)son of Shiva
- ଶିଵାନନ୍ଦଵିଵର୍ଦ୍ଧନଃ (śivānandavivarddhanaḥ)who makes Shiva's joy grow
anvaya ତତ୍ତ୍ଵଜ୍ଞଃ ସର୍ଵଗଃ ସାଧୁଃ ସଦଯଃ ସଦସନ୍ମଯଃ ଶିଵଙ୍କରଃ ଶିଵସୁତଃ ଶିଵାନନ୍ଦଵିଵର୍ଦ୍ଧନଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଦେଵୋ ଦିନକରୋ ଧୀରୋ ଧୃତିମାନ୍ଦ୍ଯୁତିମାନ୍ଧଵଃ ॥ ୩୬॥
- ଶୈତ୍ଯଃ (śaityaḥ)cool
- ଶ୍ଵେତଃ (śvetaḥ)white
- ଶତମୁଖୀ (śatamukhī)hundred-faced
- ମୁଗ୍ଧଃ (mugdhaḥ)innocent
- ମୋଦକଭୂଷଣଃ (modakabhūṣaṇaḥ)adorned with modakas
- ଦେଵଃ (devaḥ)the god
- ଦିନକରଃ (dinakaraḥ)maker of the day
- ଧୀରଃ (dhīraḥ)steady
- ଧୃତିମାନ୍ (dhṛtimān)firm
- ଦ୍ଯୁତିମାନ୍ (dyutimān)bright
- ଧଵଃ (dhavaḥ)the husband
anvaya ଶୈତ୍ଯଃ ଶ୍ଵେତଃ ଶତମୁଖୀ ମୁଗ୍ଧଃ ମୋଦକଭୂଷଣଃ ଦେଵଃ ଦିନକରଃ ଧୀରଃ ଧୃତିମାନ୍ ଦ୍ଯୁତିମାନ୍ ଧଵଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଶରଣ୍ଯଃ ଶୌନକଃ ଶୂରଃ ଶରଦମ୍ଭୋଜଧାରକଃ ॥ ୩୭॥
- ଶୁଦ୍ଧାତ୍ମା (śuddhātmā)pure of self
- ଶୁଦ୍ଧମତିମାନ୍ (śuddhamatimān)pure of mind
- ଶୁଦ୍ଧଦୀପ୍ତିଃ (śuddhadīptiḥ)of pure light
- ଶୁଚିଵ୍ରତଃ (śucivrataḥ)pure in his vows
- ଶରଣ୍ଯଃ (śaraṇyaḥ)the refuge
- ଶୌନକଃ (śaunakaḥ)Shaunaka
- ଶୂରଃ (śūraḥ)the brave
- ଶରଦମ୍ଭୋଜଧାରକଃ (śaradambhojadhārakaḥ)holding the lotus of autumn
anvaya ଶୁଦ୍ଧାତ୍ମା ଶୁଦ୍ଧମତିମାନ୍ ଶୁଦ୍ଧଦୀପ୍ତିଃ ଶୁଚିଵ୍ରତଃ ଶରଣ୍ଯଃ ଶୌନକଃ ଶୂରଃ ଶରଦମ୍ଭୋଜଧାରକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note In the text the second and third names are run together by sandhi, śuddhamatimāñchuddhadīptiḥ.
ଶଙ୍କରୋ ନିର୍ଭଯୋ ନିତ୍ଯୋ ଲଯକୃଲ୍ଲାସ୍ଯତତ୍ପରଃ ॥ ୩୮॥
- ଦାରକଃ (dārakaḥ)the boy
- ଶିଖିଵାହେଷ୍ଟଃ (śikhivāheṣṭaḥ)dear to the rider of the peacock
- ସିତଃ (sitaḥ)white
- ଶଙ୍କରଵଲ୍ଲଭଃ (śaṅkaravallabhaḥ)beloved of Shankara
- ଶଙ୍କରଃ (śaṅkaraḥ)Shankara
- ନିର୍ଭଯଃ (nirbhayaḥ)fearless
- ନିତ୍ଯଃ (nityaḥ)eternal
- ଲଯକୃତ୍ (layakṛt)maker of dissolution
- ଲାସ୍ଯତତ୍ପରଃ (lāsyatatparaḥ)given to graceful dance
anvaya ଦାରକଃ ଶିଖିଵାହେଷ୍ଟଃ ସିତଃ ଶଙ୍କରଵଲ୍ଲଭଃ ଶଙ୍କରଃ ନିର୍ଭଯଃ ନିତ୍ଯଃ ଲଯକୃତ୍ ଲାସ୍ଯତତ୍ପରଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଶିଖିଵାହ the rider of the peacock — Skanda, Ganapati's brother.
ଭ୍ରମଣଃ ଶଶିଭୃତ୍ସୂର୍ଯଃ ଶନିର୍ଧରଣିନନ୍ଦନଃ ॥ ୩୯॥
- ଲୂତଃ (lūtaḥ)the spider
- ଲୀଲାରସୋଲ୍ଲାସୀ (līlārasollāsī)glad in the savour of play
- ଵିଲାସୀ (vilāsī)playful
- ଵିଭ୍ରମଃ (vibhramaḥ)the whirl
- ଭ୍ରମଃ (bhramaḥ)the wandering
- ଭ୍ରମଣଃ (bhramaṇaḥ)the roaming
- ଶଶିଭୃତ୍ (śaśibhṛt)bearer of the moon
- ସୂର୍ଯଃ (sūryaḥ)the sun
- ଶନିଃ (śaniḥ)Saturn
- ଧରଣିନନ୍ଦନଃ (dharaṇinandanaḥ)the son of the earth
anvaya ଲୂତଃ ଲୀଲାରସୋଲ୍ଲାସୀ ଵିଲାସୀ ଵିଭ୍ରମଃ ଭ୍ରମଃ ଭ୍ରମଣଃ ଶଶିଭୃତ୍ ସୂର୍ଯଃ ଶନିଃ ଧରଣିନନ୍ଦନଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଧରଣିନନ୍ଦନ the son of the earth — Mars. From here the hymn names him as each of the planets in turn: the sun, Saturn, Mars, then Mercury and Jupiter in the next verse.
ଜୀଵୋ ଜୀଵପ୍ରଦୋ ଜେତା ସ୍ତୁତ୍ଯୋ ନିତ୍ଯୋ ରତିପ୍ରିଯଃ ॥ ୪୦॥
- ବୁଧଃ (budhaḥ)Mercury
- ଵିବୁଧସେଵ୍ଯଃ (vibudhasevyaḥ)served by the gods
- ଚ (ca)and
- ବୁଧରାଜଃ (budharājaḥ)king of the wise
- ବଲଂଧରଃ (balaṃdharaḥ)holder of strength
- ଜୀଵଃ (jīvaḥ)Jupiter
- ଜୀଵପ୍ରଦଃ (jīvapradaḥ)giver of life
- ଜେତା (jetā)the conqueror
- ସ୍ତୁତ୍ଯଃ (stutyaḥ)to be praised
- ନିତ୍ଯଃ (nityaḥ)eternal
- ରତିପ୍ରିଯଃ (ratipriyaḥ)lover of delight
anvaya ବୁଧଃ ଵିବୁଧସେଵ୍ଯଃ ଚ ବୁଧରାଜଃ ବଲଂଧରଃ ଜୀଵଃ ଜୀଵପ୍ରଦଃ ଜେତା ସ୍ତୁତ୍ଯଃ ନିତ୍ଯଃ ରତିପ୍ରିଯଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଜନାନାଂ ପ୍ରଦାତା ଚ ଜନକାହ୍ଲାଦକାରକଃ ॥ ୪୧॥
- ଜନକଃ (janakaḥ)the father
- ଜନମାର୍ଗଜ୍ଞଃ (janamārgajñaḥ)who knows the ways of people
- ଜନରକ୍ଷଣତତ୍ପରଃ (janarakṣaṇatatparaḥ)intent on guarding people
- ଜନାନାମ୍ (janānām)to people
- ପ୍ରଦାତା (pradātā)the giver
- ଚ (ca)and
- ଜନକାହ୍ଲାଦକାରକଃ (janakāhlādakārakaḥ)who gladdens fathers
anvaya ଜନକଃ ଜନମାର୍ଗଜ୍ଞଃ ଜନରକ୍ଷଣତତ୍ପରଃ ଜନାନାମ୍ ପ୍ରଦାତା ଚ ଜନକାହ୍ଲାଦକାରକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note The third quarter is a syllable short in the printed text.
ଗଚ୍ଛୋ ଗଣପତିର୍ଗଚ୍ଛନାଯକୋ ଗଚ୍ଛଗର୍ଵହା ॥ ୪୨॥
- ଵିବୁଧଃ (vibudhaḥ)the wise one
- ବୁଧମାନ୍ଯଃ (budhamānyaḥ)honoured by the wise
- ଚ (ca)and
- ଜୈନମାର୍ଗନିଵର୍ତକଃ (jainamārganivartakaḥ)who turns people back from the Jain path
- ଗଚ୍ଛଃ (gacchaḥ)the school
- ଗଣପତିଃ (gaṇapatiḥ)lord of the ganas
- ଗଚ୍ଛନାଯକଃ (gacchanāyakaḥ)leader of the school
- ଗଚ୍ଛଗର୍ଵହା (gacchagarvahā)who breaks the school's pride
anvaya ଵିବୁଧଃ ବୁଧମାନ୍ଯଃ ଚ ଜୈନମାର୍ଗନିଵର୍ତକଃ ଗଚ୍ଛଃ ଗଣପତିଃ ଗଚ୍ଛନାଯକଃ ଗଚ୍ଛଗର୍ଵହା
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଗଚ୍ଛ a school — A lineage of teachers and pupils; the word is used above all of the Jain orders, which may be why it follows the name about the Jain path.
ଗଚ୍ଛପ୍ରିଯୋ ଗଚ୍ଛଗୁରୁର୍ଗଚ୍ଛତ୍ରାକୃଦ୍ଯମାତୁରଃ ॥ ୪୩॥
- ଗଚ୍ଛରାଜଃ (gaccharājaḥ)king of the school
- ଅଥ (atha)and
- ଗଚ୍ଛେଶଃ (gaccheśaḥ)lord of the school
- ଗଚ୍ଛରାଜନମସ୍କୃତଃ (gaccharājanamaskṛtaḥ)to whom the king of the school bows
- ଗଚ୍ଛପ୍ରିଯଃ (gacchapriyaḥ)dear to the school
- ଗଚ୍ଛଗୁରୁଃ (gacchaguruḥ)teacher of the school
- ଗଚ୍ଛତ୍ରାକୃଦ୍ଯମାତୁରଃ (gacchatrākṛdyamāturaḥ)who works to guard the school
anvaya ଗଚ୍ଛରାଜଃ ଅଥ ଗଚ୍ଛେଶଃ ଗଚ୍ଛରାଜନମସ୍କୃତଃ ଗଚ୍ଛପ୍ରିଯଃ ଗଚ୍ଛଗୁରୁଃ ଗଚ୍ଛତ୍ରାକୃଦ୍ଯମାତୁରଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note The last name is broken in the printed text. The Gakaradi thousand names has gacchatrāṇakṛtodyamaḥ at this point, who takes up the work of guarding the school, and the sense is given from that.
ଗଚ୍ଛଗୀତଗୁଣୋ ଗର୍ତୋ ମର୍ଯାଦାପ୍ରତିପାଲକଃ ॥ ୪୪॥
- ଗଚ୍ଛପ୍ରଭୁଃ (gacchaprabhuḥ)master of the school
- ଗଚ୍ଛଚରଃ (gacchacaraḥ)who moves with it
- ଗଚ୍ଛପ୍ରିଯକୃତୋଦ୍ଯମଃ (gacchapriyakṛtodyamaḥ)who strives for its good
- ଗଚ୍ଛଗୀତଗୁଣଃ (gacchagītaguṇaḥ)whose qualities the school sings
- ଗର୍ତଃ (gartaḥ)the hollow
- ମର୍ଯାଦାପ୍ରତିପାଲକଃ (maryādāpratipālakaḥ)keeper of the bounds
anvaya ଗଚ୍ଛପ୍ରଭୁଃ ଗଚ୍ଛଚରଃ ଗଚ୍ଛପ୍ରିଯକୃତୋଦ୍ଯମଃ ଗଚ୍ଛଗୀତଗୁଣଃ ଗର୍ତଃ ମର୍ଯାଦାପ୍ରତିପାଲକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଗୌରୀସୁତୋ ଗୁରୁଵରୋ ଗୌରାଙ୍ଗୋ ଗଣପୂଜିତଃ ॥ ୪୫॥
- ଗୀର୍ଵାଣାଗମସାରସ୍ଯ (gīrvāṇāgamasārasya)of the pith of the gods' teaching
- ଗର୍ଭଃ (garbhaḥ)the very heart
- ଗୀର୍ଵାଣଦେଵତା (gīrvāṇadevatā)the god of the gods
- ଗୌରୀସୁତଃ (gaurīsutaḥ)son of Gauri
- ଗୁରୁଵରଃ (guruvaraḥ)best of teachers
- ଗୌରାଙ୍ଗଃ (gaurāṅgaḥ)fair-limbed
- ଗଣପୂଜିତଃ (gaṇapūjitaḥ)worshipped by the ganas
anvaya ଗୀର୍ଵାଣାଗମସାରସ୍ଯ ଗର୍ଭଃ ଗୀର୍ଵାଣଦେଵତା ଗୌରୀସୁତଃ ଗୁରୁଵରଃ ଗୌରାଙ୍ଗଃ ଗଣପୂଜିତଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ରାହୁର୍ଦୈତ୍ଯଶିରଶ୍ଛେଦୀ କେତୁଃ କନକକୁଣ୍ଡଲଃ ॥ ୪୬॥
- ପରମ୍ପଦମ୍ (parampadam)the highest state
- ପରନ୍ଧାମ (parandhāma)the highest home
- ପରମାତ୍ମା (paramātmā)the highest self
- କଵିଃ (kaviḥ)Venus
- କୁଜଃ (kujaḥ)Mars
- ରାହୁଃ (rāhuḥ)Rahu
- ଦୈତ୍ଯଶିରଶ୍ଛେଦୀ (daityaśiraśchedī)who cut off the demon's head
- କେତୁଃ (ketuḥ)Ketu
- କନକକୁଣ୍ଡଲଃ (kanakakuṇḍalaḥ)with golden earrings
anvaya ପରମ୍ପଦମ୍ ପରନ୍ଧାମ ପରମାତ୍ମା କଵିଃ କୁଜଃ ରାହୁଃ ଦୈତ୍ଯଶିରଶ୍ଛେଦୀ କେତୁଃ କନକକୁଣ୍ଡଲଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
କଵି Venus — Kavi, the poet, is a name of Shukra, teacher of the demons and the planet Venus. With Rahu and Ketu the list of the nine planets is complete.
ଦୈତ୍ଯଶିରଶ୍ଛେଦୀ who cut off the demon's head — The demon who stole the nectar had his head cut off; the head became Rahu and the body Ketu.
ପର୍ଜନ୍ଯଃ ପୀଵରଃ ପତ୍ରୀ ପୀନଵକ୍ଷାଃ ପରାକ୍ରମୀ ॥ ୪୭॥
- ଗ୍ରହେନ୍ଦ୍ରଃ (grahendraḥ)chief of the planets
- ଗ୍ରହିତଃ (grahitaḥ)the one held
- ଗ୍ରାହ୍ଯଃ (grāhyaḥ)the one to be grasped
- ଅଗ୍ରଣୀଃ (agraṇīḥ)the leader
- ଘୁର୍ଘୁରନାଦିତଃ (ghurghuranāditaḥ)loud with a growl
- ପର୍ଜନ୍ଯଃ (parjanyaḥ)the rain cloud
- ପୀଵରଃ (pīvaraḥ)stout
- ପତ୍ରୀ (patrī)the winged
- ପୀନଵକ୍ଷାଃ (pīnavakṣāḥ)broad-chested
- ପରାକ୍ରମୀ (parākramī)valiant
anvaya ଗ୍ରହେନ୍ଦ୍ରଃ ଗ୍ରହିତଃ ଗ୍ରାହ୍ଯଃ ଅଗ୍ରଣୀଃ ଘୁର୍ଘୁରନାଦିତଃ ପର୍ଜନ୍ଯଃ ପୀଵରଃ ପତ୍ରୀ ପୀନଵକ୍ଷାଃ ପରାକ୍ରମୀ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ପୁଣ୍ଯଃ ପୂତଃ ପଵିତ୍ରଶ୍ଚ ପରାତ୍ମା ପୂର୍ଣାଵିଗ୍ରହଃ ॥ ୪୮॥
- ଵନେଚରଃ (vanecaraḥ)who roams the forest
- ଵନସ୍ପତିଃ (vanaspatiḥ)lord of the forest trees
- ଵନଵାସୀ (vanavāsī)who lives in the forest
- ସ୍ମରୋପମଃ (smaropamaḥ)like Kama in beauty
- ପୁଣ୍ଯଃ (puṇyaḥ)holy
- ପୂତଃ (pūtaḥ)clean
- ପଵିତ୍ରଃ (pavitraḥ)cleansing
- ଚ (ca)and
- ପରାତ୍ମା (parātmā)the supreme self
- ପୂର୍ଣାଵିଗ୍ରହଃ (pūrṇāvigrahaḥ)whose form is whole
anvaya ଵନେଚରଃ ଵନସ୍ପତିଃ ଵନଵାସୀ ସ୍ମରୋପମଃ ପୁଣ୍ଯଃ ପୂତଃ ପଵିତ୍ରଃ ଚ ପରାତ୍ମା ପୂର୍ଣାଵିଗ୍ରହଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଯୁଗାତ୍ମା ଯୁଗକୃଦ୍ଯଜ୍ଵା ଯାଜ୍ଞିକୋ ଯଜ୍ଞଵତ୍ସଲଃ ॥ ୪୯॥
- ପୂର୍ଣେନ୍ଦୁସୁକଲାକାରଃ (pūrṇendusukalākāraḥ)shaped like the fair phases of the full moon
- ମନ୍ତ୍ରପୂର୍ଣମନୋରଥଃ (mantrapūrṇamanorathaḥ)whose wishes the mantra fulfils
- ଯୁଗାତ୍ମା (yugātmā)the self of the ages
- ଯୁଗକୃତ୍ (yugakṛt)maker of the ages
- ଯଜ୍ଵା (yajvā)the sacrificer
- ଯାଜ୍ଞିକଃ (yājñikaḥ)the priest
- ଯଜ୍ଞଵତ୍ସଲଃ (yajñavatsalaḥ)fond of sacrifice
anvaya ପୂର୍ଣେନ୍ଦୁସୁକଲାକାରଃ ମନ୍ତ୍ରପୂର୍ଣମନୋରଥଃ ଯୁଗାତ୍ମା ଯୁଗକୃତ୍ ଯଜ୍ଵା ଯାଜ୍ଞିକଃ ଯଜ୍ଞଵତ୍ସଲଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ମଣିଭଦ୍ରୋ ମଣିମଯୋ ମାନ୍ଯୋ ମୀନଧ୍ଵଜାଶ୍ରିତଃ ॥ ୫୦॥
- ଯଶସ୍ଯଃ (yaśasyaḥ)worthy of fame
- ଯଜମାନେଷ୍ଟଃ (yajamāneṣṭaḥ)dear to the patron of the sacrifice
- ଵଜ୍ରଭୃତ୍ (vajrabhṛt)bearer of the thunderbolt
- ଵଜ୍ରପଞ୍ଜରଃ (vajrapañjaraḥ)a cage of thunderbolts
- ମଣିଭଦ୍ରଃ (maṇibhadraḥ)Manibhadra
- ମଣିମଯଃ (maṇimayaḥ)made of jewels
- ମାନ୍ଯଃ (mānyaḥ)honoured
- ମୀନଧ୍ଵଜାଶ୍ରିତଃ (mīnadhvajāśritaḥ)the one in whom Kama takes shelter
anvaya ଯଶସ୍ଯଃ ଯଜମାନେଷ୍ଟଃ ଵଜ୍ରଭୃତ୍ ଵଜ୍ରପଞ୍ଜରଃ ମଣିଭଦ୍ରଃ ମଣିମଯଃ ମାନ୍ଯଃ ମୀନଧ୍ଵଜାଶ୍ରିତଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ମୀନଧ୍ଵଜ Kama — The god of love, whose banner bears a fish.
ଦ୍ରଷ୍ଟା ସ୍ରଷ୍ଟା ତପସ୍ଵୀ ଚ ଵିଗ୍ରହୀ ତାପସପ୍ରିଯଃ ॥ ୫୧॥
- ମୀନଧ୍ଵଜଃ (mīnadhvajaḥ)Kama himself
- ମନୋହାରୀ (manohārī)who steals the heart
- ଯୋଗିନାମ୍ (yoginām)of yogis
- ଯୋଗଵର୍ଧନଃ (yogavardhanaḥ)who makes the yoga grow
- ଦ୍ରଷ୍ଟା (draṣṭā)the seer
- ସ୍ରଷ୍ଟା (sraṣṭā)the maker
- ତପସ୍ଵୀ (tapasvī)the ascetic
- ଚ (ca)and
- ଵିଗ୍ରହୀ (vigrahī)the embodied one
- ତାପସପ୍ରିଯଃ (tāpasapriyaḥ)dear to ascetics
anvaya ମୀନଧ୍ଵଜଃ ମନୋହାରୀ ଯୋଗିନାମ୍ ଯୋଗଵର୍ଧନଃ ଦ୍ରଷ୍ଟା ସ୍ରଷ୍ଟା ତପସ୍ଵୀ ଚ ଵିଗ୍ରହୀ ତାପସପ୍ରିଯଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ସମ୍ପତ୍ତିସଦନାକାରଃ ସମ୍ପତ୍ତିସୁଖଦାଯକଃ ॥ ୫୨॥
- ତପୋମଯଃ (tapomayaḥ)made of austerity
- ତପୋମୂର୍ତିଃ (tapomūrtiḥ)austerity in bodily form
- ତପନଃ (tapanaḥ)the one who burns
- ଚ (ca)and
- ତପୋଧନଃ (tapodhanaḥ)whose wealth is austerity
- ସମ୍ପତ୍ତିସଦନାକାରଃ (sampattisadanākāraḥ)shaped like a house of plenty
- ସମ୍ପତ୍ତିସୁଖଦାଯକଃ (sampattisukhadāyakaḥ)giver of the ease that plenty brings
anvaya ତପୋମଯଃ ତପୋମୂର୍ତିଃ ତପନଃ ଚ ତପୋଧନଃ ସମ୍ପତ୍ତିସଦନାକାରଃ ସମ୍ପତ୍ତିସୁଖଦାଯକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ସମ୍ପତ୍ତିଶୁଭଦୋ ନିତ୍ଯସମ୍ପତ୍ତିଶ୍ଚ ଯଶୋଧନଃ ॥ ୫୩॥
- ସମ୍ପତ୍ତିସୁଖକର୍ତା (sampattisukhakartā)maker of the ease of plenty
- ଚ (ca)and
- ସମ୍ପତ୍ତିସୁଭଗାନନଃ (sampattisubhagānanaḥ)whose face is lovely with plenty
- ସମ୍ପତ୍ତିଶୁଭଦଃ (sampattiśubhadaḥ)giver of the good that plenty brings
- ନିତ୍ଯସମ୍ପତ୍ତିଃ (nityasampattiḥ)plenty that never runs out
- ଚ (ca)and
- ଯଶୋଧନଃ (yaśodhanaḥ)whose wealth is his good name
anvaya ସମ୍ପତ୍ତିସୁଖକର୍ତା ଚ ସମ୍ପତ୍ତିସୁଭଗାନନଃ ସମ୍ପତ୍ତିଶୁଭଦଃ ନିତ୍ଯସମ୍ପତ୍ତିଃ ଚ ଯଶୋଧନଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଦଣ୍ଡୀ ଚଣ୍ଡାଂଶୁରଵ୍ଯକ୍ତଃ କମଣ୍ଡଲୁଧରୋଽନଘଃ ॥ ୫୪॥
- ରୁଚକଃ (rucakaḥ)bright
- ମେଚକଃ (mecakaḥ)dark as a cloud
- ତୁଷ୍ଟଃ (tuṣṭaḥ)content
- ପ୍ରଭୁଃ (prabhuḥ)the master
- ତୋମରଘାତକଃ (tomaraghātakaḥ)who strikes with the lance
- ଦଣ୍ଡୀ (daṇḍī)the staff-bearer
- ଚଣ୍ଡାଂଶୁଃ (caṇḍāṃśuḥ)the fierce-rayed sun
- ଅଵ୍ଯକ୍ତଃ (avyaktaḥ)unmanifest
- କମଣ୍ଡଲୁଧରଃ (kamaṇḍaludharaḥ)bearing the water pot
- ଅନଘଃ (anaghaḥ)without fault
anvaya ରୁଚକଃ ମେଚକଃ ତୁଷ୍ଟଃ ପ୍ରଭୁଃ ତୋମରଘାତକଃ ଦଣ୍ଡୀ ଚଣ୍ଡାଂଶୁଃ ଅଵ୍ଯକ୍ତଃ କମଣ୍ଡଲୁଧରଃ ଅନଘଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଭ୍ରାମକୋ ଜାତିପୂଜ୍ଯଶ୍ଚ ଜାଡ୍ଯହା ଜଡସୂଦନଃ ॥ ୫୫॥
- କାମୀ (kāmī)full of desire
- କର୍ମରତଃ (karmarataḥ)given to action
- କାଲଃ (kālaḥ)time
- କୋଲଃ (kolaḥ)the boar
- କ୍ରନ୍ଦିତଦିକ୍ତଟଃ (kranditadiktaṭaḥ)who makes the far edges of the sky cry out
- ଭ୍ରାମକଃ (bhrāmakaḥ)who sets things whirling
- ଜାତିପୂଜ୍ଯଃ (jātipūjyaḥ)worshipped by every caste
- ଚ (ca)and
- ଜାଡ୍ଯହା (jāḍyahā)destroyer of dullness
- ଜଡସୂଦନଃ (jaḍasūdanaḥ)slayer of the dull
anvaya କାମୀ କର୍ମରତଃ କାଲଃ କୋଲଃ କ୍ରନ୍ଦିତଦିକ୍ତଟଃ ଭ୍ରାମକଃ ଜାତିପୂଜ୍ଯଃ ଚ ଜାଡ୍ଯହା ଜଡସୂଦନଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ହଵିଷ୍ମାନ୍ହଵ୍ଯଵାହାକ୍ଷୋ ହାଟକୋ ହାଟକାଙ୍ଗଦଃ ॥ ୫୬॥
- ଜାଲନ୍ଧରଃ (jālandharaḥ)Jalandhara
- ଜଗଦ୍ଵାସୀ (jagadvāsī)who dwells in the world
- ହାସ୍ଯକୃତ୍ (hāsyakṛt)who makes men laugh
- ଗହନଃ (gahanaḥ)deep
- ଗୁହଃ (guhaḥ)hidden
- ହଵିଷ୍ମାନ୍ (haviṣmān)rich in offerings
- ହଵ୍ଯଵାହାକ୍ଷଃ (havyavāhākṣaḥ)whose eye is the fire that carries the offerings
- ହାଟକଃ (hāṭakaḥ)golden
- ହାଟକାଙ୍ଗଦଃ (hāṭakāṅgadaḥ)with golden armlets
anvaya ଜାଲନ୍ଧରଃ ଜଗଦ୍ଵାସୀ ହାସ୍ଯକୃତ୍ ଗହନଃ ଗୁହଃ ହଵିଷ୍ମାନ୍ ହଵ୍ଯଵାହାକ୍ଷଃ ହାଟକଃ ହାଟକାଙ୍ଗଦଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଜାଲନ୍ଧର Jalandhara — A name shared with a demon Shiva slew and a sacred seat in the Punjab. Taken as a name of Ganapati, it may mean the one who holds the net.
ହାଲାପ୍ରିଯୋ ହୃଦାଶାନ୍ତଃ କାନ୍ତାହୃଦଯପୋଷଣଃ ॥ ୫୭॥
- ସୁମେରୁଃ (sumeruḥ)Sumeru
- ହିମଵାନ୍ (himavān)Himavan
- ହୋତା (hotā)the priest who calls the gods
- ହରପୁତ୍ରଃ (haraputraḥ)son of Hara
- ହଲଙ୍କଷଃ (halaṅkaṣaḥ)who drives the plough
- ହାଲାପ୍ରିଯଃ (hālāpriyaḥ)lover of hala wine
- ହୃଦାଶାନ୍ତଃ (hṛdāśāntaḥ)at peace in the heart
- କାନ୍ତାହୃଦଯପୋଷଣଃ (kāntāhṛdayapoṣaṇaḥ)who feeds the heart of the beloved
anvaya ସୁମେରୁଃ ହିମଵାନ୍ ହୋତା ହରପୁତ୍ରଃ ହଲଙ୍କଷଃ ହାଲାପ୍ରିଯଃ ହୃଦାଶାନ୍ତଃ କାନ୍ତାହୃଦଯପୋଷଣଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
କୁବେରୋ ଧୀମଯୋ ଧ୍ଯାତା ଧ୍ଯେଯୋ ଧୀମାନ୍ଦଯାନିଧିଃ ॥ ୫୮॥
- ଶୋଷଣଃ (śoṣaṇaḥ)who dries up
- କ୍ଲେଶହା (kleśahā)destroyer of affliction
- କ୍ରୂରଃ (krūraḥ)harsh to foes
- କଠୋରଃ (kaṭhoraḥ)hard
- କଠିନାକୃତିଃ (kaṭhinākṛtiḥ)hard of shape
- କୁବେରଃ (kuberaḥ)Kubera
- ଧୀମଯଃ (dhīmayaḥ)made of understanding
- ଧ୍ଯାତା (dhyātā)the one who meditates
- ଧ୍ଯେଯଃ (dhyeyaḥ)the one meditated on
- ଧୀମାନ୍ (dhīmān)wise
- ଦଯାନିଧିଃ (dayānidhiḥ)a store of mercy
anvaya ଶୋଷଣଃ କ୍ଲେଶହା କ୍ରୂରଃ କଠୋରଃ କଠିନାକୃତିଃ କୁବେରଃ ଧୀମଯଃ ଧ୍ଯାତା ଧ୍ଯେଯଃ ଧୀମାନ୍ ଦଯାନିଧିଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ନିର୍ଗତୋ ନୈଗମୋଽଗମ୍ଯୋ ନିର୍ଜଯୋ ଜଟିଲୋଽଜରଃ ॥ ୫୯॥
- ଦଵିଷ୍ଠଃ (daviṣṭhaḥ)the farthest
- ଦମନଃ (damanaḥ)the tamer
- ହୃଷ୍ଟଃ (hṛṣṭaḥ)glad
- ଦାତା (dātā)the giver
- ତ୍ରାତା (trātā)the saviour
- ପିତାସମଃ (pitāsamaḥ)like a father
- ନିର୍ଗତଃ (nirgataḥ)gone out
- ନୈଗମଃ (naigamaḥ)of the Veda
- ଅଗମ୍ଯଃ (agamyaḥ)out of reach
- ନିର୍ଜଯଃ (nirjayaḥ)unconquered
- ଜଟିଲଃ (jaṭilaḥ)with matted locks
- ଅଜରଃ (ajaraḥ)ageless
anvaya ଦଵିଷ୍ଠଃ ଦମନଃ ହୃଷ୍ଟଃ ଦାତା ତ୍ରାତା ପିତାସମଃ ନିର୍ଗତଃ ନୈଗମଃ ଅଗମ୍ଯଃ ନିର୍ଜଯଃ ଜଟିଲଃ ଅଜରଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଚାମୀକରନିଭୋ ନାଭ୍ଯୋ ନଲିନାଯତଲୋଚନଃ ॥ ୬୦॥
- ଜନଜୀଵଃ (janajīvaḥ)the life of the people
- ଜିତାରାତିଃ (jitārātiḥ)who has beaten his foes
- ଜଗଦ୍ଵ୍ଯାପୀ (jagadvyāpī)spread through the world
- ଜଗନ୍ମଯଃ (jaganmayaḥ)made of the world
- ଚାମୀକରନିଭଃ (cāmīkaranibhaḥ)golden in colour
- ନାଭ୍ଯଃ (nābhyaḥ)the navel
- ନଲିନାଯତଲୋଚନଃ (nalināyatalocanaḥ)with long lotus eyes
anvaya ଜନଜୀଵଃ ଜିତାରାତିଃ ଜଗଦ୍ଵ୍ଯାପୀ ଜଗନ୍ମଯଃ ଚାମୀକରନିଭଃ ନାଭ୍ଯଃ ନଲିନାଯତଲୋଚନଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ପଞ୍ଚଭୂତାତ୍ମକଃ ପଞ୍ଚସାଯକଃ ପଞ୍ଚଵକ୍ତ୍ରକଃ ॥ ୬୧॥
- ରୋଚନଃ (rocanaḥ)the shining
- ମୋଚକଃ (mocakaḥ)the releaser
- ମନ୍ତ୍ରୀ (mantrī)the counsellor
- ମନ୍ତ୍ରକୋଟିସମାଶ୍ରିତଃ (mantrakoṭisamāśritaḥ)in whom crores of mantras take shelter
- ପଞ୍ଚଭୂତାତ୍ମକଃ (pañcabhūtātmakaḥ)made of the five elements
- ପଞ୍ଚସାଯକଃ (pañcasāyakaḥ)with five arrows
- ପଞ୍ଚଵକ୍ତ୍ରକଃ (pañcavaktrakaḥ)five-faced
anvaya ରୋଚନଃ ମୋଚକଃ ମନ୍ତ୍ରୀ ମନ୍ତ୍ରକୋଟିସମାଶ୍ରିତଃ ପଞ୍ଚଭୂତାତ୍ମକଃ ପଞ୍ଚସାଯକଃ ପଞ୍ଚଵକ୍ତ୍ରକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
କଠୋରହୃଦଯୋ ଗ୍ରୀଵାଲଙ୍କୃତୋ ଲଲିତାଶଯଃ ॥ ୬୨॥
- ପଞ୍ଚମଃ (pañcamaḥ)the fifth
- ପଶ୍ଚିମଃ (paścimaḥ)the western
- ପୂର୍ଵଃ (pūrvaḥ)the eastern
- ପୂର୍ଣଃ (pūrṇaḥ)full
- କୀର୍ଣାଲକଃ (kīrṇālakaḥ)with scattered locks
- କୁଣିଃ (kuṇiḥ)with a bent arm
- କଠୋରହୃଦଯଃ (kaṭhorahṛdayaḥ)hard of heart towards foes
- ଗ୍ରୀଵାଲଙ୍କୃତଃ (grīvālaṅkṛtaḥ)with an adorned neck
- ଲଲିତାଶଯଃ (lalitāśayaḥ)gentle in intent
anvaya ପଞ୍ଚମଃ ପଶ୍ଚିମଃ ପୂର୍ଵଃ ପୂର୍ଣଃ କୀର୍ଣାଲକଃ କୁଣିଃ କଠୋରହୃଦଯଃ ଗ୍ରୀଵାଲଙ୍କୃତଃ ଲଲିତାଶଯଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଧ୍ରୁଵୋ ଦ୍ରୁତଗତିର୍ବନ୍ଧୋ ଧର୍ମୀ ନାକିପ୍ରିଯୋଽନଲଃ ॥ ୬୩॥
- ଲୋଲଚିତ୍ତଃ (lolacittaḥ)of restless mind
- ବୃହନ୍ନାସଃ (bṛhannāsaḥ)long-nosed
- ମାସପକ୍ଷର୍ତୁରୂପଵାନ୍ (māsapakṣarturūpavān)whose form is the months, fortnights and seasons
- ଧ୍ରୁଵଃ (dhruvaḥ)fixed
- ଦ୍ରୁତଗତିଃ (drutagatiḥ)swift in motion
- ବନ୍ଧଃ (bandhaḥ)the bond
- ଧର୍ମୀ (dharmī)righteous
- ନାକିପ୍ରିଯଃ (nākipriyaḥ)dear to the gods
- ଅନଲଃ (analaḥ)fire
anvaya ଲୋଲଚିତ୍ତଃ ବୃହନ୍ନାସଃ ମାସପକ୍ଷର୍ତୁରୂପଵାନ୍ ଧ୍ରୁଵଃ ଦ୍ରୁତଗତିଃ ବନ୍ଧଃ ଧର୍ମୀ ନାକିପ୍ରିଯଃ ଅନଲଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ସାଗରଃ ସ୍ଵର୍ଗତିଃ ସ୍ଵକ୍ଷଃ ସାନନ୍ଦଃ ସାଧୁପୂଜିତଃ ॥ ୬୪॥
- ଅଙ୍ଗୁଲ୍ଯଗ୍ରସ୍ଥଭୁଵନଃ (aṅgulyagrasthabhuvanaḥ)on whose fingertip the worlds rest
- ଭୁଵନୈକମଲାପହଃ (bhuvanaikamalāpahaḥ)who alone takes away the world's stain
- ସାଗରଃ (sāgaraḥ)the ocean
- ସ୍ଵର୍ଗତିଃ (svargatiḥ)the road to heaven
- ସ୍ଵକ୍ଷଃ (svakṣaḥ)fair-eyed
- ସାନନ୍ଦଃ (sānandaḥ)joyful
- ସାଧୁପୂଜିତଃ (sādhupūjitaḥ)worshipped by the good
anvaya ଅଙ୍ଗୁଲ୍ଯଗ୍ରସ୍ଥଭୁଵନଃ ଭୁଵନୈକମଲାପହଃ ସାଗରଃ ସ୍ଵର୍ଗତିଃ ସ୍ଵକ୍ଷଃ ସାନନ୍ଦଃ ସାଧୁପୂଜିତଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ସୁରପ୍ରିଯୋ ଵସୁମତିର୍ଵାସଵୋ ଵସୁପୂଜିତଃ ॥ ୬୫॥
- ସତୀପତିଃ (satīpatiḥ)lord of Sati
- ସମରସଃ (samarasaḥ)of a single savour
- ସନକଃ (sanakaḥ)Sanaka
- ସରଲଃ (saralaḥ)straightforward
- ସରଃ (saraḥ)the lake
- ସୁରପ୍ରିଯଃ (surapriyaḥ)dear to the gods
- ଵସୁମତିଃ (vasumatiḥ)the earth
- ଵାସଵଃ (vāsavaḥ)Indra
- ଵସୁପୂଜିତଃ (vasupūjitaḥ)worshipped by the Vasus
anvaya ସତୀପତିଃ ସମରସଃ ସନକଃ ସରଲଃ ସରଃ ସୁରପ୍ରିଯଃ ଵସୁମତିଃ ଵାସଵଃ ଵସୁପୂଜିତଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ସମରସ of a single savour — In tantric usage, the state in which two become one taste; the union the practice aims at.
ରାଜୀଵନଯନଃ ସ୍ମାର୍ତଃ ସ୍ମୃତିଦଃ କୃତ୍ତିକାମ୍ବରଃ ॥ ୬୬॥
- ଵିତ୍ତଦଃ (vittadaḥ)giver of wealth
- ଵିତ୍ତନାଥଃ (vittanāthaḥ)lord of wealth
- ଚ (ca)and
- ଧନିନାମ୍ (dhaninām)to the wealthy
- ଧନଦାଯକଃ (dhanadāyakaḥ)who gives wealth
- ରାଜୀଵନଯନଃ (rājīvanayanaḥ)lotus-eyed
- ସ୍ମାର୍ତଃ (smārtaḥ)follower of the smriti
- ସ୍ମୃତିଦଃ (smṛtidaḥ)who gives memory
- କୃତ୍ତିକାମ୍ବରଃ (kṛttikāmbaraḥ)clothed in a hide
anvaya ଵିତ୍ତଦଃ ଵିତ୍ତନାଥଃ ଚ ଧନିନାମ୍ ଧନଦାଯକଃ ରାଜୀଵନଯନଃ ସ୍ମାର୍ତଃ ସ୍ମୃତିଦଃ କୃତ୍ତିକାମ୍ବରଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note The last name, kṛttikāmbara, means one who wears a hide, as Shiva does. It also sounds the lunar mansion Krittika, and so leads into the run of mansions that begins in the next verse.
କୃତ୍ତିକାସନକଃ କୋଲୋ ରୋହିଣୀରମଣୋପମଃ ॥ ୬୭॥
- ଅଶ୍ଵିନଃ (aśvinaḥ)Ashvina
- ଅଶ୍ଵମୁଖଃ (aśvamukhaḥ)horse-faced
- ଶୁଭ୍ରଃ (śubhraḥ)bright
- ଭରଣଃ (bharaṇaḥ)the one who bears all
- ଭରଣୀପ୍ରିଯଃ (bharaṇīpriyaḥ)dear to Bharani
- କୃତ୍ତିକାସନକଃ (kṛttikāsanakaḥ)seated on the Krittikas
- କୋଲଃ (kolaḥ)the boar
- ରୋହିଣୀରମଣୋପମଃ (rohiṇīramaṇopamaḥ)like the lover of Rohini
anvaya ଅଶ୍ଵିନଃ ଅଶ୍ଵମୁଖଃ ଶୁଭ୍ରଃ ଭରଣଃ ଭରଣୀପ୍ରିଯଃ କୃତ୍ତିକାସନକଃ କୋଲଃ ରୋହିଣୀରମଣୋପମଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ନକ୍ଷତ୍ର the lunar mansions — The twenty-seven stations the moon passes through in a month. From here to the thirty-fourth verse after, the names are built on them in order: Ashvini, Bharani, Krittika, Rohini and the rest. The names do not say he is those stars; they borrow the stars' names to praise him.
ରୋହିଣୀରମଣ the lover of Rohini — The moon, whose favourite among the star-wives is Rohini.
ମୃଗରାଜୋ ମୃଗଶିରା ମାଧଵୋ ମଧୁରଧ୍ଵନିଃ ॥ ୬୮॥
- ରୌହିଣେଯପ୍ରେମକରୀ (rauhiṇeyapremakarī)who wins the love of Rohini's son
- ରୋହିଣୀମୋହନଃ (rohiṇīmohanaḥ)who charms Rohini
- ମୃଗଃ (mṛgaḥ)the deer
- ମୃଗରାଜଃ (mṛgarājaḥ)king of beasts
- ମୃଗଶିରା (mṛgaśirā)Mrigashira
- ମାଧଵଃ (mādhavaḥ)Madhava
- ମଧୁରଧ୍ଵନିଃ (madhuradhvaniḥ)sweet of voice
anvaya ରୌହିଣେଯପ୍ରେମକରୀ ରୋହିଣୀମୋହନଃ ମୃଗଃ ମୃଗରାଜଃ ମୃଗଶିରା ମାଧଵଃ ମଧୁରଧ୍ଵନିଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଭ୍ରୂକ୍ଷେପଦତ୍ତଵିଭଵୋ ଭ୍ରୂକରାଲଃ ପୁନର୍ମଯଃ ॥ ୬୯॥
- ଆର୍ଦ୍ରାନନଃ (ārdrānanaḥ)whose face is wet
- ମହାବୁଦ୍ଧିଃ (mahābuddhiḥ)of great understanding
- ମହୋରଗଵିଭୂଷଣଃ (mahoragavibhūṣaṇaḥ)adorned with great serpents
- ଭ୍ରୂକ୍ଷେପଦତ୍ତଵିଭଵଃ (bhrūkṣepadattavibhavaḥ)who gives splendour with a lift of the brow
- ଭ୍ରୂକରାଲଃ (bhrūkarālaḥ)fearsome of brow
- ପୁନର୍ମଯଃ (punarmayaḥ)made new again
anvaya ଆର୍ଦ୍ରାନନଃ ମହାବୁଦ୍ଧିଃ ମହୋରଗଵିଭୂଷଣଃ ଭ୍ରୂକ୍ଷେପଦତ୍ତଵିଭଵଃ ଭ୍ରୂକରାଲଃ ପୁନର୍ମଯଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note Ārdrānana, the wet-faced, sounds the mansion Ardra; punarmaya, made again, opens the play on Punarvasu that fills the next verse.
ତିମିରାସ୍ତିମିକେତୁଶ୍ଚ ତିତିଷାସୁରଘାତନଃ ॥ ୭୦॥
- ପୁନର୍ଦେଵଃ (punardevaḥ)god once more
- ପୁନର୍ଜେତା (punarjetā)conqueror once more
- ପୁନର୍ଜୀଵଃ (punarjīvaḥ)alive once more
- ପୁନର୍ଵସୁଃ (punarvasuḥ)Punarvasu
- ତିମିରାଃ (timirāḥ)the darkness
- ତିମିକେତୁଃ (timiketuḥ)with the great fish on his banner
- ଚ (ca)and
- ତିତିଷାସୁରଘାତନଃ (titiṣāsuraghātanaḥ)slayer of the demon Titisha
anvaya ପୁନର୍ଦେଵଃ ପୁନର୍ଜେତା ପୁନର୍ଜୀଵଃ ପୁନର୍ଵସୁଃ ତିମିରାଃ ତିମିକେତୁଃ ଚ ତିତିଷାସୁରଘାତନଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note The second line is uncertain in the printed text. Timira, darkness, and timi, the great fish, are clear; the demon Titisha is not otherwise known, and the name may be a slip for something that sounded the next mansion, Tishya.
ମାନଦୋ ମାଧଵୋ ମାଧୋ ଵାଚାଲୋ ମଘଵୋପମଃ ॥ ୭୧॥
- ତିଷ୍ଯଃ (tiṣyaḥ)Tishya
- ତୁଲାଧରଃ (tulādharaḥ)holder of the scales
- ଜୃମ୍ଭଃ (jṛmbhaḥ)the yawning one
- ଵିଶ୍ଲେଷାଶ୍ଲେଷଦାନରାଟ୍ (viśleṣāśleṣadānarāṭ)the king who gives both parting and embrace
- ମାନଦଃ (mānadaḥ)giver of honour
- ମାଧଵଃ (mādhavaḥ)Madhava
- ମାଧଃ (mādhaḥ)Madha
- ଵାଚାଲଃ (vācālaḥ)full of talk
- ମଘଵୋପମଃ (maghavopamaḥ)like Indra
anvaya ତିଷ୍ଯଃ ତୁଲାଧରଃ ଜୃମ୍ଭଃ ଵିଶ୍ଲେଷାଶ୍ଲେଷଦାନରାଟ୍ ମାନଦଃ ମାଧଵଃ ମାଧଃ ଵାଚାଲଃ ମଘଵୋପମଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note Tishya is the older name of Pushya. Viśleṣāśleṣa, parting and embrace, plays on Ashlesha; maghavopama, like Indra, sounds Magha.
ପୂର୍ଵଫାଲ୍ଗୁନିକଃ ସ୍ଫୀତ ଫଲ୍ଗୁରୁତ୍ତରଫାଲ୍ଗୁନଃ ॥ ୭୨॥
- ମଧ୍ଯଃ (madhyaḥ)the middle
- ମଘାପ୍ରିଯଃ (maghāpriyaḥ)dear to Magha
- ମେଘଃ (meghaḥ)the cloud
- ମହାଶୁଣ୍ଡଃ (mahāśuṇḍaḥ)great-trunked
- ମହାଭୁଜଃ (mahābhujaḥ)great-armed
- ପୂର୍ଵଫାଲ୍ଗୁନିକଃ (pūrvaphālgunikaḥ)of Purva Phalguni
- ସ୍ଫୀତଃ (sphītaḥ)swelling
- ଫଲ୍ଗୁଃ (phalguḥ)the Phalgu
- ଉତ୍ତରଫାଲ୍ଗୁନଃ (uttaraphālgunaḥ)of Uttara Phalguni
anvaya ମଧ୍ଯଃ ମଘାପ୍ରିଯଃ ମେଘଃ ମହାଶୁଣ୍ଡଃ ମହାଭୁଜଃ ପୂର୍ଵଫାଲ୍ଗୁନିକଃ ସ୍ଫୀତଃ ଫଲ୍ଗୁଃ ଉତ୍ତରଫାଲ୍ଗୁନଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଘୋଣାହସ୍ତଶ୍ଚତୁର୍ହସ୍ତୋ ହସ୍ତିଵକ୍ତ୍ରୋ ହଲାଯୁଧଃ ॥ ୭୩॥
- ଫେନିଲଃ (phenilaḥ)flecked with foam
- ବ୍ରହ୍ମଦଃ (brahmadaḥ)giver of brahman
- ବ୍ରହ୍ମା (brahmā)Brahma
- ସପ୍ତତନ୍ତୁସମାଶ୍ରଯଃ (saptatantusamāśrayaḥ)the refuge of the sacrifice spun with seven threads
- ଘୋଣାହସ୍ତଃ (ghoṇāhastaḥ)whose hand is his trunk
- ଚତୁର୍ହସ୍ତଃ (caturhastaḥ)four-handed
- ହସ୍ତିଵକ୍ତ୍ରଃ (hastivaktraḥ)elephant-faced
- ହଲାଯୁଧଃ (halāyudhaḥ)with the plough for his weapon
anvaya ଫେନିଲଃ ବ୍ରହ୍ମଦଃ ବ୍ରହ୍ମା ସପ୍ତତନ୍ତୁସମାଶ୍ରଯଃ ଘୋଣାହସ୍ତଃ ଚତୁର୍ହସ୍ତଃ ହସ୍ତିଵକ୍ତ୍ରଃ ହଲାଯୁଧଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note Three names in a row carry hasta, hand, for the mansion Hasta.
ଵିଶାଖଃ ଶିଖିସେଵ୍ଯଶ୍ଚ ଶିଖିଧ୍ଵଜସହୋଦରଃ ॥ ୭୪॥
- ଚିତ୍ରାମ୍ବରଃ (citrāmbaraḥ)clothed in bright colours
- ଅର୍ଚିତପଦଃ (arcitapadaḥ)whose feet are worshipped
- ସ୍ଵସ୍ତିଦଃ (svastidaḥ)giver of wellbeing
- ସ୍ଵସ୍ତିଵିଗ୍ରହଃ (svastivigrahaḥ)wellbeing in bodily form
- ଵିଶାଖଃ (viśākhaḥ)Vishakha
- ଶିଖିସେଵ୍ଯଃ (śikhisevyaḥ)served by the peacock
- ଚ (ca)and
- ଶିଖିଧ୍ଵଜସହୋଦରଃ (śikhidhvajasahodaraḥ)brother of the peacock-bannered one
anvaya ଚିତ୍ରାମ୍ବରଃ ଅର୍ଚିତପଦଃ ସ୍ଵସ୍ତିଦଃ ସ୍ଵସ୍ତିଵିଗ୍ରହଃ ଵିଶାଖଃ ଶିଖିସେଵ୍ଯଃ ଚ ଶିଖିଧ୍ଵଜସହୋଦରଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note Chitra and Svati are sounded in the first line, citrāmbara and svastida; Vishakha is a name of Skanda as well as a mansion, which is why the brother follows.
ଅନୁରାଧାପ୍ରିଯୋ ରାଧଃ ଶ୍ରୀମାଞ୍ଛୁକ୍ଲଃ ଶୁଚିସ୍ମିତଃ ॥ ୭୫॥
- ଅଣୁରେଣୂତ୍କରଃ (aṇureṇūtkaraḥ)a heap of atoms and dust
- ସ୍ଫାରଃ (sphāraḥ)vast
- ରୁରୁରେଣୁସୁତଃ (rurureṇusutaḥ)the son of Ruru and Renu
- ନରଃ (naraḥ)the man
- ଅନୁରାଧାପ୍ରିଯଃ (anurādhāpriyaḥ)dear to Anuradha
- ରାଧଃ (rādhaḥ)Radha
- ଶ୍ରୀମାନ୍ (śrīmān)glorious
- ଶୁକ୍ଲଃ (śuklaḥ)white
- ଶୁଚିସ୍ମିତଃ (śucismitaḥ)of pure smile
anvaya ଅଣୁରେଣୂତ୍କରଃ ସ୍ଫାରଃ ରୁରୁରେଣୁସୁତଃ ନରଃ ଅନୁରାଧାପ୍ରିଯଃ ରାଧଃ ଶ୍ରୀମାନ୍ ଶୁକ୍ଲଃ ଶୁଚିସ୍ମିତଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note Rururenusuta is not clear; it may be a slip for reṇukāsuta, Renuka's son, who is named plainly a few verses on. In the text śrīmān and śuklaḥ are joined by sandhi as śrīmāñchuklaḥ.
ଶୁଚିଶ୍ଚୈଵ ପୂର୍ଵାଷାଢଶ୍ଚୋତ୍ତରାଷାଢ ଈଶ୍ଵରଃ ॥ ୭୬॥
- ଜ୍ଯେଷ୍ଠଃ (jyeṣṭhaḥ)the eldest
- ଶ୍ରେଷ୍ଠାର୍ଚିତପଦଃ (śreṣṭhārcitapadaḥ)whose feet the best of beings worship
- ମୂଲମ୍ (mūlam)the root
- ଚ (ca)and
- ତ୍ରିଜଗଦ୍ଗୁରୁଃ (trijagadguruḥ)teacher of the three worlds
- ଶୁଚିଃ (śuciḥ)pure
- ଚ (ca)and
- ଏଵ (eva)also
- ପୂର୍ଵାଷାଢଃ (pūrvāṣāḍhaḥ)Purva Ashadha
- ଚ (ca)and
- ଉତ୍ତରାଷାଢଃ (uttarāṣāḍhaḥ)Uttara Ashadha
- ଈଶ୍ଵରଃ (īśvaraḥ)the lord
anvaya ଜ୍ଯେଷ୍ଠଃ ଶ୍ରେଷ୍ଠାର୍ଚିତପଦଃ ମୂଲମ୍ ଚ ତ୍ରିଜଗଦ୍ଗୁରୁଃ ଶୁଚିଃ ଚ ଏଵ ପୂର୍ଵାଷାଢଃ ଚ ଉତ୍ତରାଷାଢଃ ଈଶ୍ଵରଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଶ୍ରାଵଣଃ ଶ୍ରଵଣଃ ଶ୍ରୋତା ଧନୀ ଧନ୍ଯୋ ଧନିଷ୍ଠକଃ ॥ ୭୭॥
- ଶ୍ରଵ୍ଯଃ (śravyaḥ)worth hearing
- ଅଭିଜିତ୍ (abhijit)Abhijit
- ଅନନ୍ତାତ୍ମା (anantātmā)endless self
- ଶ୍ରଵଃ (śravaḥ)the ear
- ଵେପିତଦାନଵଃ (vepitadānavaḥ)who makes the demons tremble
- ଶ୍ରାଵଣଃ (śrāvaṇaḥ)of the month of Shravana
- ଶ୍ରଵଣଃ (śravaṇaḥ)Shravana
- ଶ୍ରୋତା (śrotā)the listener
- ଧନୀ (dhanī)wealthy
- ଧନ୍ଯଃ (dhanyaḥ)blessed
- ଧନିଷ୍ଠକଃ (dhaniṣṭhakaḥ)Dhanishtha
anvaya ଶ୍ରଵ୍ଯଃ ଅଭିଜିତ୍ ଅନନ୍ତାତ୍ମା ଶ୍ରଵଃ ଵେପିତଦାନଵଃ ଶ୍ରାଵଣଃ ଶ୍ରଵଣଃ ଶ୍ରୋତା ଧନୀ ଧନ୍ଯଃ ଧନିଷ୍ଠକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଅଭିଜିତ୍ Abhijit — The extra mansion slipped in between Uttara Ashadha and Shravana when the stations are counted as twenty-eight.
ପୂର୍ଵାଭାଦ୍ରପଦୋ ଭଦ୍ରଶ୍ଚୋତ୍ତରାଭାଦ୍ରପାଦିତଃ ॥ ୭୮॥
- ଶାତାତପଃ (śātātapaḥ)Shatatapa
- ଶାତକୁମ୍ଭଃ (śātakumbhaḥ)gold
- ଶରଜ୍ଜ୍ଯୋତିଃ (śarajjyotiḥ)the light of autumn
- ଶତାଭିଷକ୍ (śatābhiṣak)Shatabhishak
- ପୂର୍ଵାଭାଦ୍ରପଦଃ (pūrvābhādrapadaḥ)Purva Bhadrapada
- ଭଦ୍ରଃ (bhadraḥ)the auspicious
- ଚ (ca)and
- ଉତ୍ତରାଭାଦ୍ରପାଦିତଃ (uttarābhādrapāditaḥ)Uttara Bhadrapada
anvaya ଶାତାତପଃ ଶାତକୁମ୍ଭଃ ଶରଜ୍ଜ୍ଯୋତିଃ ଶତାଭିଷକ୍ ପୂର୍ଵାଭାଦ୍ରପଦଃ ଭଦ୍ରଃ ଚ ଉତ୍ତରାଭାଦ୍ରପାଦିତଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଆଶ୍ଵଯୁକ୍କାର୍ତିକେଯେଷ୍ଟୋ ମାର୍ଗଶୀର୍ଷୋ ମୃଗୋତ୍ତମଃ ॥ ୭୯॥
- ରେଣୁକାତନଯଃ (reṇukātanayaḥ)Renuka's son
- ରାମଃ (rāmaḥ)Rama
- ରେଵତୀରମଣଃ (revatīramaṇaḥ)lover of Revati
- ରମୀ (ramī)who takes delight
- ଆଶ୍ଵଯୁକ୍କାର୍ତିକେଯେଷ୍ଟଃ (āśvayukkārtikeyeṣṭaḥ)dear to Karttikeya in the month of Ashvayuj
- ମାର୍ଗଶୀର୍ଷଃ (mārgaśīrṣaḥ)Margashirsha
- ମୃଗୋତ୍ତମଃ (mṛgottamaḥ)best of deer
anvaya ରେଣୁକାତନଯଃ ରାମଃ ରେଵତୀରମଣଃ ରମୀ ଆଶ୍ଵଯୁକ୍କାର୍ତିକେଯେଷ୍ଟଃ ମାର୍ଗଶୀର୍ଷଃ ମୃଗୋତ୍ତମଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ରେଵତୀରମଣ lover of Revati — Balarama, whose wife is Revati; the name also closes the run of mansions with the last of them, Revati. With Ashvayuj and Margashirsha the names turn to the months.
ରାଜ୍ଯଦୋଽଭିଜିଦାତ୍ମୀଯସ୍ତାରେଶସ୍ତାରକଦ୍ଯୁତିଃ ॥ ୮୦॥
- ପୌଷେଶ୍ଵରଃ (pauṣeśvaraḥ)lord of Pausha
- ଫାଲ୍ଗୁନାତ୍ମା (phālgunātmā)whose self is Phalguna
- ଵସନ୍ତଃ (vasantaḥ)spring
- ଚୈତ୍ରକଃ (caitrakaḥ)of Chaitra
- ମଧୁଃ (madhuḥ)Madhu
- ରାଜ୍ଯଦଃ (rājyadaḥ)giver of kingdoms
- ଅଭିଜିଦାତ୍ମୀଯଃ (abhijidātmīyaḥ)to whom Abhijit belongs
- ତାରେଶଃ (tāreśaḥ)lord of the stars
- ତାରକଦ୍ଯୁତିଃ (tārakadyutiḥ)bright as the stars
anvaya ପୌଷେଶ୍ଵରଃ ଫାଲ୍ଗୁନାତ୍ମା ଵସନ୍ତଃ ଚୈତ୍ରକଃ ମଧୁଃ ରାଜ୍ଯଦଃ ଅଭିଜିଦାତ୍ମୀଯଃ ତାରେଶଃ ତାରକଦ୍ଯୁତିଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ମଧୁ Madhu — The old name of the first month of spring, the same as Chaitra.
ପରହା ପଞ୍ଚଭୂଃ ପଞ୍ଚଵାଯୁପୂଜ୍ଯଃ ପରିଗ୍ରହଃ ॥ ୮୧॥
- ପ୍ରତୀତଃ (pratītaḥ)well known
- ପ୍ରୋର୍ଜିତଃ (prorjitaḥ)mighty
- ପ୍ରୀତଃ (prītaḥ)pleased
- ପରମଃ (paramaḥ)highest
- ପରମଃ (paramaḥ)the highest
- ହିତଃ (hitaḥ)good
- ପରହା (parahā)slayer of foes
- ପଞ୍ଚଭୂଃ (pañcabhūḥ)the five elements
- ପଞ୍ଚଵାଯୁପୂଜ୍ଯଃ (pañcavāyupūjyaḥ)worshipped by the five breaths
- ପରିଗ୍ରହଃ (parigrahaḥ)the one held close
anvaya ପ୍ରତୀତଃ ପ୍ରୋର୍ଜିତଃ ପ୍ରୀତଃ ପରମଃ ପରମଃ ହିତଃ ପରହା ପଞ୍ଚଭୂଃ ପଞ୍ଚଵାଯୁପୂଜ୍ଯଃ ପରିଗ୍ରହଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଗ୍ରହୋ ମେଷୋ ଵୃଷୋ ମନ୍ଦୋ ମନ୍ମଥୋ ମିଥୁନାକୃତିଃ ॥ ୮୨॥
- ପୁରାଣାଗମଵିଦ୍ଯୋଗୀ (purāṇāgamavidyogī)the yogi who knows the puranas and the agamas
- ମହିଷଃ (mahiṣaḥ)the buffalo
- ରାସଭଃ (rāsabhaḥ)the donkey
- ଅଗ୍ରଜଃ (agrajaḥ)the first-born
- ଗ୍ରହଃ (grahaḥ)the seizer
- ମେଷଃ (meṣaḥ)the ram
- ଵୃଷଃ (vṛṣaḥ)the bull
- ମନ୍ଦଃ (mandaḥ)the slow one
- ମନ୍ମଥଃ (manmathaḥ)Manmatha
- ମିଥୁନାକୃତିଃ (mithunākṛtiḥ)shaped as the pair
anvaya ପୁରାଣାଗମଵିଦ୍ଯୋଗୀ ମହିଷଃ ରାସଭଃ ଅଗ୍ରଜଃ ଗ୍ରହଃ ମେଷଃ ଵୃଷଃ ମନ୍ଦଃ ମନ୍ମଥଃ ମିଥୁନାକୃତିଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ରାଶି the signs — Now the names run through the twelve signs of the zodiac: the ram, the bull, the pair, and on to the fish, each hidden in a name.
କୁକ୍କୁଟୋ ଵନଜୋ ହଂସଃ ପରମହଂସଃ ସୃଗାଲକଃ ॥ ୮୩॥
- କଲ୍ପଭୃତ୍ (kalpabhṛt)bearer of the age
- କଟକଃ (kaṭakaḥ)the bracelet
- ଦୀପଃ (dīpaḥ)the lamp
- ମର୍କଟଃ (markaṭaḥ)the monkey
- କର୍କଟଃ (karkaṭaḥ)the crab
- ଘୃଣିଃ (ghṛṇiḥ)the ray of light
- କୁକ୍କୁଟଃ (kukkuṭaḥ)the cock
- ଵନଜଃ (vanajaḥ)born in the forest
- ହଂସଃ (haṃsaḥ)the swan
- ପରମହଂସଃ (paramahaṃsaḥ)the highest swan
- ସୃଗାଲକଃ (sṛgālakaḥ)the jackal
anvaya କଲ୍ପଭୃତ୍ କଟକଃ ଦୀପଃ ମର୍କଟଃ କର୍କଟଃ ଘୃଣିଃ କୁକ୍କୁଟଃ ଵନଜଃ ହଂସଃ ପରମହଂସଃ ସୃଗାଲକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ପରମହଂସ the highest swan — The title of the renunciant who has gone furthest; the swan is said to separate milk from water, as he separates the real from the unreal.
ପୁତ୍ରଦୋ ନରକତ୍ରାତା କନ୍ଯାପ୍ରୀତଃ କୁଲୋଦ୍ଵହଃ ॥ ୮୪॥
- ସିଂହଃ (siṃhaḥ)the lion
- ସିଂହାସନାଭୂଷ୍ଯଃ (siṃhāsanābhūṣyaḥ)the ornament of the lion-throne
- ମଦ୍ଗୁଃ (madguḥ)the diving bird
- ମୂଷକଵାହନଃ (mūṣakavāhanaḥ)who rides the mouse
- ପୁତ୍ରଦଃ (putradaḥ)giver of sons
- ନରକତ୍ରାତା (narakatrātā)saviour from hell
- କନ୍ଯାପ୍ରୀତଃ (kanyāprītaḥ)pleased by the maiden
- କୁଲୋଦ୍ଵହଃ (kulodvahaḥ)upholder of the family
anvaya ସିଂହଃ ସିଂହାସନାଭୂଷ୍ଯଃ ମଦ୍ଗୁଃ ମୂଷକଵାହନଃ ପୁତ୍ରଦଃ ନରକତ୍ରାତା କନ୍ଯାପ୍ରୀତଃ କୁଲୋଦ୍ଵହଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଅଲିଶ୍ଚାପଧରୋ ଧନ୍ଵୀ କଚ୍ଛପୋ ମକରୋ ମଣିଃ ॥ ୮୫॥
- ଅତୁଲ୍ଯରୂପଃ (atulyarūpaḥ)of peerless form
- ବଲଦଃ (baladaḥ)giver of strength
- ତୁଲ୍ଯଭୃତ୍ (tulyabhṛt)who holds the balance
- ତୁଲ୍ଯସାକ୍ଷିକଃ (tulyasākṣikaḥ)witness of the scales
- ଅଲିଃ (aliḥ)the scorpion
- ଚାପଧରଃ (cāpadharaḥ)holder of the bow
- ଧନ୍ଵୀ (dhanvī)the archer
- କଚ୍ଛପଃ (kacchapaḥ)the tortoise
- ମକରଃ (makaraḥ)the makara
- ମଣିଃ (maṇiḥ)the jewel
anvaya ଅତୁଲ୍ଯରୂପଃ ବଲଦଃ ତୁଲ୍ଯଭୃତ୍ ତୁଲ୍ଯସାକ୍ଷିକଃ ଅଲିଃ ଚାପଧରଃ ଧନ୍ଵୀ କଚ୍ଛପଃ ମକରଃ ମଣିଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ମକର the makara — The sea creature of the tenth sign, part crocodile and part fish.
ରାଶିତାରାଗ୍ରହମଯସ୍ତିଥିରୂପୋ ଜଗଦ୍ଵିଭୁଃ ॥ ୮୬॥
- କୁମ୍ଭଭୃତ୍ (kumbhabhṛt)bearer of the pitcher
- କଲଶଃ (kalaśaḥ)the jar
- କୁବ୍ଜଃ (kubjaḥ)the hunchback
- ମୀନମାଂସସୁତର୍ପିତଃ (mīnamāṃsasutarpitaḥ)well pleased with offerings of fish
- ରାଶିତାରାଗ୍ରହମଯଃ (rāśitārāgrahamayaḥ)made of the signs, the stars and the planets
- ତିଥିରୂପଃ (tithirūpaḥ)whose form is the lunar days
- ଜଗଦ୍ଵିଭୁଃ (jagadvibhuḥ)lord of the world
anvaya କୁମ୍ଭଭୃତ୍ କଲଶଃ କୁବ୍ଜଃ ମୀନମାଂସସୁତର୍ପିତଃ ରାଶିତାରାଗ୍ରହମଯଃ ତିଥିରୂପଃ ଜଗଦ୍ଵିଭୁଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ତିଥି the lunar days — The fifteen days of each half of the lunar month. After the signs, the names now pass through them, from the first day to the full moon.
ତ୍ରିରୂପଶ୍ଚ ତୃତୀଯାଗ୍ନିସ୍ତ୍ରଯୀରୂପସ୍ତ୍ରଯୀତନୁଃ ॥ ୮୭॥
- ପ୍ରତାପୀ (pratāpī)full of blazing power
- ପ୍ରତିପତ୍ପ୍ରେଯଃ (pratipatpreyaḥ)dear on the first day of the fortnight
- ଅଦ୍ଵିତୀଯଃ (advitīyaḥ)second to none
- ଅଦ୍ଵୈତନିଶ୍ଚିତଃ (advaitaniścitaḥ)settled in non-duality
- ତ୍ରିରୂପଃ (trirūpaḥ)three-formed
- ଚ (ca)and
- ତୃତୀଯାଗ୍ନିଃ (tṛtīyāgniḥ)the third fire
- ତ୍ରଯୀରୂପଃ (trayīrūpaḥ)whose form is the three Vedas
- ତ୍ରଯୀତନୁଃ (trayītanuḥ)whose body is the three Vedas
anvaya ପ୍ରତାପୀ ପ୍ରତିପତ୍ପ୍ରେଯଃ ଅଦ୍ଵିତୀଯଃ ଅଦ୍ଵୈତନିଶ୍ଚିତଃ ତ୍ରିରୂପଃ ଚ ତୃତୀଯାଗ୍ନିଃ ତ୍ରଯୀରୂପଃ ତ୍ରଯୀତନୁଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଷଡ୍ରସାସ୍ଵାଦଵିଜ୍ଞାନଃ ଷଷ୍ଠୀ ଷଷ୍ଟିକଵତ୍ସଲଃ ॥ ୮୮॥
- ଚତୁର୍ଥୀଵଲ୍ଲଭଃ (caturthīvallabhaḥ)beloved of the fourth day
- ଦେଵଃ (devaḥ)the god
- ପରାଗଃ (parāgaḥ)pollen
- ପଞ୍ଚମୀଶ୍ଵରଃ (pañcamīśvaraḥ)lord of the fifth day
- ଷଡ୍ରସାସ୍ଵାଦଵିଜ୍ଞାନଃ (ṣaḍrasāsvādavijñānaḥ)who knows the taste of the six flavours
- ଷଷ୍ଠୀ (ṣaṣṭhī)the sixth
- ଷଷ୍ଟିକଵତ୍ସଲଃ (ṣaṣṭikavatsalaḥ)fond of the rice that ripens in sixty days
anvaya ଚତୁର୍ଥୀଵଲ୍ଲଭଃ ଦେଵଃ ପରାଗଃ ପଞ୍ଚମୀଶ୍ଵରଃ ଷଡ୍ରସାସ୍ଵାଦଵିଜ୍ଞାନଃ ଷଷ୍ଠୀ ଷଷ୍ଟିକଵତ୍ସଲଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଚତୁର୍ଥୀ the fourth day — Ganapati's own day of the fortnight; the festival of Ganesh Chaturthi falls on the fourth day of the bright half of Bhadrapada.
ଅଷ୍ଟମୀନନ୍ଦନୋତ୍ତଂସୋ ନଵମୀଭକ୍ତିଭାଵିତଃ ॥ ୮୯॥
- ସପ୍ତାର୍ଣଵଗତିଃ (saptārṇavagatiḥ)who moves across the seven seas
- ସାରଃ (sāraḥ)the core
- ସପ୍ତମୀଶ୍ଵର (saptamīśvara)lord of the seventh day
- ରୋହିତଃ (rohitaḥ)red
- ଅଷ୍ଟମୀନନ୍ଦନୋତ୍ତଂସଃ (aṣṭamīnandanottaṃsaḥ)the crest-jewel of joy on the eighth day
- ନଵମୀଭକ୍ତିଭାଵିତଃ (navamībhaktibhāvitaḥ)honoured with devotion on the ninth
anvaya ସପ୍ତାର୍ଣଵଗତିଃ ସାରଃ ସପ୍ତମୀଶ୍ଵର ରୋହିତଃ ଅଷ୍ଟମୀନନ୍ଦନୋତ୍ତଂସଃ ନଵମୀଭକ୍ତିଭାଵିତଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଏକାଦଶାତ୍ମଗଣପୋ ଦ୍ଵାଦଶୀଯୁଗଚର୍ଚିତଃ ॥ ୯୦॥
- ଦଶଦିକ୍ପତିପୂଜ୍ଯଃ (daśadikpatipūjyaḥ)worshipped by the lords of the ten directions
- ଚ (ca)and
- ଦଶମୀଦ୍ରୁହିଣଃ (daśamīdruhiṇaḥ)Brahma of the tenth day
- ଦ୍ରୁତଃ (drutaḥ)swift
- ଏକାଦଶାତ୍ମଗଣପଃ (ekādaśātmagaṇapaḥ)lord of the ganas whose self is the eleven
- ଦ୍ଵାଦଶୀଯୁଗଚର୍ଚିତଃ (dvādaśīyugacarcitaḥ)honoured on the two twelfth days
anvaya ଦଶଦିକ୍ପତିପୂଜ୍ଯଃ ଚ ଦଶମୀଦ୍ରୁହିଣଃ ଦ୍ରୁତଃ ଏକାଦଶାତ୍ମଗଣପଃ ଦ୍ଵାଦଶୀଯୁଗଚର୍ଚିତଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note The eleven are the eleven Rudras; the two twelfth days are those of the bright and the dark fortnights.
ଚତୁର୍ଦଶେନ୍ଦ୍ରସଂସ୍ତୁତ୍ଯଃ ପୂର୍ଣିମାନନ୍ଦଵିଗ୍ରହଃ ॥ ୯୧॥
- ତ୍ରଯୋଦଶମଣିସ୍ତୁତ୍ଯଃ (trayodaśamaṇistutyaḥ)praised by the thirteen jewels
- ଚତୁର୍ଦଶସ୍ଵରପ୍ରିଯଃ (caturdaśasvarapriyaḥ)fond of the fourteen vowels
- ଚତୁର୍ଦଶେନ୍ଦ୍ରସଂସ୍ତୁତ୍ଯଃ (caturdaśendrasaṃstutyaḥ)praised by the fourteen Indras
- ପୂର୍ଣିମାନନ୍ଦଵିଗ୍ରହଃ (pūrṇimānandavigrahaḥ)whose form is the joy of the full moon
anvaya ତ୍ରଯୋଦଶମଣିସ୍ତୁତ୍ଯଃ ଚତୁର୍ଦଶସ୍ଵରପ୍ରିଯଃ ଚତୁର୍ଦଶେନ୍ଦ୍ରସଂସ୍ତୁତ୍ଯଃ ପୂର୍ଣିମାନନ୍ଦଵିଗ୍ରହଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଚତୁର୍ଦଶେନ୍ଦ୍ର the fourteen Indras — One Indra rules in each of the fourteen Manu-periods of a day of Brahma.
ମୌର୍ଵୀ ମଧୁରଵାଙ୍ମୂଲମୂର୍ତିମାନ୍ମେଘଵାହନଃ ॥ ୯୨॥
- ଦର୍ଶଦର୍ଶଃ (darśadarśaḥ)who looks on the new moon
- ଦର୍ଶନଃ (darśanaḥ)sight itself
- ଚ (ca)and
- ଵାନପ୍ରସ୍ଥଃ (vānaprasthaḥ)the forest-dweller
- ମହେଶ୍ଵରଃ (maheśvaraḥ)the great lord
- ମୌର୍ଵୀ (maurvī)the bowstring
- ମଧୁରଵାକ୍ (madhuravāk)sweet of speech
- ମୂଲମୂର୍ତିମାନ୍ (mūlamūrtimān)the root in bodily form
- ମେଘଵାହନଃ (meghavāhanaḥ)who rides the clouds
anvaya ଦର୍ଶଦର୍ଶଃ ଦର୍ଶନଃ ଚ ଵାନପ୍ରସ୍ଥଃ ମହେଶ୍ଵରଃ ମୌର୍ଵୀ ମଧୁରଵାକ୍ ମୂଲମୂର୍ତିମାନ୍ ମେଘଵାହନଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଦର୍ଶ the new moon — The night the moon is not seen, which closes the run of lunar days.
ରୌଦ୍ରୋ ରୁଦ୍ରପ୍ରିଯୋ ରୁଦ୍ରୋ ରୁଦ୍ରପୁତ୍ରୋଽଘନାଶନଃ ॥ ୯୩॥
- ମହାଗଜଃ (mahāgajaḥ)the great elephant
- ଜିତକ୍ରୋଧଃ (jitakrodhaḥ)master of his anger
- ଜିତଶତ୍ରୁଃ (jitaśatruḥ)who has beaten his foes
- ଜଯାଶ୍ରଯଃ (jayāśrayaḥ)the refuge of victory
- ରୌଦ୍ରଃ (raudraḥ)fierce
- ରୁଦ୍ରପ୍ରିଯଃ (rudrapriyaḥ)dear to Rudra
- ରୁଦ୍ରଃ (rudraḥ)Rudra
- ରୁଦ୍ରପୁତ୍ରଃ (rudraputraḥ)son of Rudra
- ଅଘନାଶନଃ (aghanāśanaḥ)destroyer of wrong
anvaya ମହାଗଜଃ ଜିତକ୍ରୋଧଃ ଜିତଶତ୍ରୁଃ ଜଯାଶ୍ରଯଃ ରୌଦ୍ରଃ ରୁଦ୍ରପ୍ରିଯଃ ରୁଦ୍ରଃ ରୁଦ୍ରପୁତ୍ରଃ ଅଘନାଶନଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଗାନ୍ଧର୍ଵକୁଶଲୋଽକୁଣ୍ଠୋ ଵୈକୁଣ୍ଠୋ ଵିଷ୍ଟରଶ୍ରଵାଃ ॥ ୯୪॥
- ଭଵପ୍ରିଯଃ (bhavapriyaḥ)dear to Bhava
- ଭଵାନୀଷ୍ଟଃ (bhavānīṣṭaḥ)loved by Bhavani
- ଭାରଭୃତ୍ (bhārabhṛt)bearer of the load
- ଭୂତଭାଵନଃ (bhūtabhāvanaḥ)who brings beings into being
- ଗାନ୍ଧର୍ଵକୁଶଲଃ (gāndharvakuśalaḥ)skilled in music
- ଅକୁଣ୍ଠଃ (akuṇṭhaḥ)never blunted
- ଵୈକୁଣ୍ଠଃ (vaikuṇṭhaḥ)Vaikuntha
- ଵିଷ୍ଟରଶ୍ରଵାଃ (viṣṭaraśravāḥ)wide-eared Vishnu
anvaya ଭଵପ୍ରିଯଃ ଭଵାନୀଷ୍ଟଃ ଭାରଭୃତ୍ ଭୂତଭାଵନଃ ଗାନ୍ଧର୍ଵକୁଶଲଃ ଅକୁଣ୍ଠଃ ଵୈକୁଣ୍ଠଃ ଵିଷ୍ଟରଶ୍ରଵାଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ମଞ୍ଜୁରୋ ମାର୍ଜରୋ ମତ୍ତୋ ଦୁର୍ଗାପୁତ୍ରୋ ଦୁରାଲସଃ ॥ ୯୫॥
- ଵୃତ୍ରହା (vṛtrahā)slayer of Vritra
- ଵିଘ୍ନହା (vighnahā)slayer of obstacles
- ସୀରଃ (sīraḥ)the plough
- ସମସ୍ତଦୁଃଖତାପହା (samastaduḥkhatāpahā)who takes away every sorrow and every pain
- ମଞ୍ଜୁରଃ (mañjuraḥ)lovely
- ମାର୍ଜରଃ (mārjaraḥ)who wipes clean
- ମତ୍ତଃ (mattaḥ)rapt
- ଦୁର୍ଗାପୁତ୍ରଃ (durgāputraḥ)son of Durga
- ଦୁରାଲସଃ (durālasaḥ)hard to weary
anvaya ଵୃତ୍ରହା ଵିଘ୍ନହା ସୀରଃ ସମସ୍ତଦୁଃଖତାପହା ମଞ୍ଜୁରଃ ମାର୍ଜରଃ ମତ୍ତଃ ଦୁର୍ଗାପୁତ୍ରଃ ଦୁରାଲସଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note Mañjura and mārjara are uncertain forms; the senses given follow the nearest words, mañju, lovely, and mārj, to wipe.
ଭାସ୍ଵନ୍ମୁକୁଟମାଣିକ୍ଯଃ କୂଜତ୍କିଙ୍କିଂଣିଜାଲକଃ ॥ ୯୬॥
- ଅନନ୍ତଚିତ୍ସୁଧାଧାରଃ (anantacitsudhādhāraḥ)a stream of endless awareness and nectar
- ଵୀରଃ (vīraḥ)the hero
- ଵୀର୍ଯୈକସାଧକଃ (vīryaikasādhakaḥ)who wins by strength alone
- ଭାସ୍ଵନ୍ମୁକୁଟମାଣିକ୍ଯଃ (bhāsvanmukuṭamāṇikyaḥ)with a shining ruby in his crown
- କୂଜତ୍କିଙ୍କିଂଣିଜାଲକଃ (kūjatkiṅkiṃṇijālakaḥ)hung with a net of chiming bells
anvaya ଅନନ୍ତଚିତ୍ସୁଧାଧାରଃ ଵୀରଃ ଵୀର୍ଯୈକସାଧକଃ ଭାସ୍ଵନ୍ମୁକୁଟମାଣିକ୍ଯଃ କୂଜତ୍କିଙ୍କିଂଣିଜାଲକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ପଦ୍ମାକ୍ଷଃ ପଦ୍ମହସ୍ତଶ୍ଚ ପଦ୍ମନାଭସମର୍ଚିତଃ ॥ ୯୭॥
- ଶୁଣ୍ଡାଧାରୀ (śuṇḍādhārī)bearing a trunk
- ତୁଣ୍ଡଚଲଃ (tuṇḍacalaḥ)with a restless mouth
- କୁଣ୍ଡଲୀ (kuṇḍalī)wearing earrings
- ମୁଣ୍ଡମାଲକଃ (muṇḍamālakaḥ)with a garland of heads
- ପଦ୍ମାକ୍ଷଃ (padmākṣaḥ)lotus-eyed
- ପଦ୍ମହସ୍ତଃ (padmahastaḥ)lotus-handed
- ଚ (ca)and
- ପଦ୍ମନାଭସମର୍ଚିତଃ (padmanābhasamarcitaḥ)worshipped by Padmanabha
anvaya ଶୁଣ୍ଡାଧାରୀ ତୁଣ୍ଡଚଲଃ କୁଣ୍ଡଲୀ ମୁଣ୍ଡମାଲକଃ ପଦ୍ମାକ୍ଷଃ ପଦ୍ମହସ୍ତଃ ଚ ପଦ୍ମନାଭସମର୍ଚିତଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ମାରଦୋ ଵାରଣୋ ଲୋଲଶ୍ରଵଣଃ ଶୂର୍ପକର୍ଣକଃ ॥ ୯୮॥
- ଉଦ୍ଧୃତାଧରଦନ୍ତାଢ୍ଯଃ (uddhṛtādharadantāḍhyaḥ)graced with a tusk lifted over the lower lip
- ମାଲାଭୂଷଣଭୂଷିତଃ (mālābhūṣaṇabhūṣitaḥ)decked with garlands
- ମାରଦଃ (māradaḥ)giver of love
- ଵାରଣଃ (vāraṇaḥ)the elephant
- ଲୋଲଶ୍ରଵଣଃ (lolaśravaṇaḥ)with swaying ears
- ଶୂର୍ପକର୍ଣକଃ (śūrpakarṇakaḥ)with ears like winnowing fans
anvaya ଉଦ୍ଧୃତାଧରଦନ୍ତାଢ୍ଯଃ ମାଲାଭୂଷଣଭୂଷିତଃ ମାରଦଃ ଵାରଣଃ ଲୋଲଶ୍ରଵଣଃ ଶୂର୍ପକର୍ଣକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ରତ୍ନମଣ୍ଡଲମଧ୍ଯସ୍ଥଃ କୃଶାନୁରୂପଶୀଲକଃ ॥ ୯୯॥
- ବୃହଦୁଲ୍ଲାସନାସାଢ୍ଯଃ (bṛhadullāsanāsāḍhyaḥ)with a great and joyful trunk
- ଵ୍ଯାପ୍ତତ୍ରୈଲୋକ୍ଯମଣ୍ଡଲଃ (vyāptatrailokyamaṇḍalaḥ)filling the round of the three worlds
- ରତ୍ନମଣ୍ଡଲମଧ୍ଯସ୍ଥଃ (ratnamaṇḍalamadhyasthaḥ)standing in the middle of a circle of jewels
- କୃଶାନୁରୂପଶୀଲକଃ (kṛśānurūpaśīlakaḥ)like fire in form and in nature
anvaya ବୃହଦୁଲ୍ଲାସନାସାଢ୍ଯଃ ଵ୍ଯାପ୍ତତ୍ରୈଲୋକ୍ଯମଣ୍ଡଲଃ ରତ୍ନମଣ୍ଡଲମଧ୍ଯସ୍ଥଃ କୃଶାନୁରୂପଶୀଲକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note From here the names grow long. Each of the next several is a single compound that fills half a verse and paints one picture.
ବୃହଦାସ୍ଯରଵାକ୍ରାନ୍ତଭୀତବ୍ରହ୍ମାଣ୍ଡଭାଣ୍ଡକଃ ॥ ୧୦୦॥
- ବୃହତ୍କର୍ଣାଞ୍ଚଲୋଦ୍ଭୂତଵାଯୁଵୀଜିତଦିକ୍ତଟଃ (bṛhatkarṇāñcalodbhūtavāyuvījitadiktaṭaḥ)whose great ears fan the edges of the sky
- ବୃହଦାସ୍ଯରଵାକ୍ରାନ୍ତଭୀତବ୍ରହ୍ମାଣ୍ଡଭାଣ୍ଡକଃ (bṛhadāsyaravākrāntabhītabrahmāṇḍabhāṇḍakaḥ)at whose great roar the world-egg shakes like a pot
anvaya ବୃହତ୍କର୍ଣାଞ୍ଚଲୋଦ୍ଭୂତଵାଯୁଵୀଜିତଦିକ୍ତଟଃ ବୃହଦାସ୍ଯରଵାକ୍ରାନ୍ତଭୀତବ୍ରହ୍ମାଣ୍ଡଭାଣ୍ଡକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ବୃହଦ୍ଦନ୍ତକୃତାତ୍ଯୁଗ୍ରରଣାନନ୍ଦରସାଲସଃ ॥ ୧୦୧॥
- ବୃହତ୍ପାଦସମାକ୍ରାନ୍ତସପ୍ତପାତାଲଦୀପିତଃ (bṛhatpādasamākrāntasaptapātāladīpitaḥ)who lights the seven underworlds where his great feet tread
- ବୃହଦ୍ଦନ୍ତକୃତାତ୍ଯୁଗ୍ରରଣାନନ୍ଦରସାଲସଃ (bṛhaddantakṛtātyugraraṇānandarasālasaḥ)languid with delight after fierce battles fought with his tusk
anvaya ବୃହତ୍ପାଦସମାକ୍ରାନ୍ତସପ୍ତପାତାଲଦୀପିତଃ ବୃହଦ୍ଦନ୍ତକୃତାତ୍ଯୁଗ୍ରରଣାନନ୍ଦରସାଲସଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ସ୍ଫୂରତ୍ସିନ୍ଦୂରଵଦନଃ ସ୍ଫୁରତ୍ତେଜୋଽଗ୍ନିଲୋଚନଃ ॥ ୧୦୨॥
- ବୃହଦ୍ଧସ୍ତଧୃତାଶେଷାଯୁଧନିର୍ଜିତଦାନଵଃ (bṛhaddhastadhṛtāśeṣāyudhanirjitadānavaḥ)who beat the demons with all the weapons in his great hands
- ସ୍ଫୂରତ୍ସିନ୍ଦୂରଵଦନଃ (sphūratsindūravadanaḥ)with a face aglow with vermilion
- ସ୍ଫୁରତ୍ତେଜୋଽଗ୍ନିଲୋଚନଃ (sphurattejo'gnilocanaḥ)with eyes of fire flashing light
anvaya ବୃହଦ୍ଧସ୍ତଧୃତାଶେଷାଯୁଧନିର୍ଜିତଦାନଵଃ ସ୍ଫୂରତ୍ସିନ୍ଦୂରଵଦନଃ ସ୍ଫୁରତ୍ତେଜୋଽଗ୍ନିଲୋଚନଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଚଲତ୍ତୋଯପ୍ରଵାହାଢ୍ଯୋ ନଦୀଜଲକଣାକରଃ ॥ ୧୦୩॥
- ଉଦ୍ଦୀପିତମଣିସ୍ଫୂର୍ଜନ୍ନୂପୁରଧ୍ଵନିନାଦିତଃ (uddīpitamaṇisphūrjannūpuradhvanināditaḥ)ringing with the sound of anklets whose jewels flash and blaze
- ଚଲତ୍ତୋଯପ୍ରଵାହାଢ୍ଯଃ (calattoyapravāhāḍhyaḥ)rich with running streams of water
- ନଦୀଜଲକଣାକରଃ (nadījalakaṇākaraḥ)a mine of the drops of rivers
anvaya ଉଦ୍ଦୀପିତମଣିସ୍ଫୂର୍ଜନ୍ନୂପୁରଧ୍ଵନିନାଦିତଃ ଚଲତ୍ତୋଯପ୍ରଵାହାଢ୍ଯଃ ନଦୀଜଲକଣାକରଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ବ୍ରହ୍ମାଚ୍ଯୁତମହାରୁଦ୍ରପୁରସ୍ସରସୁରାର୍ଚିତଃ ॥ ୧୦୪॥
- ଭ୍ରମତ୍କୁଞ୍ଜରସଙ୍ଘାତଵନ୍ଦିତାଙ୍ଘ୍ରିସରୋରୁହଃ (bhramatkuñjarasaṅghātavanditāṅghrisaroruhaḥ)whose lotus feet herds of roaming elephants worship
- ବ୍ରହ୍ମାଚ୍ଯୁତମହାରୁଦ୍ରପୁରସ୍ସରସୁରାର୍ଚିତଃ (brahmācyutamahārudrapurassarasurārcitaḥ)worshipped by the gods led by Brahma, Achyuta and Maharudra
anvaya ଭ୍ରମତ୍କୁଞ୍ଜରସଙ୍ଘାତଵନ୍ଦିତାଙ୍ଘ୍ରିସରୋରୁହଃ ବ୍ରହ୍ମାଚ୍ଯୁତମହାରୁଦ୍ରପୁରସ୍ସରସୁରାର୍ଚିତଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଗର୍ଜତ୍ପଞ୍ଚାନନାରାଵଵ୍ଯାପ୍ତାକାଶଧରାତଲଃ ॥ ୧୦୫॥
- ଅଶେଷଶେଷପ୍ରଭୃତିଵ୍ଯାଲଜାଲୋପସେଵିତଃ (aśeṣaśeṣaprabhṛtivyālajālopasevitaḥ)served by the whole tangle of serpents, Shesha first among them
- ଗର୍ଜତ୍ପଞ୍ଚାନନାରାଵଵ୍ଯାପ୍ତାକାଶଧରାତଲଃ (garjatpañcānanārāvavyāptākāśadharātalaḥ)filling sky and earth with a roar like a lion's
anvaya ଅଶେଷଶେଷପ୍ରଭୃତିଵ୍ଯାଲଜାଲୋପସେଵିତଃ ଗର୍ଜତ୍ପଞ୍ଚାନନାରାଵଵ୍ଯାପ୍ତାକାଶଧରାତଲଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ପଞ୍ଚାଶଦ୍ଵର୍ଣବୀଜାଖ୍ଯମନ୍ତ୍ରମନ୍ତ୍ରିତଵିଗ୍ରହଃ ॥ ୧୦୬॥
- ହାହାହୂହୂଗତାତ୍ଯୁଗ୍ରସ୍ଵରଵିଭ୍ରାନ୍ତମାନସଃ (hāhāhūhūgatātyugrasvaravibhrāntamānasaḥ)whose mind is carried off by the fierce voices of Haha and Huhu
- ପଞ୍ଚାଶଦ୍ଵର୍ଣବୀଜାଖ୍ଯମନ୍ତ୍ରମନ୍ତ୍ରିତଵିଗ୍ରହଃ (pañcāśadvarṇabījākhyamantramantritavigrahaḥ)whose body is charged with the mantra of the fifty letter-seeds
anvaya ହାହାହୂହୂଗତାତ୍ଯୁଗ୍ରସ୍ଵରଵିଭ୍ରାନ୍ତମାନସଃ ପଞ୍ଚାଶଦ୍ଵର୍ଣବୀଜାଖ୍ଯମନ୍ତ୍ରମନ୍ତ୍ରିତଵିଗ୍ରହଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ହାହା, ହୂହୂ Haha and Huhu — Two gandharva singers of heaven, famous for their voices.
ଶଙ୍ଖଧ୍ଵନିସମାକ୍ରାନ୍ତପାତାଲାଦିନଭସ୍ତଲଃ ॥ ୧୦୭॥
- ଵେଦାନ୍ତଶାସ୍ତ୍ରପୀଯୂଷଧାରାଽଽପ୍ଲାଵିତଭୂତଲଃ (vedāntaśāstrapīyūṣadhārā''plāvitabhūtalaḥ)who floods the earth with streams of the nectar of Vedanta
- ଶଙ୍ଖଧ୍ଵନିସମାକ୍ରାନ୍ତପାତାଲାଦିନଭସ୍ତଲଃ (śaṅkhadhvanisamākrāntapātālādinabhastalaḥ)who fills the underworlds and the sky with the sound of the conch
anvaya ଵେଦାନ୍ତଶାସ୍ତ୍ରପୀଯୂଷଧାରାଽଽପ୍ଲାଵିତଭୂତଲଃ ଶଙ୍ଖଧ୍ଵନିସମାକ୍ରାନ୍ତପାତାଲାଦିନଭସ୍ତଲଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
କୃତତ୍ରେତାଯୁଗୋଲ୍ଲାସଭାସମାନଜଗତ୍ତ୍ରଯଃ ॥ ୧୦୮॥
- ଚିନ୍ତାମଣିଃ (cintāmaṇiḥ)the wishing jewel
- ମହାମଲ୍ଲଃ (mahāmallaḥ)the great wrestler
- ବଲ୍ଲହସ୍ତଃ (ballahastaḥ)with a spear in hand
- ବଲିଃ (baliḥ)strong
- କଵିଃ (kaviḥ)the poet
- କୃତତ୍ରେତାଯୁଗୋଲ୍ଲାସଭାସମାନଜଗତ୍ତ୍ରଯଃ (kṛtatretāyugollāsabhāsamānajagattrayaḥ)through whom the three worlds shine with the gladness of the Krita and Treta ages
anvaya ଚିନ୍ତାମଣିଃ ମହାମଲ୍ଲଃ ବଲ୍ଲହସ୍ତଃ ବଲିଃ କଵିଃ କୃତତ୍ରେତାଯୁଗୋଲ୍ଲାସଭାସମାନଜଗତ୍ତ୍ରଯଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ସୁଧାଽଽସିକ୍ତଵପୁର୍ଵ୍ଯାସୋ ବ୍ରହ୍ମାଣ୍ଡାଦିକବାହୁକଃ ॥ ୧୦୯॥
- ଦ୍ଵାପରଃ (dvāparaḥ)the Dvapara age
- ପରଲୋକୈକଃ (paralokaikaḥ)the one refuge of the world beyond
- କର୍ମଧ୍ଵାନ୍ତସୁଧାକରଃ (karmadhvāntasudhākaraḥ)the moon that lights the darkness of karma
- ସୁଧାଽଽସିକ୍ତଵପୁଃ (sudhā''siktavapuḥ)whose body is sprinkled with nectar
- ଵ୍ଯାସଃ (vyāsaḥ)Vyasa
- ବ୍ରହ୍ମାଣ୍ଡାଦିକବାହୁକଃ (brahmāṇḍādikabāhukaḥ)whose arms reach round the world-egg and all it holds
anvaya ଦ୍ଵାପରଃ ପରଲୋକୈକଃ କର୍ମଧ୍ଵାନ୍ତସୁଧାକରଃ ସୁଧାଽଽସିକ୍ତଵପୁଃ ଵ୍ଯାସଃ ବ୍ରହ୍ମାଣ୍ଡାଦିକବାହୁକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note After the Krita and Treta ages in the previous verse, this one names the Dvapara, the third of the four.
ଅକାରାକାରପ୍ରୋଦ୍ଗୀତତାନନାଦନିନାଦିତଃ ॥ ୧୧୦॥
- ଅକାରାଦିକ୍ଷକାରାନ୍ତଵର୍ଣପଙ୍କ୍ତିସମୁଜ୍ଜ୍ଵଲଃ (akārādikṣakārāntavarṇapaṅktisamujjvalaḥ)bright with the row of letters from a to ksha
- ଅକାରାକାରପ୍ରୋଦ୍ଗୀତତାନନାଦନିନାଦିତଃ (akārākāraprodgītatānanādanināditaḥ)ringing with notes sung out on a and on ā
anvaya ଅକାରାଦିକ୍ଷକାରାନ୍ତଵର୍ଣପଙ୍କ୍ତିସମୁଜ୍ଜ୍ଵଲଃ ଅକାରାକାରପ୍ରୋଦ୍ଗୀତତାନନାଦନିନାଦିତଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଅକ୍ଷମାଲା the garland of letters — The fifty letters from a to kṣa, counted in tantra as the body of sound itself. Each of the next twenty verses takes the letters in order.
note These names make a garland of the alphabet: each half verse works in the next letter, from a to kṣa. The letter is often what shapes the image, so the sense can be strained.
ଉକାରୋକାରପ୍ରୋଦ୍ଗାରିଘୋରନାଗୋପଵୀତକଃ ॥ ୧୧୧॥
- ଇକାରେକାରମତ୍ରାଢ୍ଯମାଲାଭ୍ରମଣଲାଲସଃ (ikārekāramatrāḍhyamālābhramaṇalālasaḥ)eager to turn a rosary rich with the measures of i and ī
- ଉକାରୋକାରପ୍ରୋଦ୍ଗାରିଘୋରନାଗୋପଵୀତକଃ (ukārokāraprodgārighoranāgopavītakaḥ)whose sacred thread is a fearsome serpent breathing out u and ū
anvaya ଇକାରେକାରମତ୍ରାଢ୍ଯମାଲାଭ୍ରମଣଲାଲସଃ ଉକାରୋକାରପ୍ରୋଦ୍ଗାରିଘୋରନାଗୋପଵୀତକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଲୃକାରଯୁତଲୄକାରଶଙ୍ଖପୂର୍ଣଦିଗନ୍ତରଃ ॥ ୧୧୨॥
- ଋଵର୍ଣାଙ୍କିତୠକାରିପଦ୍ମଦ୍ଵଯସମୁଜ୍ଜ୍ଵଲଃ (ṛvarṇāṅkitaṝkāripadmadvayasamujjvalaḥ)bright with a pair of lotuses marked with ṛ and ṝ
- ଲୃକାରଯୁତଲୄକାରଶଙ୍ଖପୂର୍ଣଦିଗନ୍ତରଃ (lṛkārayutalṝkāraśaṅkhapūrṇadigantaraḥ)who fills the space between the quarters with a conch sounding ḷ and ḹ
anvaya ଋଵର୍ଣାଙ୍କିତୠକାରିପଦ୍ମଦ୍ଵଯସମୁଜ୍ଜ୍ଵଲଃ ଲୃକାରଯୁତଲୄକାରଶଙ୍ଖପୂର୍ଣଦିଗନ୍ତରଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଓକାରୌକାରଵିଶ୍ଵାଦିକୃତସୃଷ୍ଟିକ୍ରମାଲସଃ ॥ ୧୧୩॥
- ଏକାରୈକକାରଗିରିଜାସ୍ତନପାନଵିଚକ୍ଷଣଃ (ekāraikakāragirijāstanapānavicakṣaṇaḥ)well practised at drinking at Girija's breast, with e and ai
- ଓକାରୌକାରଵିଶ୍ଵାଦିକୃତସୃଷ୍ଟିକ୍ରମାଲସଃ (okāraukāraviśvādikṛtasṛṣṭikramālasaḥ)unhurried in the order of the creation he made, with o and au
anvaya ଏକାରୈକକାରଗିରିଜାସ୍ତନପାନଵିଚକ୍ଷଣଃ ଓକାରୌକାରଵିଶ୍ଵାଦିକୃତସୃଷ୍ଟିକ୍ରମାଲସଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
କର୍ଣତାଲକୃତାତ୍ଯୁଚ୍ଚୈର୍ଵାଯୁଵୀଜିତନିର୍ଜରଃ ॥ ୧୧୪॥
- ଅଂଅଃଵର୍ଣାଵଲୀଵ୍ଯାପ୍ତପାଦାଦିଶୀର୍ଷମଣ୍ଡଲଃ (aṃaḥvarṇāvalīvyāptapādādiśīrṣamaṇḍalaḥ)whose body from feet to crown is filled with the letters aṃ and aḥ
- କର୍ଣତାଲକୃତାତ୍ଯୁଚ୍ଚୈର୍ଵାଯୁଵୀଜିତନିର୍ଜରଃ (karṇatālakṛtātyuccairvāyuvījitanirjaraḥ)who fans the gods with the high wind made by the flapping of his ears
anvaya ଅଂଅଃଵର୍ଣାଵଲୀଵ୍ଯାପ୍ତପାଦାଦିଶୀର୍ଷମଣ୍ଡଲଃ କର୍ଣତାଲକୃତାତ୍ଯୁଚ୍ଚୈର୍ଵାଯୁଵୀଜିତନିର୍ଜରଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note With the vowels done, the second line begins the consonants, ka for karṇa, the ear.
ଗର୍ଵିତାଶେଷଗନ୍ଧର୍ଵଗୀତତତ୍ପରଶ୍ରୋତ୍ରକଃ ॥ ୧୧୫॥
- ଖଗେଶଧ୍ଵଜରତ୍ନାଙ୍କକିରୀଟାରୁଣପାଦକଃ (khageśadhvajaratnāṅkakirīṭāruṇapādakaḥ)whose feet are reddened by the jewelled crown of the god with Garuda on his banner
- ଗର୍ଵିତାଶେଷଗନ୍ଧର୍ଵଗୀତତତ୍ପରଶ୍ରୋତ୍ରକଃ (garvitāśeṣagandharvagītatatparaśrotrakaḥ)whose ears are bent on the songs of all the proud gandharvas
anvaya ଖଗେଶଧ୍ଵଜରତ୍ନାଙ୍କକିରୀଟାରୁଣପାଦକଃ ଗର୍ଵିତାଶେଷଗନ୍ଧର୍ଵଗୀତତତ୍ପରଶ୍ରୋତ୍ରକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଙଵର୍ଣାମୃତଧାରାଢ୍ଯଶୋଭମାନୈକଦନ୍ତକଃ ॥ ୧୧୬॥
- ଘନଵାହନଵାଗୀଶପୁରସ୍ସରସୁରାର୍ଚିତଃ (ghanavāhanavāgīśapurassarasurārcitaḥ)worshipped by the gods, with Indra and the lord of speech before them
- ଙଵର୍ଣାମୃତଧାରାଢ୍ଯଶୋଭମାନୈକଦନ୍ତକଃ (ṅavarṇāmṛtadhārāḍhyaśobhamānaikadantakaḥ)whose single tusk shines with a stream of nectar that is the letter ṅa
anvaya ଘନଵାହନଵାଗୀଶପୁରସ୍ସରସୁରାର୍ଚିତଃ ଙଵର୍ଣାମୃତଧାରାଢ୍ଯଶୋଭମାନୈକଦନ୍ତକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଛତ୍ରଚାମରରତ୍ନାଢ୍ଯମୁକୁଟାଲଙ୍କୃତାନନଃ ॥ ୧୧୭॥
- ଚନ୍ଦ୍ରକୁଙ୍କୁମଜମ୍ବାଲଲିପ୍ତସିନ୍ଦୂରଵିଗ୍ରହଃ (candrakuṅkumajambālaliptasindūravigrahaḥ)whose vermilion body is smeared with a paste of camphor and saffron
- ଛତ୍ରଚାମରରତ୍ନାଢ୍ଯମୁକୁଟାଲଙ୍କୃତାନନଃ (chatracāmararatnāḍhyamukuṭālaṅkṛtānanaḥ)whose face is set off by a jewelled crown, with parasol and fly-whisk
anvaya ଚନ୍ଦ୍ରକୁଙ୍କୁମଜମ୍ବାଲଲିପ୍ତସିନ୍ଦୂରଵିଗ୍ରହଃ ଛତ୍ରଚାମରରତ୍ନାଢ୍ଯମୁକୁଟାଲଙ୍କୃତାନନଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଝଙ୍କାରିମଧୁପଵ୍ରାତଗାନନାଦଵିନାଦିତଃ ॥ ୧୧୮॥
- ଜଟାବଦ୍ଧମହାନର୍ଘମଣିପଙ୍କ୍ତିଵିରାଜିତଃ (jaṭābaddhamahānarghamaṇipaṅktivirājitaḥ)shining with a row of priceless gems bound into his matted hair
- ଝଙ୍କାରିମଧୁପଵ୍ରାତଗାନନାଦଵିନାଦିତଃ (jhaṅkārimadhupavrātagānanādavināditaḥ)loud with the song of swarms of humming bees
anvaya ଜଟାବଦ୍ଧମହାନର୍ଘମଣିପଙ୍କ୍ତିଵିରାଜିତଃ ଝଙ୍କାରିମଧୁପଵ୍ରାତଗାନନାଦଵିନାଦିତଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଟକାରାଖ୍ଯାଫଲାସ୍ଵାଦଵେପିତାଶେଷମୂର୍ଧଜଃ ॥ ୧୧୯॥
- ଞଵର୍ଣକୃତସଂହାରଦୈତ୍ଯାସୃକ୍ପର୍ଣମୁଦ୍ଗରଃ (ñavarṇakṛtasaṃhāradaityāsṛkparṇamudgaraḥ)whose hammer is leafed with the blood of the demons slain by the letter ña
- ଟକାରାଖ୍ଯାଫଲାସ୍ଵାଦଵେପିତାଶେଷମୂର୍ଧଜଃ (ṭakārākhyāphalāsvādavepitāśeṣamūrdhajaḥ)whose hair stands on end at the taste of the fruit called ṭa
anvaya ଞଵର୍ଣକୃତସଂହାରଦୈତ୍ଯାସୃକ୍ପର୍ଣମୁଦ୍ଗରଃ ଟକାରାଖ୍ଯାଫଲାସ୍ଵାଦଵେପିତାଶେଷମୂର୍ଧଜଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note These two names are forced into shape by the letters they must carry, ña and ṭa, which begin almost no Sanskrit words; the images they make are not found elsewhere.
ଣଵର୍ଣାମୃତପୀଯୂଷଧାରାଧାରସୁଧାକରଃ ॥ ୧୨୦॥
- ଠକାରାଦ୍ଯଡକାରାଙ୍କଢକାରାନନ୍ଦତୋଷିତଃ (ṭhakārādyaḍakārāṅkaḍhakārānandatoṣitaḥ)pleased with the joy of ḍha, marked with ṭha and ḍa
- ଣଵର୍ଣାମୃତପୀଯୂଷଧାରାଧାରସୁଧାକରଃ (ṇavarṇāmṛtapīyūṣadhārādhārasudhākaraḥ)the moon that holds the stream of nectar that is the letter ṇa
anvaya ଠକାରାଦ୍ଯଡକାରାଙ୍କଢକାରାନନ୍ଦତୋଷିତଃ ଣଵର୍ଣାମୃତପୀଯୂଷଧାରାଧାରସୁଧାକରଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଥକାରଧନପଙ୍କ୍ତ୍ଯାତିସନ୍ତୋଷିତାଦ୍ଵିଜଵ୍ରଜଃ ॥ ୧୨୧॥
- ତାମ୍ରସିନ୍ଦୂରପୂଜାଢ୍ଯଲଲାଟଫଲକଚ୍ଛଵିଃ (tāmrasindūrapūjāḍhyalalāṭaphalakacchaviḥ)the slab of whose brow shines with the worship of copper-red vermilion
- ଥକାରଧନପଙ୍କ୍ତ୍ଯାତିସନ୍ତୋଷିତାଦ୍ଵିଜଵ୍ରଜଃ (thakāradhanapaṅktyātisantoṣitādvijavrajaḥ)who delights the crowds of the twice-born with rows of riches marked with tha
anvaya ତାମ୍ରସିନ୍ଦୂରପୂଜାଢ୍ଯଲଲାଟଫଲକଚ୍ଛଵିଃ ଥକାରଧନପଙ୍କ୍ତ୍ଯାତିସନ୍ତୋଷିତାଦ୍ଵିଜଵ୍ରଜଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଧନଦାଦିମହାଯକ୍ଷସଂସେଵିତପଦାମ୍ବୁଜଃ ॥ ୧୨୨॥
- ଦଯାମୃତହୃଦମ୍ଭୋଜଧୃତତ୍ରୈଲୋକ୍ଯମଣ୍ଡଲଃ (dayāmṛtahṛdambhojadhṛtatrailokyamaṇḍalaḥ)who holds the three worlds in his heart-lotus full of the nectar of mercy
- ଧନଦାଦିମହାଯକ୍ଷସଂସେଵିତପଦାମ୍ବୁଜଃ (dhanadādimahāyakṣasaṃsevitapadāmbujaḥ)whose lotus feet are waited on by Kubera and the great yakshas
anvaya ଦଯାମୃତହୃଦମ୍ଭୋଜଧୃତତ୍ରୈଲୋକ୍ଯମଣ୍ଡଲଃ ଧନଦାଦିମହାଯକ୍ଷସଂସେଵିତପଦାମ୍ବୁଜଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ପରଵର୍ଗାପଵର୍ଗାଦିଭୋଗେଚ୍ଛେଦନଦକ୍ଷକଃ ॥ ୧୨୩॥
- ନମିତାଶେଷଦେଵୌଘକିରୀଟମଣିରଞ୍ଜିତଃ (namitāśeṣadevaughakirīṭamaṇirañjitaḥ)coloured by the gems in the crowns of all the gods who bow to him
- ପରଵର୍ଗାପଵର୍ଗାଦିଭୋଗେଚ୍ଛେଦନଦକ୍ଷକଃ (paravargāpavargādibhogecchedanadakṣakaḥ)skilled in cutting the craving for pleasures of the other world and of release
anvaya ନମିତାଶେଷଦେଵୌଘକିରୀଟମଣିରଞ୍ଜିତଃ ପରଵର୍ଗାପଵର୍ଗାଦିଭୋଗେଚ୍ଛେଦନଦକ୍ଷକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ବଦ୍ଧଭ୍ରୂଯୁଗଭୀମୋଗ୍ରସନ୍ତର୍ଜିତସୁରାସୁରଃ ॥ ୧୨୪॥
- ଫଣିଚକ୍ରସମାକ୍ରାନ୍ତଗଲମଣ୍ଡଲମଣ୍ଡିତଃ (phaṇicakrasamākrāntagalamaṇḍalamaṇḍitaḥ)whose throat is ringed and adorned with coils of snakes
- ବଦ୍ଧଭ୍ରୂଯୁଗଭୀମୋଗ୍ରସନ୍ତର୍ଜିତସୁରାସୁରଃ (baddhabhrūyugabhīmograsantarjitasurāsuraḥ)who cows gods and demons with the dreadful frown of his knitted brows
anvaya ଫଣିଚକ୍ରସମାକ୍ରାନ୍ତଗଲମଣ୍ଡଲମଣ୍ଡିତଃ ବଦ୍ଧଭ୍ରୂଯୁଗଭୀମୋଗ୍ରସନ୍ତର୍ଜିତସୁରାସୁରଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ମଦିରାକଲଶସ୍ଫୀତକରାଲୈକକରାମ୍ବୁଜଃ ॥ ୧୨୫॥
- ଭଵାନୀହୃଦଯାନନ୍ଦଵର୍ଦ୍ଧନୈକନିଶାକରଃ (bhavānīhṛdayānandavarddhanaikaniśākaraḥ)the one moon that makes the joy in Bhavani's heart rise
- ମଦିରାକଲଶସ୍ଫୀତକରାଲୈକକରାମ୍ବୁଜଃ (madirākalaśasphītakarālaikakarāmbujaḥ)one of whose lotus hands holds a brimming pitcher of wine
anvaya ଭଵାନୀହୃଦଯାନନ୍ଦଵର୍ଦ୍ଧନୈକନିଶାକରଃ ମଦିରାକଲଶସ୍ଫୀତକରାଲୈକକରାମ୍ବୁଜଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ମଦିରାକଲଶ a pitcher of wine — In his dhyana Ucchishta Ganapati holds a vessel of wine in one hand; it is part of the fixed image of this form.
ରତ୍ନାକରସୁତାକାନ୍ତିକ୍ରାନ୍ତିକୀର୍ତିଵିଵର୍ଧନଃ ॥ ୧୨୬॥
- ଯଜ୍ଞାନ୍ତରାଯସଙ୍ଘାତସଜ୍ଜୀକୃତଵରାଯୁଧଃ (yajñāntarāyasaṅghātasajjīkṛtavarāyudhaḥ)whose weapon is held ready against all that hinders a sacrifice
- ରତ୍ନାକରସୁତାକାନ୍ତିକ୍ରାନ୍ତିକୀର୍ତିଵିଵର୍ଧନଃ (ratnākarasutākāntikrāntikīrtivivardhanaḥ)who makes the beauty, reach and fame of Lakshmi, the ocean's daughter, grow
anvaya ଯଜ୍ଞାନ୍ତରାଯସଙ୍ଘାତସଜ୍ଜୀକୃତଵରାଯୁଧଃ ରତ୍ନାକରସୁତାକାନ୍ତିକ୍ରାନ୍ତିକୀର୍ତିଵିଵର୍ଧନଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଵରୁଣାଦିଦିଗୀଶାନସ୍ଵର୍ଚିତାର୍ଚନଚର୍ଚିତଃ ॥ ୧୨୭॥
- ଲମ୍ବୋଦରମହାଭୀମଵପୁର୍ଦୀପ୍ତକୃତାସୁରଃ (lambodaramahābhīmavapurdīptakṛtāsuraḥ)Lambodara, whose huge blazing body has made an end of the demons
- ଵରୁଣାଦିଦିଗୀଶାନସ୍ଵର୍ଚିତାର୍ଚନଚର୍ଚିତଃ (varuṇādidigīśānasvarcitārcanacarcitaḥ)honoured with worship duly offered by Varuna and the lords of the quarters
anvaya ଲମ୍ବୋଦରମହାଭୀମଵପୁର୍ଦୀପ୍ତକୃତାସୁରଃ ଵରୁଣାଦିଦିଗୀଶାନସ୍ଵର୍ଚିତାର୍ଚନଚର୍ଚିତଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଷୋଡଶସ୍ଵରିତାଲାପଗୀତଗାନଵିଚକ୍ଷଣଃ ॥ ୧୨୮॥
- ଶଙ୍କରୈକପ୍ରିଯପ୍ରେମନଯନାନ୍ଦଵର୍ଦ୍ଧନଃ (śaṅkaraikapriyapremanayanāndavarddhanaḥ)who makes the joy grow in the loving eyes of Shankara's one beloved
- ଷୋଡଶସ୍ଵରିତାଲାପଗୀତଗାନଵିଚକ୍ଷଣଃ (ṣoḍaśasvaritālāpagītagānavicakṣaṇaḥ)skilled in songs sung to the sixteen vowels
anvaya ଶଙ୍କରୈକପ୍ରିଯପ୍ରେମନଯନାନ୍ଦଵର୍ଦ୍ଧନଃ ଷୋଡଶସ୍ଵରିତାଲାପଗୀତଗାନଵିଚକ୍ଷଣଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note Nayanānda in the first name is printed for nayanānanda, joy of the eyes.
ହରାଦିବ୍ରହ୍ମଵୈକୁଣ୍ଠବ୍ରହ୍ମଗୀତାଦିପାଠକଃ ॥ ୧୨୯॥
- ସମସ୍ତଦୁର୍ଗତିସରିନ୍ନାଥୋତ୍ତାରଣକୋଡୁପଃ (samastadurgatisarinnāthottāraṇakoḍupaḥ)the raft that carries men across the ocean of every misfortune
- ହରାଦିବ୍ରହ୍ମଵୈକୁଣ୍ଠବ୍ରହ୍ମଗୀତାଦିପାଠକଃ (harādibrahmavaikuṇṭhabrahmagītādipāṭhakaḥ)who recites the songs of brahman sung by Hara, Brahma, Vaikuntha and the rest
anvaya ସମସ୍ତଦୁର୍ଗତିସରିନ୍ନାଥୋତ୍ତାରଣକୋଡୁପଃ ହରାଦିବ୍ରହ୍ମଵୈକୁଣ୍ଠବ୍ରହ୍ମଗୀତାଦିପାଠକଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ତାରାଙ୍କମନ୍ତ୍ରଵର୍ଣୈକଵିଗ୍ରହୋଜ୍ଜ୍ଵଲଵିଗ୍ରହଃ ॥ ୧୩୦॥
- କ୍ଷମାପୂରିତହୃତ୍ପଦ୍ମସଂରକ୍ଷିତଚରାଚରଃ (kṣamāpūritahṛtpadmasaṃrakṣitacarācaraḥ)who guards all that moves and stands still from a heart filled with forbearance
- ତାରାଙ୍କମନ୍ତ୍ରଵର୍ଣୈକଵିଗ୍ରହୋଜ୍ଜ୍ଵଲଵିଗ୍ରହଃ (tārāṅkamantravarṇaikavigrahojjvalavigrahaḥ)whose body shines as the one body of the letters of the mantra marked with Om
anvaya କ୍ଷମାପୂରିତହୃତ୍ପଦ୍ମସଂରକ୍ଷିତଚରାଚରଃ ତାରାଙ୍କମନ୍ତ୍ରଵର୍ଣୈକଵିଗ୍ରହୋଜ୍ଜ୍ଵଲଵିଗ୍ରହଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note With kṣa, the last letter, the garland of the alphabet is complete.
ଓଁ ଶ୍ରୀଵିନାଯକୋ ଓଁ ହ୍ରୀଂ ଵିଘ୍ନାଧ୍ଯକ୍ଷୋ ଗଣାଧିପଃ ॥ ୧୩୧॥
- ଅକାରାଦିକ୍ଷକାରାନ୍ତଵିଦ୍ଯାଭୂଷିତଵିଗ୍ରହଃ (akārādikṣakārāntavidyābhūṣitavigrahaḥ)whose body is adorned with the learning that runs from a to ksha
- ଓଁ (oṃ)Om
- ଶ୍ରୀଵିନାଯକଃ (śrīvināyakaḥ)Shri Vinayaka
- ଓଁ (oṃ)Om
- ହ୍ରୀଂ (hrīṃ)the seed syllable hrim
- ଵିଘ୍ନାଧ୍ଯକ୍ଷଃ (vighnādhyakṣaḥ)overseer of obstacles
- ଗଣାଧିପଃ (gaṇādhipaḥ)lord of the ganas
anvaya ଅକାରାଦିକ୍ଷକାରାନ୍ତଵିଦ୍ଯାଭୂଷିତଵିଗ୍ରହଃ ଓଁ ଶ୍ରୀଵିନାଯକଃ ଓଁ ହ୍ରୀଂ ଵିଘ୍ନାଧ୍ଯକ୍ଷଃ ଗଣାଧିପଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଵେଦାନ୍ତଗୀତୋ ଵିଦ୍ଯାର୍ଥିସିଦ୍ଧମନ୍ତ୍ରଃ ଷଡକ୍ଷରଃ ॥ ୧୩୨॥
- ହେରମ୍ବଃ (herambaḥ)Heramba
- ମୋଦକାହାରଃ (modakāhāraḥ)whose food is modakas
- ଵକ୍ରତୁଣ୍ଡଃ (vakratuṇḍaḥ)curved of trunk
- ଵିଧିଃ (vidhiḥ)the one who ordains
- ସ୍ମୃତଃ (smṛtaḥ)remembered as
- ଵେଦାନ୍ତଗୀତଃ (vedāntagītaḥ)sung in the Vedanta
- ଵିଦ୍ଯାର୍ଥିସିଦ୍ଧମନ୍ତ୍ରଃ (vidyārthisiddhamantraḥ)the mantra that brings students success
- ଷଡକ୍ଷରଃ (ṣaḍakṣaraḥ)the mantra of six syllables
anvaya ହେରମ୍ବଃ ମୋଦକାହାରଃ ଵକ୍ରତୁଣ୍ଡଃ ଵିଧିଃ ସ୍ମୃତଃ ଵେଦାନ୍ତଗୀତଃ ଵିଦ୍ଯାର୍ଥିସିଦ୍ଧମନ୍ତ୍ରଃ ଷଡକ୍ଷରଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଷଡକ୍ଷର the mantra of six syllables — Vakratuṇḍāya hum, the six-syllable mantra of Ganapati.
ସପ୍ତକୋଟିମହାମନ୍ତ୍ରମନ୍ତ୍ରିତାଶେଷଵିଗ୍ରହଃ ॥ ୧୩୩॥
- ଗଣେଶଃ (gaṇeśaḥ)Ganesha
- ଵରଦଃ (varadaḥ)giver of boons
- ଦେଵଃ (devaḥ)the god
- ଦ୍ଵାଦଶାକ୍ଷରମନ୍ତ୍ରିତଃ (dvādaśākṣaramantritaḥ)worshipped with the twelve-syllable mantra
- ସପ୍ତକୋଟିମହାମନ୍ତ୍ରମନ୍ତ୍ରିତାଶେଷଵିଗ୍ରହଃ (saptakoṭimahāmantramantritāśeṣavigrahaḥ)whose whole body is charged with the seven crore great mantras
anvaya ଗଣେଶଃ ଵରଦଃ ଦେଵଃ ଦ୍ଵାଦଶାକ୍ଷରମନ୍ତ୍ରିତଃ ସପ୍ତକୋଟିମହାମନ୍ତ୍ରମନ୍ତ୍ରିତାଶେଷଵିଗ୍ରହଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଓଁ ହ୍ରୀଂ ଶ୍ରୀଂ କ୍ଲୀଂ ଗ୍ଲୌଂ ଗଁ ଦେଵୋ ମହାଗଣପତିଃ ପ୍ରଭୁଃ ॥ ୧୩୪॥
- ଗାଙ୍ଗେଯଃ (gāṅgeyaḥ)son of Ganga
- ଗଣସେଵ୍ଯଃ (gaṇasevyaḥ)served by the ganas
- ଚ (ca)and
- ଓଁ (oṃ)Om
- ଶ୍ରୀଦ୍ଵୈମାତୁରଃ (śrīdvaimāturaḥ)Shri, the one with two mothers
- ଶିଵଃ (śivaḥ)the auspicious
- ଓଁ (oṃ)Om
- ହ୍ରୀଂ (hrīṃ)the seed syllable hrim
- ଶ୍ରୀଂ (śrīṃ)the seed syllable shrim
- କ୍ଲୀଂ (klīṃ)the seed syllable klim
- ଗ୍ଲୌଂ (glauṃ)the seed syllable glaum
- ଗଁ (ga~)the seed syllable gam
- ଦେଵଃ (devaḥ)the god
- ମହାଗଣପତିଃ (mahāgaṇapatiḥ)Mahaganapati
- ପ୍ରଭୁଃ (prabhuḥ)the master
anvaya ଗାଙ୍ଗେଯଃ ଗଣସେଵ୍ଯଃ ଚ ଓଁ ଶ୍ରୀଦ୍ଵୈମାତୁରଃ ଶିଵଃ ଓଁ ହ୍ରୀଂ ଶ୍ରୀଂ କ୍ଲୀଂ ଗ୍ଲୌଂ ଗଁ ଦେଵଃ ମହାଗଣପତିଃ ପ୍ରଭୁଃ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଦ୍ଵୈମାତୁର the one with two mothers — Parvati, who made him, and Ganga, into whose water he was put; both are counted his mothers.
note The thousand names close here with the seed syllables they opened with.
ଗୁହ୍ଯଂ ଗୋପ୍ଯତମଂ ସିଦ୍ଧଂ ସର୍ଵତନ୍ତ୍ରେଷୁ ଗୋପିତମ୍ ॥ ୧୩୫॥
- ଇଦମ୍ (idam)this
- ନାମସହସ୍ରମ୍ (nāmasahasram)the thousand names
- ତୁ (tu)indeed
- ମହାଗଣପତେଃ (mahāgaṇapateḥ)of Mahaganapati
- ସ୍ମୃତମ୍ (smṛtam)is taught as
- ଗୁହ୍ଯମ୍ (guhyam)secret
- ଗୋପ୍ଯତମମ୍ (gopyatamam)to be guarded above all
- ସିଦ୍ଧମ୍ (siddham)proven in practice
- ସର୍ଵତନ୍ତ୍ରେଷୁ (sarvatantreṣu)in every tantra
- ଗୋପିତମ୍ (gopitam)kept hidden
anvaya ଇଦମ୍ ତୁ ମହାଗଣପତେଃ ନାମସହସ୍ରମ୍ ସ୍ମୃତମ୍ ଗୁହ୍ଯମ୍ ଗୋପ୍ଯତମମ୍ ସିଦ୍ଧମ୍ ସର୍ଵତନ୍ତ୍ରେଷୁ ଗୋପିତମ୍
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଗ୍ରହତାରାମଯଂ ରାଶିଵର୍ଣପଙ୍କ୍ତିସମନ୍ଵିତମ୍ ॥ ୧୩୬॥
- ସର୍ଵମନ୍ତ୍ରମଯମ୍ (sarvamantramayam)made of every mantra
- ଦିଵ୍ଯମ୍ (divyam)divine
- ସର୍ଵଵିଘ୍ନଵିନାଶନମ୍ (sarvavighnavināśanam)the destroyer of all obstacles
- ଗ୍ରହତାରାମଯମ୍ (grahatārāmayam)made of the planets and the stars
- ରାଶିଵର୍ଣପଙ୍କ୍ତିସମନ୍ଵିତମ୍ (rāśivarṇapaṅktisamanvitam)holding the signs and the rows of letters
anvaya ସର୍ଵମନ୍ତ୍ରମଯମ୍ ଦିଵ୍ଯମ୍ ସର୍ଵଵିଘ୍ନଵିନାଶନମ୍ ଗ୍ରହତାରାମଯମ୍ ରାଶିଵର୍ଣପଙ୍କ୍ତିସମନ୍ଵିତମ୍
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note The verse looks back over the hymn's plan: the planets, the lunar mansions, the signs, and the garland of letters are all in it.
ଗଣେଶସ୍ଯ ଚ ସର୍ଵସ୍ଵଂ ରହସ୍ଯଂ ତ୍ରିଦିଵୌକସାମ୍ ॥ ୧୩୭॥
- ସର୍ଵାଵିଦ୍ଯାମଯମ୍ (sarvāvidyāmayam)made of all learning
- ବ୍ରହ୍ମସାଧନମ୍ (brahmasādhanam)a means to brahman
- ସାଧକପ୍ରିଯମ୍ (sādhakapriyam)dear to those who practise
- ଗଣେଶସ୍ଯ (gaṇeśasya)of Ganesha
- ଚ (ca)and
- ସର୍ଵସ୍ଵମ୍ (sarvasvam)the whole of his own
- ରହସ୍ଯମ୍ (rahasyam)the secret
- ତ୍ରିଦିଵୌକସାମ୍ (tridivaukasām)of the dwellers in heaven
anvaya ସର୍ଵାଵିଦ୍ଯାମଯମ୍ ବ୍ରହ୍ମସାଧନମ୍ ସାଧକପ୍ରିଯମ୍ ଗଣେଶସ୍ଯ ଚ ସର୍ଵସ୍ଵମ୍ ତ୍ରିଦିଵୌକସାମ୍ ରହସ୍ଯମ୍
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note The printed sarvāvidyāmayam could be read as made of all ignorance; the sense intended is plainly sarvavidyāmayam, made of all learning.
ଅଷ୍ଟସିଦ୍ଧିମଯଂ ଶ୍ରେଷ୍ଠଂ ସାଧକାନାଂ ଜଯପ୍ରଦମ୍ ॥ ୧୩୮॥
- ଯଥେଷ୍ଟଫଲଦମ୍ (yatheṣṭaphaladam)which gives whatever fruit is wanted
- ଲୋକେ (loke)in this world
- ମନୋରଥପ୍ରପୂରଣମ୍ (manorathaprapūraṇam)which fills the heart's wishes
- ଅଷ୍ଟସିଦ୍ଧିମଯମ୍ (aṣṭasiddhimayam)made of the eight powers
- ଶ୍ରେଷ୍ଠମ୍ (śreṣṭham)the best
- ସାଧକାନାମ୍ (sādhakānām)to those who practise
- ଜଯପ୍ରଦମ୍ (jayapradam)which gives victory
anvaya ଲୋକେ ଯଥେଷ୍ଟଫଲଦମ୍ ମନୋରଥପ୍ରପୂରଣମ୍ ଅଷ୍ଟସିଦ୍ଧିମଯମ୍ ଶ୍ରେଷ୍ଠମ୍ ସାଧକାନାମ୍ ଜଯପ୍ରଦମ୍
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଅଣିମାଦ୍ଯଷ୍ଟସିଦ୍ଧୀନାଂ ସାଧନଂ ସ୍ମୃତିମାତ୍ରତଃ ॥ ୧୩୯॥
- ଵିନା (vinā)without
- ଅର୍ଚନମ୍ (arcanam)worship
- ଵିନା (vinā)without
- ହୋମମ୍ (homam)the fire offering
- ଵିନା (vinā)without
- ନ୍ଯାସମ୍ (nyāsam)the placings
- ଵିନା (vinā)without
- ଜପମ୍ (japam)repetition
- ଅଣିମାଦ୍ଯଷ୍ଟସିଦ୍ଧୀନାମ୍ (aṇimādyaṣṭasiddhīnām)of the eight powers that begin with becoming small
- ସାଧନମ୍ (sādhanam)the means
- ସ୍ମୃତିମାତ୍ରତଃ (smṛtimātrataḥ)simply by being remembered
anvaya ଅର୍ଚନମ୍ ଵିନା ହୋମମ୍ ଵିନା ନ୍ଯାସମ୍ ଵିନା ଜପମ୍ ଵିନା ସ୍ମୃତିମାତ୍ରତଃ ଅଣିମାଦ୍ଯଷ୍ଟସିଦ୍ଧୀନାମ୍ ସାଧନମ୍
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଅଷ୍ଟସିଦ୍ଧି the eight powers — Becoming minute, vast, light and heavy; reaching anything; getting any wish; mastery; and control over others.
ଲିଖେଦ୍ଭୂର୍ଜେ ମହାଦେଵି ! ପୁଣ୍ଯଂ ନାମସହସ୍ରକମ୍ ॥ ୧୪୦॥
- ଚତୁର୍ଥ୍ଯାମ୍ (caturthyām)on the fourth day
- ଅର୍ଧରାତ୍ରେ (ardharātre)at midnight
- ତୁ (tu)indeed
- ପଠେତ୍ (paṭhet)should recite
- ମନ୍ତ୍ରୀ (mantrī)the one who holds the mantra
- ଚତୁଷ୍ପଥେ (catuṣpathe)at a crossroads
- ଲିଖେତ୍ (likhet)should write
- ଭୂର୍ଜେ (bhūrje)on birch bark
- ମହାଦେଵି (mahādevi)great goddess
- ପୁଣ୍ଯମ୍ (puṇyam)holy
- ନାମସହସ୍ରକମ୍ (nāmasahasrakam)the thousand names
anvaya ମହାଦେଵି ମନ୍ତ୍ରୀ ଚତୁର୍ଥ୍ଯାମ୍ ତୁ ଅର୍ଧରାତ୍ରେ ଚତୁଷ୍ପଥେ ପଠେତ୍ ପୁଣ୍ଯମ୍ ନାମସହସ୍ରକମ୍ ଭୂର୍ଜେ ଲିଖେତ୍
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note From here the hymn gives the rites of its use. These are tantric instructions for someone who has received the mantra from a teacher; the names above are what is recited by everyone else.
ଯୋଷିଦ୍ଵାମକରେ ଚୈଵ ପୁରୁଷୋ ଦକ୍ଷିଣେ ଭୁଜେ ॥ ୧୪୧॥
- ଧାରଯେତ୍ (dhārayet)should put on
- ତମ୍ (tam)it
- ଚତୁର୍ଦଶ୍ଯାମ୍ (caturdaśyām)on the fourteenth day
- ମଧ୍ଯାହ୍ନେ (madhyāhne)at noon
- ମୂର୍ଧ୍ନି (mūrdhni)on the head
- ଵା (vā)or
- ଭୁଜେ (bhuje)on the arm
- ଯୋଷିତ୍ (yoṣit)a woman
- ଵାମକରେ (vāmakare)on her left hand
- ଚ (ca)and
- ଏଵ (eva)likewise
- ପୁରୁଷଃ (puruṣaḥ)a man
- ଦକ୍ଷିଣେ (dakṣiṇe)on the right
- ଭୁଜେ (bhuje)arm
anvaya ତମ୍ ଚତୁର୍ଦଶ୍ଯାମ୍ ମଧ୍ଯାହ୍ନେ ମୂର୍ଧ୍ନି ଵା ଭୁଜେ ଧାରଯେତ୍ ଯୋଷିତ୍ ଵାମକରେ ଚ ଏଵ ପୁରୁଷଃ ଦକ୍ଷିଣେ ଭୁଜେ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଵଶଯେଦପି ତ୍ରୈଲୋକ୍ଯଂ ମାରଯେଦଖିଲାନ୍ ରିପୂନ୍ ॥ ୧୪୨॥
- ସ୍ତମ୍ଭଯେତ୍ (stambhayet)could hold still
- ଅପି (api)even
- ବ୍ରହ୍ମାଣମ୍ (brahmāṇam)Brahma
- ମୋହଯେତ୍ (mohayet)could bewilder
- ଅପି (api)even
- ଶଙ୍କରମ୍ (śaṅkaram)Shankara
- ଵଶଯେତ୍ (vaśayet)could bring under his sway
- ଅପି (api)even
- ତ୍ରୈଲୋକ୍ଯମ୍ (trailokyam)the three worlds
- ମାରଯେତ୍ (mārayet)could strike down
- ଅଖିଲାନ୍ (akhilān)every one of
- ରିପୂନ୍ (ripūn)his enemies
anvaya ବ୍ରହ୍ମାଣମ୍ ଅପି ସ୍ତମ୍ଭଯେତ୍ ଶଙ୍କରମ୍ ଅପି ମୋହଯେତ୍ ତ୍ରୈଲୋକ୍ଯମ୍ ଅପି ଵଶଯେତ୍ ଅଖିଲାନ୍ ରିପୂନ୍ ମାରଯେତ୍
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ଷଟ୍କର୍ମ the six acts — Holding still, bewildering, bringing under sway, killing, driving off and pacifying: the six ends the older tantric handbooks list. The claim is that this hymn reaches all of them.
ଵନ୍ଧ୍ଯା ପୁତ୍ରଂ ଲଭେଚ୍ଛୀଘ୍ରଂ ନିର୍ଧନୋ ଧନମାପ୍ନୁଯାତ୍ ॥ ୧୪୩॥
- ଉଚ୍ଚାଟଯେତ୍ (uccāṭayet)could drive off
- ଚ (ca)and
- ଗୀର୍ଵାଣମ୍ (gīrvāṇam)a god
- ଶମଯେତ୍ (śamayet)could quiet
- ଚ (ca)and
- ଧନଞ୍ଜଯମ୍ (dhanañjayam)fire
- ଵନ୍ଧ୍ଯା (vandhyā)a barren woman
- ପୁତ୍ରମ୍ (putram)a son
- ଲଭେତ୍ (labhet)gains
- ଶୀଘ୍ରମ୍ (śīghram)quickly
- ନିର୍ଧନଃ (nirdhanaḥ)a poor man
- ଧନମ୍ (dhanam)wealth
- ଆପ୍ନୁଯାତ୍ (āpnuyāt)comes by
anvaya ଗୀର୍ଵାଣମ୍ ଚ ଉଚ୍ଚାଟଯେତ୍ ଧନଞ୍ଜଯମ୍ ଚ ଶମଯେତ୍ ଵନ୍ଧ୍ଯା ଶୀଘ୍ରମ୍ ପୁତ୍ରମ୍ ଲଭେତ୍ ନିର୍ଧନଃ ଧନମ୍ ଆପ୍ନୁଯାତ୍
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note In the text labhet and śīghram are joined by sandhi as labhecchīghram.
ନଗ୍ନଃ ଶକ୍ତିଯୁତୋ ଦେଵି ଭୁକ୍ତ୍ଵା ଭୋଗାନ୍ଯଥେପ୍ସିତାନ୍ ॥ ୧୪୪॥
- ତ୍ରିଵାରମ୍ (trivāram)three times
- ଯଃ (yaḥ)the one who
- ପଠେତ୍ (paṭhet)recites
- ରାତ୍ରୌ (rātrau)at night
- ଗଣେଶସ୍ଯ (gaṇeśasya)of Ganesha
- ପୁରଃ (puraḥ)in front
- ଶିଵେ (śive)goddess
- ନଗ୍ନଃ (nagnaḥ)unclothed
- ଶକ୍ତିଯୁତଃ (śaktiyutaḥ)joined with his shakti
- ଦେଵି (devi)goddess
- ଭୁକ୍ତ୍ଵା (bhuktvā)after taking
- ଭୋଗାନ୍ (bhogān)the enjoyments
- ଯଥେପ୍ସିତାନ୍ (yathepsitān)he desires
anvaya ଶିଵେ ଦେଵି ଯଃ ନଗ୍ନଃ ଶକ୍ତିଯୁତଃ ଯଥେପ୍ସିତାନ୍ ଭୋଗାନ୍ ଭୁକ୍ତ୍ଵା ରାତ୍ରୌ ଗଣେଶସ୍ଯ ପୁରଃ ତ୍ରିଵାରମ୍ ପଠେତ୍
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note This is a rite of the left-hand path, done by an initiate with a partner who is herself counted as the goddess. It is recorded here because it is in the text; it is not a practice for general recitation.
ଯ ଇଦଂ ପଠତେ ନାମ୍ନାଂ ସହସ୍ରଂ ଭକ୍ତିପୂର୍ଵକମ୍ ॥ ୧୪୫॥
- ପ୍ରତ୍ଯକ୍ଷଵରଦମ୍ (pratyakṣavaradam)before his eyes, granting boons
- ପଶ୍ଯେତ୍ (paśyet)will see
- ଗଣେଶମ୍ (gaṇeśam)Ganesha
- ସାଧକୋତ୍ତମଃ (sādhakottamaḥ)the best of practitioners
- ଯଃ (yaḥ)whoever
- ଇଦମ୍ (idam)this
- ପଠତେ (paṭhate)recites
- ନାମ୍ନାମ୍ (nāmnām)of names
- ସହସ୍ରମ୍ (sahasram)thousand
- ଭକ୍ତିପୂର୍ଵକମ୍ (bhaktipūrvakam)with devotion
anvaya ସାଧକୋତ୍ତମଃ ପ୍ରତ୍ଯକ୍ଷଵରଦମ୍ ଗଣେଶମ୍ ପଶ୍ଯେତ୍ ଯଃ ଭକ୍ତିପୂର୍ଵକମ୍ ଇଦମ୍ ନାମ୍ନାମ୍ ସହସ୍ରମ୍ ପଠତେ
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
ରଣେ ରାଜମଯେ ଦ୍ଯୂତେ ପଠେନ୍ନାମସହସ୍ରକମ୍ ॥ ୧୪୬॥
- ତସ୍ଯ (tasya)his
- ଵିତ୍ତାଦିଵିଭଵୋଦାରାଯୁଃ (vittādivibhavodārāyuḥ)wealth and splendour, a wife and long life
- ସମ୍ପଦଃ (sampadaḥ)every kind of plenty
- ସଦା (sadā)always
- ରଣେ (raṇe)in battle
- ରାଜମଯେ (rājamaye)before a king
- ଦ୍ଯୂତେ (dyūte)at dice
- ପଠେତ୍ (paṭhet)let him recite
- ନାମସହସ୍ରକମ୍ (nāmasahasrakam)the thousand names
anvaya ତସ୍ଯ ସଦା ଵିତ୍ତାଦିଵିଭଵୋଦାରାଯୁଃ ସମ୍ପଦଃ ରଣେ ରାଜମଯେ ଦ୍ଯୂତେ ନାମସହସ୍ରକମ୍ ପଠେତ୍
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
- ସର୍ଵତ୍ର (sarvatra)everywhere
- ଜଯମ୍ (jayam)victory
- ଆପ୍ନୋତି (āpnoti)he wins
- ଗଣେଶସ୍ଯ (gaṇeśasya)of Ganesha
- ପ୍ରସାଦତଃ (prasādataḥ)by the grace
anvaya ଗଣେଶସ୍ଯ ପ୍ରସାଦତଃ ସର୍ଵତ୍ର ଜଯମ୍ ଆପ୍ନୋତି
chandas Anuṣṭubh (śloka), a half verse
ମହାଗଣପତେଃ ପୁଣ୍ଯଂ ଗୋପନୀଯଂ ସ୍ଵଯୋନିଵତ୍ ॥ ୧୪୭॥
- ଇତି (iti)so
- ଇଦମ୍ (idam)this
- ପୁଣ୍ଯସର୍ଵସ୍ଵମ୍ (puṇyasarvasvam)the whole sum of merit
- ମନ୍ତ୍ରନାମସହସ୍ରକମ୍ (mantranāmasahasrakam)the thousand names in the form of mantras
- ମହାଗଣପତେଃ (mahāgaṇapateḥ)of Mahaganapati
- ପୁଣ୍ଯମ୍ (puṇyam)holy
- ଗୋପନୀଯମ୍ (gopanīyam)to be kept private
- ସ୍ଵଯୋନିଵତ୍ (svayonivat)as the most private part of oneself
anvaya ଇତି ଇଦମ୍ ମହାଗଣପତେଃ ପୁଣ୍ଯମ୍ ମନ୍ତ୍ରନାମସହସ୍ରକମ୍ ପୁଣ୍ଯସର୍ଵସ୍ଵମ୍ ସ୍ଵଯୋନିଵତ୍ ଗୋପନୀଯମ୍
chandas Anuṣṭubh (śloka), 8 syllables in each of 4 pādas
note The comparison at the end is the tantras' own blunt way of saying that a text is to be kept strictly secret.
ଶ୍ରୀମଦୁଚ୍ଛିଷ୍ଟଗଣେଶସହସ୍ରନାମସ୍ତୋତ୍ରଂ ସମ୍ପୂର୍ଣମ୍ ॥
- ଇତି (iti)here ends
- ଶ୍ରୀରୁଦ୍ରଯାମଲତନ୍ତ୍ରେ (śrīrudrayāmalatantre)in the Shri Rudrayamala Tantra
- ଶ୍ରୀମଦୁଚ୍ଛିଷ୍ଟଗଣେଶସହସ୍ରନାମସ୍ତୋତ୍ରମ୍ (śrīmaducchiṣṭagaṇeśasahasranāmastotram)the hymn of the thousand names of Shri Ucchishta Ganesha
- ସମ୍ପୂର୍ଣମ୍ (sampūrṇam)complete
anvaya ଇତି ଶ୍ରୀରୁଦ୍ରଯାମଲତନ୍ତ୍ରେ ଶ୍ରୀମଦୁଚ୍ଛିଷ୍ଟଗଣେଶସହସ୍ରନାମସ୍ତୋତ୍ରମ୍ ସମ୍ପୂର୍ଣମ୍
chandas Prose, the colophon